So assuming a vampire doesn't need all night to sup, what would he/she do for the rest of the night?
It was a question, I think, many vampire novels don't address. Most of them are written from the victim's perspective, where the emphasis is on the attack. Or even if they are from the vampire's perspective, it's about the stalking and then the attack.
But what happens when the attack is finished? Then what?
That was the question I asked myself a couple years ago when writing the second novel of Before the Blood, my five-novel prequel to the BryonySeries trilogy.
The protagonist, Kellen Weschler, is a poor seventeenth century German farmer who is turned while dying from the bubonic plague. During his miserable years of life, Kellen was one joy.
He can read.
Now his only reading material is his grandmother's “Straf Mich Gott” Bible. But now that he is immortal with the ability to teleport through time, and now that he has plenty of middle of the night time on his hands, why he would read.
And so he does.
But the problem with reading a good book is that one gets lost in a good book. What if Kellen got so engrossed that he lost track of time and someone found him, or, worse, dawn sneaked up?
So I answered that, too. Like this. A bit raw and unedited, but I'm still drafting.
Oh, and if you're wondering what comes next, that's the bit I'll be reading sometime between 6 and 8:30 p.m. Nov. 2 at the Book and Bean Library, 3395 Black Road, Joliet.
That's the date and time for WriteOn Joliet's semi-annual open mic night. Well, open mic for members. Entertainment for attendees. Please join us.
And now, here's what THIS vampire does after dinner.
It was a question, I think, many vampire novels don't address. Most of them are written from the victim's perspective, where the emphasis is on the attack. Or even if they are from the vampire's perspective, it's about the stalking and then the attack.
But what happens when the attack is finished? Then what?
That was the question I asked myself a couple years ago when writing the second novel of Before the Blood, my five-novel prequel to the BryonySeries trilogy.
The protagonist, Kellen Weschler, is a poor seventeenth century German farmer who is turned while dying from the bubonic plague. During his miserable years of life, Kellen was one joy.
He can read.
Now his only reading material is his grandmother's “Straf Mich Gott” Bible. But now that he is immortal with the ability to teleport through time, and now that he has plenty of middle of the night time on his hands, why he would read.
And so he does.
But the problem with reading a good book is that one gets lost in a good book. What if Kellen got so engrossed that he lost track of time and someone found him, or, worse, dawn sneaked up?
So I answered that, too. Like this. A bit raw and unedited, but I'm still drafting.
Oh, and if you're wondering what comes next, that's the bit I'll be reading sometime between 6 and 8:30 p.m. Nov. 2 at the Book and Bean Library, 3395 Black Road, Joliet.
That's the date and time for WriteOn Joliet's semi-annual open mic night. Well, open mic for members. Entertainment for attendees. Please join us.
And now, here's what THIS vampire does after dinner.
During the initial century after his turning, Kellen was
content simply to experience a new pleasure: leisure. Freed from the minute by
minute struggle to survive another trip around the sun, Kellen, once he had
destroyed and imbibed, had the long
hours of night to enjoy.
Now
Kellen didn't care about soft evening winds brushing his icy skin, the stunning
stars under which he pranced, warm summers and brisk winters, or the dew
kissing his feet good morning and reminding him to dig a deep hole for the day.
No,
Kellen seeped through the cracks of library walls and read.
At the
Codrington Library of Oxford University, Kellen huddled in the recess at the
north end of this narrow building, a curious meld of gothic exterior and
classical interior, and studied law. Inside the remote El Escorial in Spain,
Kellen sat beneath vaulted ceilings and amongst the frescoes of the seven
liberal arts, pouring over ancient manuscripts in their original Arabic, Greek,
and Latin, and never wondering at his natural ability to read them.
Kellen
infiltrated the General Library of the University of Coimbra in Switzerland and
feasted on manuscripts dating back to the eighth century. At the Admont Abbey
Library in Austria, Kellen studied the frescoes depicting human knowledge and
enlightenment.
At the
library inside the Hofburg Palace in Vienna, Kellen perused through all seven
million items, including the sculptures and frescoes. The Albrecht Altdorfer
Danube landscapes particularly fascinated him, and Kellen did not know why.
Yet, it
was a simple inscription outside this library that Kellen would always say held
the most sway: “In quo omnes thesauri sapientiae et scientiae,” or "In
which are stored all treasures of knowledge and science.”
Because
now they were stored inside Kellen.
While
Kellen read, a lone crow kept watch at the window and warned him of advancing
dawn, much as he and Ilsabe once kept watch for Metta when they read from Straf
Mich Gott.
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