Showing posts with label writing characters. Show all posts
Showing posts with label writing characters. Show all posts

Friday, August 25, 2023

As Tedious as Writing a Dictionary

Our family's experienced a rough twelve months.

We lost Frances in August 2022, my father in January 2023, Ron in May 2023, and we lost Theodora, my great-niece Evelyn Celeste in her second trimester, a step-grandson (Dhane), and Cindy lost her father, too.

Rebekah also lost her car when someone totaled it while she was sitting at a red light. And I've had two separate overnight stays in the hospital this month, along with two weeks of daily trips to the infusion center.

So I entered my first vacation week of the year behind in life things and needing a nice long break. 

I had considered taking a writing retreat during this time. But, honestly, I didn't want to focus that hard. 

So how have I spent the time?

I've been catching up on sleep, odd bits of "life" chores that kept getting pushed aside all these weary months, and working on the BryonySeries guidebook that I hope to have available at WriteOn Joliet's anthology release party on December 7.

The guidebook is called, Welcome to Munsonville: The People, Places and Things of the BryonySeries, and I started compiling it last year.

It has an introduction and three sections: people, places, and things. Each section has the appropriate entries with brief descriptions (no spoilers) and which book(s) the reference appears.

Here's an example:

"The Fish and the Ring": An English fairy tale collected by Joseph Jacobs in English Fairy Tales. Appears in “Before The Blood: Bryony Marseilles.”

The Fisherman and His Wife: Folk tale by the Brothers Grimm about the perils of greed and discontentment. Appears in “Before The Blood: Bryony Marseilles.”

The Girl I Left Behind Me: An old English folk song. Because a U.S. Army marching son during the War of 1812. Starts with the lyrics, “I'm lonesome since I crossed the hill, and over the moor that's sedgy.” Appears in Before The Blood: Bryony Marseilles” and “Before the Blood” Bryony Simons.”

The Green-Headed League: A parody title of the Sherlock Holmes short story "The Red-Headed League" by Sir Arthur Conan Doyle. Appears in “Cornell Dyer and the Howls of Basketville.”

The Green Lady: Folktale from Hertfordshire. A poor girl finds work with a fairy and is warned by the fishes not to eat her food. Appears in “Lycanthropic Summer.”

The Eleventh Commandment and other Tales: Fictional book of short mystery stories by Harold Masters. Appears in “Bryony.”

The Hieroglyphics of Horapollo Nilous: A real ancient book, attributed to Horapollo, one of the last priests of the Ancient Egyptian religion in the fifth century. A copy sits in the library at Arcadia. Appears in “Before The Blood: Henry Matthews.”

Now, putting this BryonySeries guidebook together is as tedious as writing a dictionary. But a writing retreat is not amenable to multitasking.

But it's the perfect project for moving forward with the BryonySeries while catching up on rest and life tasks.

Have a great Friday!




Saturday, May 9, 2020

Twenty Questions with Ed Calkins, Steward of Tara (Steward Setback Saturday)

Why would a person allow himself to be legally fictionalized for a book series?

Read on and see. 

But before you do, I'd like to mention the good that's resulted out of this collaboration, and I'm not talking mney. (Nobody's making any serious money here).

One: Ed, who discusses his struggle to write through the years, was given space on this blog to write as the character he created. Yes, that's right. He created his own character for himself, and then I fictionalized it even further for the series. 

Two: Ed realized his dream of seeing some of his works in print when I published a collection of his blogs a couple years ago for Calkins Day that dealt with my Irish genealogy. (I'm not Irish. Ed made it all up).

Three: Ed is now writing is own book for the BryonySeries based on his (and some of mine) characters. And he gets free editing services for this and all of his writings.


Except for using the character in the books, none of these above benefits were stated in print; they've evolved over the years as we've gotten to know each other.




Twenty Questions with Ed Calkins, Steward of Tara

When I first started the BryonySeries blog in 2011, I posted this Q A with the real Ed Calkins in several installments. We did this interview months before the release of the first book, and it has never again been published.

Now for the first time, in living black and purple, is the entire interview with the man that ficionalized himself and allowed me to fictionalize him further for the series.

Just to clarify: Ed Calkins is a real person. He really lives somewhere Chicago-ish and was a supervisor for one of the agents when The Herald-News circulation passed from The Sun Times to the Chicago Tribune. I reported to Ed for my Marycrest route.

Having missed his Ed Calkins parade several years in a row, I offered, as consolation, a one-page monthly newsletter for his imaginary world or a spot in my series as a vampire. His response was, "Immortality, of course."

My attorney drew up the necessary paperwork for Ed to sign off himself. Seriously.

No Ed, is not insane, but wonderfully creative. If you want to know Ed, read the novels, for I dutifully scrawled on brown paper wrapping snatches of conversation overheard in passing at the distribution center while Ed handed out papers or in longer conversations by phone to weave in real dialogue with the imaginary dialogue and overall character arc.

I also spent much time with him, getting to know his "ruthless dictator" persona, as to accurately portray it. In a wonderful and truly humbling act of trust, Ed did not want to read any drafts; rather, he wanted the experience of his fictional self however I chose to write it, a very literary and legally-bound, "Do with me as you will."

It was marvelously empowering.

PS: I did such a good writerly job with Ed that one day, after Timothy had been out of the distribution center for a year attending Joliet Junior College and working at the Renaissance Center, he offered to help us roll papers one night and ran into Ed.

Ed said something to the effect of, "Wow, I haven't see you in a long time." Timothy blinked, yes, literally blinked, in surprise, for he had been reading drafts of Staked! as I had chaptered it off and felt as if he'd seen Ed every day.

Any blog post on this series attributed to Ed was really written by Ed. Just so you know.

And now, the interview:


        1)      Who is the ruthless dictator?

“My son was doing a lot of role playing games, and he was trying to come up with a bard and give him magical powers. I told him there was no need coming up with magical items, because bards are already too powerful, providing they’re not trying to seek notoriety for themselves. Ruthless dictators are not afraid to die. They’re just afraid of how they’ll be remembered. It’s not effective to compose a song or a limerick or an epic poem glorifying yourself. You’ve got to have other people saying it about you. Why not cut the military in half and invent some really good limericks? You can really insult someone into submission.”


2)      Why did you invent him?

“I was bullied as a boy, so it came from the way I would get back at bullies. I would think something negative about them, because verbalizing it wouldn’t go well. In my mind, I called it even. The ruthless dictator really started when I got a ticket running a stop sign when I was delivering newspapers on a really snowy day. If I had stopped, I would never have gotten going again. I really thought the ticket was unfair. As revenge, I picked ten people out f the phone book and thought bad things about them. My wife thought that was pretty corny. Later, I took over the entire town. I didn’t have to conquer a nation. It just had to be a place, at least metaphorically. It had to have its own identity.”


3)      What was your reaction when asked to become part of a vampire novel?

“I was nervous at revealing my ignorance about vampires. I didn’t know a lot about it. I worked quickly to remedy it.”


4)      Why did you accept?

“Immortality, of course. I can’t think about myself in everything. I have to think about 1,000 years from now, and if there’s going to be a three-day holiday in my name or not. There’s a side of me that thinks this could be goofy enough to think this could actually happen.”


5)      Weren’t you afraid of how you might be portrayed?

“No, and a lot of that comes from my survival mechanism as a kid. I learned to play along with the bullies rather than fight them. Part of my comedic outreach is self-deprecating, so it didn’t really seem that anything negative could hurt me. The ruthless dictator would say, ‘Look, there’s no such thing as bad publicity.’ King Midas is much better off than King Midas the Second, even though he was portrayed in a bad light, because nobody remembers King Midas the Second.”

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6)      What if fans expect the real Ed Calkins to be similar to the fictional Ed Calkins?

“He is like him. There’s just that side of him. He’s significant in an offbeat way, enough to where he can claim the stewardship of Tara without blushing.”


7)      The Irish have no solid vampire legends. How do you feel about being the first, real Irish vampire?

“I think other people will make more of that than I will. Being known as the Steward of Tara is more of a crowing achievement in my mind.”


8)      Where did your love of Irish lore and history begin?

“It started with my love of history. Then I looked into mythology, and I used to tell my son a lot of tales and legends. When he reached high school and heard the same thing, my credibility rose in his eyes. One thing I had told him that wasn’t really true is that Ireland was always a backwash of European history, unless your interest is war. Then, it is probably true. There were many Irish warriors. It’s just they tended to be fodder; they were never fighting for IrelandIreland is probably the only place where you get a sense of what pre-Christianity was about, so if you want to know Ireland, just study its myth. Even before I was really into being Irish, I had a disdain for the Roman Empire, which, I think, gave me a bias toward the Irish. In all honesty, I’m American, but my heritage is Irish. It only takes going to Ireland to know that.”


9)      How did you research your Irish heritage?

“I’ve read a lot of books. Also, as a college freshman, I got put into an Irish literature course, which I wasn’t very interested in it at the time. I’m not one of those people who have forgotten much of what they learned in college. So it stayed with all these years in a recessive way. The problem is that I’m very bad with names. The proper study of Irish mythology involves heroes, kings, and saints, in that order. They are alive today through the last names. I just don’t know who these people are.”


      10)   When did you begin writing?

“I started with poetry. In the eighth grade I wrote poem that resonated a little bit.        So, throughout high school, I wrote poetry. I was an editor of the literary magazine and the editor in chief the last year. Something bizarre about me is that I can’t finish anything. I have these really organized fantasies, but I’m not a wordsmith. I just lost my hard drive, which means I lost everything I’ve written for the last twenty years. I should be beside myself, but I’m not, because none of the pieces were really finished


       11)   What have you written?

“I actually wrote a historical fiction novel when I was in high school. I had a         fascination for Hannibal, so I put myself on the other side facing Hannibal’s army. I didn’t really know how to handle it, but I did write it.”


        12)   How had you shared your writings in the past?

“I posted them. When I was working on my trilogy, someone would send me an e-mail that said, “Send me your story,” and I’d send them a few chapters. Then I’d get another email saying, ‘That was great. Send me some more.’ So, a lot of it was praise-driven. The problem is that twenty years have passed. The protagonist has become darker and the eroticism is no longer interesting, I hate to admit. In my mind, I’ve reduced the second book to a single, short story. Also, every novel I’ve written was also an idea for a game. I had done a really good job of writing the games, again not finished. The smallest details completely derail a project for me.

13)    How do you overcome writer’s block?

“The truth is I don’t. My writing block is fear. By the time I do write, it’s only because the ideas have been spilling out over and over and over again through my mind, to where it’s enough already. The details have become an irritant, so I just sit down and write.”


14) What motivates you to compose a limerick?

   “I get ticked off, and my mind starts putting lines together. It’s different with limericks because I don’t have to actually write them. A limerick is not fine art. Because of its structure, a kindergartener is just as good as composing limericks as an adult.”


          15)  Why is legacy important to you?

“I think it’s fascinating to me in the same way history is. Think of Sue, the Tyrannosaurus Rex, which lived approximately 25 million years ago and compare that to the 6,000 years of civilization. In the eyes of God, dinosaurs must be a statement of survivability. Humanity is still an experiment in its infancy. When all is said and done, the history of humans is going to be a lot more significant than the bones of a creature, but we’re not there yet. We’re gong to have to start with many things, including being a lot older than 6,000 years. Maybe there won’t be an Ed Calkins parade that 6,000 years old, but maybe there will a 1,000 years old Ed Calkins Day parade, which will create the much larger tradition of there still being parades.”


16) How did the idea for Ed Calkins day parade originate?

“I discovered that my birthday and Valentines Day had a little conflict when I started dating my wife. The first year I was dating her, we went out and celebrated my February 13th birthday. Guess what happened on the fourteenth?  I didn’t have Valentine for her. That offended her at the time. My defense was, ‘Come on, it was my birthday.’ I guess where started. Then I started joking with other people that my birthday should be a national holiday. When you couple that with Lincoln’s birthday and the stars aligned in the sky, you can see it was meant to be.”


17)  You’re famous for cookouts, Queen of Christmas contests, candy canes and Santa hat distribution and palette jack races. Why host these things?

“Have fun, of course. Distribution centers can be so dreary. If everyday is like the last, no one wants to get up.


18)   Do you own a kilt?

“I used to, but I gave it away to my brother. It no longer fit, at the waistline. So, currently, I do not have a kilt. They’re not cheap. They can cost a couple hundred dollars.”


19)  For what occasions did you wear it?

“Initially I wore it St. Paddy’s day. I wore it the whole day. I was I in newspapers and, yeah, I went to work with it. My wife wouldn’t let me do it after I married her. It happened this way. I have a way of not taking care of garments. When I was starting to date her, most of my jeans had holes in them. She takes care of her possessions. That how I knew we were serious when she started washing my clothes. But when a woman starts washing your clothes, she gets to say what get discarded and what gets kept. You know my striped shirts? Those were her idea. My wife now dresses me. I used to dress differently.


20)  What are your plans for this blog?

“I’d like make some myths of my own, but that won’t start until the book comes out. I’m thinking it might be fun to add different side stories of the character into the blog, but maybe, too, I might be able to introduce some of the traditional Irish myths. I’ve been wanting write something about the interplay of state fairs in Ireland. There were laws concerning them, such as you couldn’t arrest anyone during a fair and you could not engage in war. All combat had to be resolved before a fair was scheduled to start. I’d also like to write about the Knights of the Red Branch and maybe some adventure that happens to some of the knights. That’s the neat thing about a blog. Speaking from the character, if something doesn’t fit, or if there is something else I want to say, I can always come back with, ‘I was just joking. Here’s what really happened.’ I’m very excited about this. I feel I’m getting closer to that three-day holiday.”


Tuesday, April 16, 2019

Fun with Archetypes

My one BryonySeries super fan has often commented on my use (although unintentional on my part) of archetypes throughout the books.

So over the weekend, we had a bit of online fun and listed the characters we felt best fit certain categories. For me, it was fun to get out of the writing box and approach my own work as a reader and through a different perspective.

Here are our results. 

Do you agree or disagree with our choices? What would you decide?

HER:

Ruler: Dr. Gothart

Creator/Artist: Owen Munson

Sage: Old Man Fisher

Innocent: Galien and Adele (With the flip side of that coin being ignorance). Susan, too. John-Peter

Explorer: Owen Munson

Rebel: Bryony

Hero: John-Peter

Wizard: Owen Munson

Jester: Kellen

Everyman: "There are many supporting characters in each of the books that lend that feeling of normalcy to the point where I've been shocked when you've kicked the chair out from under me. Seriously, Ed Calkins could assume that role when he wanted to, though of course, it was a disguise."

Lover: Henry

Caregiver: Maybelle, Melissa (in the trilogy)

She also said, "In the Tarot, John would be The Fool. I've always felt strongly about that one."


ME:

Ruler: Abbott Simons, Lord Girard

Creator/Artist: Henry Matthews

Sage: Everett Spencer, Grandpa Clyde

Innocent: Bryony Marseilles/Simons,  Flossie McGee, Lucetta Spencer/Simons

Explorer: Owen Munson

Rebel: John Simons

Hero: John-Peter Simotes

Wizard:  Dr. Rothgard etc., Granny Spencer

Jester: Cornell Dyer, Ed Calkins

Everyman: Steve Barnes

Lover: Henry Matthews, Boswell Pike

Caregiver: Darlene Marchellis/Barnes, Maybelle Fisher



Illustration by Kathleen Rose Van Pelt for "Bryony."

Monday, April 30, 2018

Writers: This Happens When You Develop a Character

They, um, develop.

I can virtually hear some of you say, "Well, duh! That's the point."

But it's true.

And that's one good reason why, soon after the writer types the last words of the novelist, he or she needs to get out the red pen, go back to the beginning, and reread (and edit) the characters.

Because they'll have changed.

Funny, isn't it?

We spend SO MUCH TIME getting them JUST RIGHT. We know what's on their feet and in their refrigerators. We know what they do on Saturday afternoons and how thoroughly they clean their homes.

Yet somehow, as if they have lives of their own, these make-believe people will grow, change, and take on a lives of their own while you're busy writing their story.

We can see it happen in other media. Take a television series that's run ten seasons. Re-watch the earlier seasons and compare the characters, then and now. Or reread first comic books of longtime series: Foxtrot, Doonesbury, Peanuts.

You see what I mean? Now look at your story.

You'll giggle (or groan) at some of Joe Doe's early dialogue. He'd NEVER say that!

Or you'll shake your head at some of his reactions and responses in the opening chapters. Nope, not Joe!

Even when we put dedicated time in fabricating pretend people, until we move them about the story like chess pieces, we never see their full scope. It can happen so gradually, you may miss it.

Hence, another read, the red pen, and a bit more editing.

You'll be happier with the story if you do.

And so will your reader.



Illustration by Kathleen Rose Van Pelt for "Bryony."



Saturday, August 6, 2016

Steward Setback Saturday: Someone Finally Asked It


Monday, September 13, 2010
Someone Finally Asked It

Bryony's basic storyline was outlined decades ago, so I find it interesting when certain elements mirror life today. For instance, from the very beginning, Melissa's mother, Darlene, was a single parent, who supported Melissa and her younger brother Brian through freelance writing assignments.

Someone asked me the other day if I modeled Darlene's character on me. I denied it, and that was the truth. At the time of the novel's conception, I was married with two small children and a third on the way. The possiblity of raising those children (and the three that followed them) as a single parent was the farthest thing from my mind. Heck, I had never given freelance writing a thought. I'm not sure I even knew thet option existed.

Besides, since I married my first husband rather young (two weeks after my twentieth birthday), my work history was slim: babysitting, office work, one fast food restaurant, and a summer internship at a newspaper. I was a happy stay-at-home mom and had no desire of ever being anything else.

However, since Darlene cared for her husband Frank before his death and later raised two children in the middle of Simons Woods, I wanted some lucrative work-at-home employment for her. At the time I began the story--1985--the only jobs I knew that could be performed at home were envelope stuffing and writing.

It seemed more likely that Frank, a former photojournalist, would fall love with Darlene the writer rather than Darlene the envelope stuffer. Also, having Munsonville's village board hire Darlene to create promotional literature for Simons Mansion gave her a good reason to relocate the family. I was well into the second round of edits before it occured to me that someone might think I modeled Darlene after myself.

Actually, I am none of the characters. All but one spring completely from my imagination. Only Ed Calkins is based on a real person and his imagination, brought to literary life, with his permission, by my imagination. I've heard sometimes authors base charcters on themselves, but for me, creating them only from the impressions that roll about my mind has been much more fun.

Denise M. Baran-Unland at 7:27 AM

Tuesday, June 21, 2016

Writing Tip: Separate the Forest from the Trees

Nothing clogs a stream of words as fast as stopping to work out a description of a character, scene, object, etc.

One trick that works for me is leaping over that part and returning to it later.

For instance, supposing your character has just entered a room or met a new person. Rather than stopping the action in your mind to develop that room or person, simply write DESCRIBE and keep going.

Later, when you have a spare ten or fifteen minutes, you can return to the blipped over portion with your entire attention.

It often works for me. Maybe it will for you, too.