Showing posts with label creative writing. Show all posts
Showing posts with label creative writing. Show all posts

Monday, June 29, 2026

Kindess Days

I realized the other day that I actually do very, very little to let people know about the two non-BryonySeries books I've written.

One is an editiing checklist for fiction that's a fundraiser for WriteOn Joliet.

The other is a devotional-style book on the non-obvious ways to find kindness.

Those who follow my BryonySeries Facebook page already know that I focus on different subseries on the different days of the week.

Going forward, I'm adding "kindness days" into the Sunday rotation in order to add two very components that are key to B.L.O.C.K.S. - the parent brand of the BryonySeries.

Because although all of the BryonySeries books (except Bertrand the Mouse, who promotes the fun in reading) involve the supernatural in some way, we deliver those books with an emphasis on these two characteristics:

A spirit of community.

And kindness.

Enjoy!






Saturday, November 15, 2025

A Small Glimpse into Ed Calkins' Fourth Novel

So Ed Calkins, Steward of Tara, sent me this outline this morning of his fourth novel's table of contents, although, including which chapters are already drafted.

So while I've dealt with medical stuff (again, still) for most of 2025, Ed's been scribbling away in the hopes of entertaining us all!

I'm intrigued; how about you?

I'm farther along than I thought... Still more chapters with be added as I start finishing the unwritten ones.

 

Table of Contents             The Disturbing Whereabouts of Kellen Wechsler

 

 The Quiet Kings of the Damned

 

              Forward: Human Sacrifice   unwritten

 

1 The King of Cows                written

 

2 Tangles and Timelines        written

 

3 A Really Cold Case               written

 

4 Time to Talk Templar          started

 

5 Shoes of the Fischers          started

 

6 The Ghost of Almost           written

 

7 Trigger Treat                         unwritten

 

8 The Internet Never Lies      unwritten

 

Covid Finds Munsonville

 

              9 Hero’s Forest                                        written

 

              10 The Land of a Hundred Kings            written

 

              11 The Privilege of Service                    written

 

              12 Dear Me                                               written  

 

              13 Nun Shall Pass                                     unwritten 

 

Romance, Sex, and Other Trash

 

              14 What Must Never Be Told                         written

 

              15 The Bridegroom Wished He Knew           written

 

              16 What Happened to Two Aging Virgins     unwritten

 

17 What Boys Do in the Shower                     unwritten

 

The Children’s Crusade

 

              18 Show and Tell                                              written

 

              19 The Whereabouts of the Mad King         unwritten  

 

              20 Direct Orders                                               unwritten



 


Tuesday, September 23, 2025

A Wisp of a New BryonySeries Novel

"I think you have one more novel in you."

Thus Ed Calkins, Steward of Tara, has said to me more than once.

At first I thought his comments were wishful thinking on his part.

But he may be right. 

Maybe.

A very small wisp of an idea started floating arond my brain a few weeks ago. But with so many other projects (some other book projects, some not) filling front and back burners, the wisp can just float untended for a while.

OK, maybe I'll throw it a few kibbles now and then, just to se if the idea is hungry and wants to grow.

I'm strangely excited at the thought of writing another novel, which is turning into "I probably will" as I write these words.

And I'm already musing, "Standalone?" "New trilogy?"

Seriously. (shaking head at myself).

That's great news for the small audience that love my books.

And that's great news for me, too.

For I've spent some of the best thousands of hours in my life taking half-formed ideas out of my imagination and shaping them onto the page.

If you're an artist of any kind (and I think anyone who creates anything is an artist) you'll understand.

Happy Tuesday!




Tuesday, March 25, 2025

About the BryonySeries: Fisher Farm

Last year, I published a guidebook to the BryonySeries to give readers a quick reference to a person, place, or thing when they encountered it or needed a quick refresher.

And then last week during WriteOn Joliet's radio play rehearsal, the topic of Fisher Farm came up because Ed Calkins' piece is set on Fisher Farm.

It's interesting hearing Ed discuss Fisher Farm because he is absolutely enchanted with that farm and told me several years ago his plans for it.

As you may know, Ed is a former supervisor turned collaborator, turned character in the BryonySeries, turned author, turned friend.

As an author/character, he is an unreliable narrator. This gives Ed plenty of freedom in his writings because he can write whatever he likes, however he likes, and have it still fit on the BryonySeries world, which readers can accept as "canon" or not.

Here's the fun part for me. As I put together these ten facts about Fisher Farm (supported by texts from some of the BryonySeries books that might whet your reading appetite to know more), I realized that Ed's writings brought the farm's existence more than full circle. He brought it very forward and infused it with greater and deeper meaning than I had.

Who knows? Maybe you'll become enchanted, too, and want to experience Fisher Farm for yourself.

Oh, and refill that coffee mug. This is a long post. Enjoy the journey!

Here is what the guidebook says:

Fisher Farm: Family farm with two farmhouses northwest of Munsonville, founded by Clyde Fisher in the nineteenth century. Mentioned in “Bryony.” Appears in “Before The Blood:Bryony Marseilles,” “Before The Blood: Bryony Simons,” and “Call of the Siren.” (And also "House on Top of the Hill," which wasn't written when the guidebook was published, as well as two books by Ed Calkins: "The Fifth" and "Recovering Ruthless").

Here are ten facts about Fisher Farm:

1. Fisher Farm was well-established by the time Munsonville was just getting developed. (FYI, Munsonville is a mid-nineteenth century Utopian community in Northern Michigan that encouraged eating fish and not eating meat. Munsonville only exists in the BryonySeries, despite what Ed may tell you).

All summer Maybelle, as plump and sweet as an overripe peach now that she was expecting, stocked the Marseilles cabin with bounties from Fisher Farm; Galien and Adele hardly opened a can. They also drowned in fresh fish, courtesy of Orville and Bernie, a welcome change from last winter's salt cod. 

(Before The Blood: Bryony Marseilles).

2. Fisher Farm remained an important supplier of fresh food a decade later and beyond.

 Afternoons toward the end of the week held the most variety. In mild weather, Bryony accompanied Mrs. Parks on errands to the general store for staples or to Fisher Farm for eggs and vegetables. 

(Before The Blood: Bryony Marseilles).

3. Fisher Farm was a place of joy for Bryony Marseilles even as a very young girl.

Bryony liked trips to Fisher Farm. Cattle grazed contentedly in the meadow. Hens waddled and clucked across the road without a care, but when a cart or buggy approached, they scurried away, flapping their wings and kicking up dust. 

(Before The Blood: Bryony Marseilles).

-----------------------------------------------------------------------------------------------------------------------------

The fading sun sank to the horizon and cast golden orange shadows over the endless countryside. Old Drew clopped along the path his own hooves had dug through many treks to Fisher Farm. Bryony clasped her hands in delight. They were on their winding way. 

(Before The Blood: Bryony Marseilles).

4. Fisher Farm was a hub for all-village social events.

Whistling a song instead of singing one, Mr. Munson set off again, gaily swinging Bryony's hand as they walked. They were now approaching the party. The bonfire blazed tall and hot in the chilly October air and smelled of burning pine. Here and there stood wooden barrels, with spigots. There were women in cloaks and bonnets, some with faces together and chattering, some arranging the food; and men in jackets and caps, waving glasses, guffawing, and biting into crisp Fisher Farm apples. 

(Before The Blood: Bryony Marseilles)

(Later, at the above harvest party, Munsonville founder Owen Munson told this tale of "Stingy Jack.").

Bryony remained with the Parks' until twilight on December 31, and, by the look of annoyance on Reverend's face at her return, she knew he wished circumstances were otherwise, too. But Mr. and Mrs. Parks were attending a New Year's Eve square-dancing party at Fisher Farm with the rest of the village, and Reverend wouldn't allow Bryony to accompany them. So home she went.  

(Before The Blood: Bryony Marseilles)

5. Fisher Farm is where Bryony found a family during the summer of her eleventh year - and so did her neglected friend Susan Betts.

A gregarious reception greeted Bryony at the back door as the Fisher girls ushered Bryony into the bright kitchen, warm with genuine welcome, and succulent with thyme and garlic.

 Yet amidst the cheer, apprehension clung like the web of a large house spider.

 Mr. Parks silently set Bryony's bundles on the wide plank floors, tipped his hat at Mrs. Fisher who appeared in the doorway, swollen in expectation of her seventh baby, and without a word, departed.

 The girls' babbling floated around her as clear soap bubbles on a sunny day.

 "We waited dinner for you," Rose said. "Are you hungry?"

 "We sheared sheep last week," Daisy added.

"We're summer sisters," Ivy said.

 "Do you like chickens?" Heather asked.

 Lilac hung back. Marigold skipped around the kitchen, clucking like a chicken.

 Bryony, still clutching Penny Whistles, gazed about the large room, from the double cast iron stoves, many cabinets and shelves built into the walls, and the large windows that showed only the blackness outside. A large cast iron triangle hung near the door.

Next, she contemplated the girls, her companions for the next three months.

At eleven, the same age as Bryony, but slightly taller and not so slender, Rose Fisher bore the appearance of her mother's right hand daughter. She had  the round face and eyes, supple well-fed limbs, and dark ringlets of her sisters, but she carried herself with the quiet assurance of knowing her place in the pecking order and having the abilities to carry it out.

Next to Rose, hands demurely behind her back, stood Lilac Fisher, a year younger, the prettiest of the girls and the shyest, but with soulful eyes that expressed her beautiful spirit more eloquently than mere words could.

Daisy, eight, jumping up and down and talking over everyone else to get Bryony's attention, was bright, ebullient, and easy-going, a real hoyden, Mrs. Parks had once said, although not in an unkind way, for the powerful vitality emanating from her shouted, "Challenge? Bring it on!"

By contrast, Ivy, even at age six, oozed femininity at its sweetest. No one could look at the limpid pools that passed for eyes without thinking pink, crocheted lace, and pastel bouquets, and she often adorned her abundant locks with a single blossom.

Five-year-old Heather was the plainest, for God had bestowed on her the worse combination of her parents' physical traits: her mother's high forehead, large cheeks, and protruding belly; and her father's narrow eyes, wide nose, and turned down mouth. But no one, including Heather, seemed to notice this, even though anyone with eyes could see she would never be a beauty, Mrs. Parks said; her friendliness and ready smile more than compensated for these defects.

Marigold was simply a little country doll with the babyish roundness all well-fed girls had at age two, content on pattering about her world in complete trust of those she followed.

"Girls, girls!" Mrs. Fisher held up her hand. "You'll overwhelm our little guest. Rose, please show Bryony her room. After supper, you can help her unpack."

"You're sharing with Lilac and me," Rose said.

She, Bryony, and Lilac each grabbed a bundle and  led the way up the back stairs to the second floor, with the younger girls behind them, Heather crooning an unfamiliar tune all the way.

"What is she singing," Bryony asked.

 "Who knows?" Daisy said behind her. "She makes them up."

 Rose and Lilac's bedroom was the middle of the three. Daisy and Ivy shared a room as did Heather and Marigold. Mr. and Mrs. Fisher had the attic.

 "But Mama usually is with Heather and Marigold most of the night," Rose stepped into her room and dropped her bundle, with Lilac repeating that move. "Well, this is it."

 The sight of that room spawned a malignant spirit inside Bryony and not because the room was ugly.

 On the contrary the bedroom, like the curly heads waiting for Bryony's reaction, was charming. It had whitewashed walls, plank floors, and feed sack curtains embroidered with flowers. A large handmade quilt covered the large homemade bed. Sprawled on that bed was a menagerie of farm animals, all sewn from feed sacks. They had mismatched buttons for eyes, and stitching for noses and mouths.

 At each side of the bed stood a homemade night table. One table held a stack of books; the other displayed a glass jar of white thimbleweed. A large bureau with a small looking glass dominated the right hand wall; hooks holding dresses, bonnets, straw hats, and capes ruled the left. The last piece of furniture, in the corner next to the dresser, was a freestanding commode with a closed lid.

The entire scene felt homey, loving, and captivating. That was the problem.

If only, and Bryony felt the nasty green pang of jealousy for the first time, she had been born a Fisher.  

(Before The Blood: Bryony Marseilles)

-------------------------------------------------------------------------------------------------------------------------

Bryony proved quite adept at berry-picking, courtesy of all the times she had accompanied Mrs. Parks, even though she still gorged her mouth as well as her pail. As the girls crawled through the tall tickly grass and gathered the tiny ripe fruit, Grandpa Clyde and One-Eye Blue meandered and meditated.

One-Eye Blue was the closest Bryony had to a pet. Puss didn't count, since the old tabby rarely interacted with humans, only dozed, her right perhaps, since she was older than Bryony and quite the hardworking mouser in her day, Mrs. Parks had said.

The dog's appearance was striking. He had copper points on his white fur, an eye of brown and an eye of blue, and an unending source of energy, making One-Eye Blue one of the most industrious members of the Fisher household.

With stern barks (and a few nips when necessary), One-Eye Blue rapidly rounded a flock of merino sheep or prodded a herd of black and white Holsteins; he headed and heeled with ease.

Even little Marigold was safe roaming outdoors when One-Eye Blue romped nearby, for he never let her ramble far.

Inside the farmhouse, One-Eye Blue retrieved more dirty laundry than any of the girls, Lilac included, and located lost buttons with ease. He announced the arrival of any strangers, and stretched out by the front door at night.

Yet for all his dominance, One-Eye Blue patiently submitted to brushing and petting, a pastime of Bryony's during drowsy afternoons after lunch. Often, she sat under an old elm, relishing his warm skin and soft coat while in the distance, Mr. Fisher, Grandpa Clyde, and Robbie plowed or hoed.

When she finally laid aside the brush, Bryony cuddled the dog's neck and rested a cheek against the silken fur, neither moving, together basking in the bright sunshine, cool shade, and exquisite pleasure of each other's presence.  

(Before The Blood: Bryony Marseilles)

----------------------------------------------------------------------------------------------------------------------------

"There." Rose tied fastened her work with a bit of blue ribbon. "You look pretty, Susan. Go see in the looking glass."

Susan shook her head. "Ma said it steals souls."

At that moment, Mrs. Fisher peered around the door in her night cap and dressing gown. Blue, guarding the foot of Susan's bed, pricked up his ears.

"Goodness, girls, why are you still awake?"

"I fixed Susan's hair, but she's afraid to look!"

Mrs. Fisher stroked Rose's curls and looked sympathetically at Susan, who shrank back and tucked her legs under her nightdress.

"Girls, I'll be right back!"

Mrs. Fisher  returned with a bronze hand mirror. She eased beside Susan on the trundle bed and held out the mirror upside down.

"Such a small object, Susan, see? Looking glasses don't harm you. They help you."

 "Don't see how."

 "They show the truth."

"I ain't purty!"

"How do you know if you've never seen yourself?"

Susan crossed her arms and scowled at the wall.

"Honey, we can look together," Mrs. Fisher said. "I'll even hold the mirror. Susan, would you like that? And I'll hold your hand so you won't be frightened."

Mrs. Fisher's coaxing tone slowly won Susan's trust. Bit by bit, Susan inched toward the motherly figure.

"Can you believe it?" Rose whispered to Bryony.

"Are you ready, Susan?"

"Yes,'m."

Slowly, Mrs. Fisher rotated the mirror. Susan gasped, and two hands flew up to her mouth.

"Do you see the pretty girl, Susan? Do you see her lovely cornflower eyes, golden hair, the spray of sun kisses, and that spunky turned-up nose?"

Susan seized the mirror and brought it close, searching, searching.

Mrs. Fisher stroked Susan's head. "Susan, do you see?"

"Yes'm."

 "You know what I think? I think you need some pretty new dresses to go with that pretty face you see, and I think tomorrow is a good day to start sewing some. What do you think, Susan, would you like some new dresses?"

Susan said nothing, mesmerized.

"The glass is yours, to keep."

Susan lowered the mirror, her expression defiant. "Ma'am?"

"When I was a little girl, much younger than you are tonight, my aunt presented me with this mirror. Now, I am giving it to you, as she gave it to me."

"Much 'bliged, ma'am."

"Oh, Susan!"

 Mrs. Fisher swept Susan to her breast. Susan hung like a rag doll, aloof, as Mrs. Fisher rocked her back and forth.

After a long while, Mrs. Fisher lay Susan down, tucked the comforter around her as she might do for Marigold, and then kissed Susan's forehead with compassion and warmth.

When Mrs. Fisher finally rose to darken the room, tears streaked her cheeks. "Sleep well, girls."

Rose meekly replied, "Yes, Mama."

Susan shed her indifference as a garter snake shed its skin and emerged from her cocoon as the beautiful butterfly Mrs. Fisher believed her to be.  

(Before The Blood: Bryony Marseilles)

-----------------------------------------------------------------------------------------------------------------------------
6. Tragedy killed the magic at Fisher Farm by the time Bryony was grown and married. And little Sue Bass, who later stayed on the farm, never experienced the magic, only the despair.

For the villagers had decided to reciprocate the Simons’ generosity by hosting an event at Fisher Farm. Mayor and Mrs. Fisher had invited Susan and Junior to eventually make their home at Grandpa Clyde's farmhouse, but their marriage was a year away.

In the meantime, Mayor Fisher saw no reason not to offer the house and one of the barns for the party. On the invitations, the Fishers instructed guests to don floral-print clothes and decorate their carriages with native flowers and greenery, as a way to celebrate this transition from summertide to autumn.

Bryony stared at the invitation in disbelief. 

"What's wrong?" John asked.

Trembling, she handed it back to him. "I don't want to go."

“We must.” John set the invitation on the sideboard and poured a drink. “I’m the entertainment.” 

But the tears spilled out and she cried, "No! I can't do it!"

John set the drink down and took her in his arms. "Bryony."

"I can't!"

"I know it's hard. But the Fishers need it. You can do it. I won't leave your side."

She sniffed and looked up. "Promise?"

He brushed the tears away, and tenderly kissed her forehead. "Promise."

(Before The Blood: Bryony Simons)

-----------------------------------------------------------------------------------------------------------------------------

How many times had Bryony made the short trek between farmhouses with her summer sisters, and yet the way never felt this long or sounded so still. The party sounds grew fainter the farther she and Mrs. Fisher traipsed from them, while the natural sounds of the night, katydids, crickets, and the occasional whippoorwill, rose to near-deafening pitches, as did the scuffing of their feet over the grounds.

She'd spent her happiest, most carefree days of her childhood at this farm. She had everything here: a loving family with two parents, a houseful of sisters, and a Grandpa who was wise and true.

She had a beautiful dog to brush and hold, the freedom to run and play like the wild mustangs she loved to watch, and the presence of her cowboy making joyful music with his songs.

She hated this place, every blade of grass, every splinter of wood. 

(Before The Blood: Bryony Simons)

-----------------------------------------------------------------------------------------------------------------------------

Blindly, Bryony stumbled out the door and then broke into a run across the fields, flaxen in the day's fading light, not caring where she headed, and still the ghosts of the past kept pace. However did the Fishers endure it? 

(Before The Blood: Bryony Simons)

-----------------------------------------------------------------------------------------------------------------------------Fisher Farm was dirt, sweat, stink, and muscle-burning work.

Mrs. Helsby was tired, gray-ish, and sad.

Auntie Maybelle struggled to move, struggled to help, and smiled brave smiles.

Priscilla and Emeline had their noses in the air and fresh mouths beneath those noses, the type of mouths that needed a good scrubbing with brown soap.

Marigold, Jasmine, and Violet grew on the same vine.

Sue was a visitor. 

(Call of the Siren)

-----------------------------------------------------------------------------------------------------------------------------Maudie’s disappearance, for Sue, crystallized why she loathed living at Fisher Farm, and why the very thought of staying forever filled her with unease. A resigned sadness hung in the farmhouse, and an undercurrent of quiet despair pervaded the landscape. Sue sensed it that day Ma had abandoned Sue at the farm. Sue couldn’t define it at the time; she only felt it. But the longer Sue stayed at Fisher Farm, the more she soaked up their misery, the way Uncle James, Auntie Maybelle, and, yes, even Mrs. Helsby had soaked it up and became part of the bleakness. Maybe that’s why Marigold “got with” the ‘hand. Maybe that’s why Maudie ran away – to escape the drab, gray hell of hopelessness. 

(Call of the Siren)

-----------------------------------------------------------------------------------------------------------------------------The words whirled through Sue’s head, impossible to grasp. Too stunned for tears, Sue could only hang her head and whisper, “I didn’t know.”

But she saw Uncle James – again – in another new light. Maybe Uncle James had stayed in the barns, not because his sparrow had found a home, not because he had found God, and not just because he could see Maybelle the way she lived in his heart, but because his house was too full of his daughters’ ghosts.

“This place is death,” Uncle James said, averting his gaze from Sue but not before she saw his sorrowful eyes. “Anyone who comes here, dies. We’re leaving while we can.” 

(Call of the Siren)

-----------------------------------------------------------------------------------------------------------------------------

7. Fisher Farm fades into obscurity and no one remembers it by the early 1970s until Munsonville's new librarian asks the village maintenance man about it.

“Steve,” June said as he headed toward the door. “Ever hear of Fisher Farm?”

“Fisher Farm?” He paused and faced her once again. “What’s Fisher Farm?”

“A farm James Fisher’s uncle established around the time Owen Munson founded Munsonville, northwest of the village.”

“How far northwest?”

June laughed. “About an hour by horse and cart.”

Steve laughed, too, and then cocked his head as he mentally calculated. “So about ten miles or so. Never been out that way.”

“I believe it. Everything beyond my backyard is overgrown.”

“Hugely overgrown. I’ll ask at the Beulah County Sheriff’s office tomorrow. I’m driving into Jenson for supplies anyway. My hunch is that the farm is unincorporated and under the county’s control.” 

(House on Top of the Hill)

--------------------------------------------------------------------------------

“As promised, I stopped at the Beulah County sheriff’s office today on my way to Jenson for supplies today. Surprisingly, no one knew anything about Fisher Farm. Gabe’s too young, of course, but Jan looked at me as if I were asking about Atlantis.” Steve polished off the last of the water. “So I dropped the subject to keep Fisher Farm off their radar until I checked it out myself. After I returned from Jenson, I headed northwest with the flail mower.”

“And?”

Steve wiped his damp face with his damp shirt. “And I didn’t find Fisher Farm.”

June’s heart sank, and she slumped slightly.

“I did find scattered pieces of an old split rail fence.”

June perked up.

“So if a farm is out there, I’m on the right track.” Steve yawned behind his hand. “I mowed through a few miles of grass today. Tomorrow, I’ll head out before dawn. If I don’t find it, I’m either going the wrong way, or it’s just not there anymore.” He yawned again, rose, and stretched. “I’ll let you know.”

June rose, too. “Thanks, Steve. I really appreciate this.” 

(House on Top of the Hill)

-----------------------------------------------------------------------------------------------------------------------------

June stayed late that night, just in case. At ten o’clock, she locked the library and trudged home, disappointed, but thankful Steve had tried. As she approached Pike Street, Steve pulled up beside her, honking and looking pleased with himself. June sped to the driver’s side window and breathlessly asked, “You found it?”

“I found it.”

“You’re a genius!”

“Not really. I just followed your directions.”

“So now what?”

“Would you like to see it? I’ve got a couple jobs in the morning. But we can leave after lunch.”

“Most definitely! How much of Fisher Farm remains?”

“Can’t say, seeing I don’t know what’s original. I saw seven buildings in terrible shape: two farmhouses and five barns.”

“Is it safe to see them?”

“From outside. When you look through the broken windows, you’ll see what I mean. I mowed paths through the grass to all the structures and then mowed paths around them, so you should get a good view.”

“This is wonderful, Steve. Thank you!”

“Be sure to wear long sleeves, long pants, and tall socks. Bring a hat and insect repellent.”

“I planned on it.”

“Good. Otherwise, the bugs out there will chew you up.”

“I will, thank you, Steve!”

“See you in the morning!”

Steve drove off and June continued home, ruminating on bonfires, square dancing, flower festivals, and barn concerts. Of course, just because Beulah County didn’t know about Fisher Farm didn’t mean Beulah County didn’t own Fisher Farm. At the same time, just because Clyde Fisher built his farm on the outskirts of Munsonville didn’t mean Fisher Farm wasn’t within village limits now. A current plat map should settle the question on who owned the farm. But before she leaped head-first into that rabbit hole, she needed to see the property first. Nevertheless, she suspected Munsonville might be putting its eggs in the wrong basket. The Village Board should consider putting Simons Mansion out to pasture – in favor of a pasture. June giggled, feeling as light and giddy as a schoolgirl as she slipped her key into the lock. Nothing excited June more than discovery.

Driving out to Fisher Farm the next afternoon felt like driving through a jungle. The grass on either side of the path grew nearly as tall as Steve’s truck. The sun beat through her clothing and sweat trickled down her face. Clouds of insects chirred through the air, indignant at the intrusion of their sanctuary. The overpowering scent of grass and wildflowers stung her eyes and nose. How in the hell did Steve mow through ten miles of this mess? And all for a farm no one knew still existed! She glanced at her hiking boots, the ones she bought for her treks into Simons Woods with Vicki, the first time she’d worn them since…

“You see?” Steve shouted over the truck’s rumbling as he pointed.

Sure enough, pieces of an old rail fence lay scattered here and there.

“You could’ve broken your blades with that!” June shouted.

Steve sharply dodged each board. “I’ve driven over far worse!”

Fifteen minutes later, a large, dilapidated farmhouse came into view, and butterflies leaped in June’s stomach. She felt weirdly excited at the sight of it and didn’t know why. Steve kept driving through the path and stopped the motor near the caved-in front porch.

“Well,” Steve said. “Here we are.”

June stepped out of the truck, her eyes roaming over the sight. Split weathered boards. Porch roof buckling. She followed the path around the side of the house and waded through tall weeds to the broken window, shading her eyes for a clear look at the old parlor. The second floor had caved onto the plank floors, flattened the staircase, and partially buried the family’s talismans and treasures: stained samplers, rotting rugs, shredded curtains, decaying cushions on chairs crushed by bedroom furniture, a collapsed bookcase with stacks of water-soaked, misshapen mildewy books. She eased her way to the dining room window and saw more of the same. A ceiling beam impaled the long, wooden dining room table, neatly splitting it in half. Beams and beds created weird geomatic patterns on a canvas of stained and moldy walls. She rounded the corner and peered through another window. The kitchen had collapsed into itself, its stoves, cabinets and shelves, and large windows with jagged glass teeth. Ironically, a large cast iron triangle still faithfully hung near the doorway. Hands in her pockets, June rambled the quarter mile to the second farmhouse with Steve shuffling beside her. June circled the much smaller building, peeping here and there at similar damage.

“It’s so sad,” June murmured. “They left everything. I wonder why.”

(House on Top of the Hill)

8. Fisher Farm is not a typical farm, a minute detail Ed picked up from reading the BryonySeries prequel "Before The Blood" and expanded in his books.

“You ran away?” Officer Marsha asked.

 “No.” Sheriff Matt hung his head. “I admit that I was irrationally terrified of going into that building, but where I was heading terrified me more. Yet, being from here and looking for a young girl triggered something in me. She had to be at the old Fisher Farm. Trudy, you know that place.”

 

Officer Trudy nodded to show she did. “Creepy at night.”

 

 “Yes, creepy. But it’s also where young girls seem to disappear from…at least to me. It’s not easy to get to. There’s a narrow dirt road meant for horse teams but… well, I was lucky it hadn’t rained. Neither farmhouse had caved in yet, but I had a feeling about the stables. Just then, I saw a figure. It was an old man walking towards it. I shouted, ‘Halt’ and fired when he didn’t. No one dropped and no one remained. I could have sworn it was the old man himself.”

 

“Old Man Fisher?”

 

Matt folded his hands and rested his chin on them. “To this day, I believe I was shooting at Clyde Fisher’s ghost. With my revolver still drawn, I entered the old mustang stables, calling out for Kimberly though, if I was right, she would not want to be found. Instead of her, I found old-style distilling equipment that didn’t have the rust of disuse – and at least a hundred wooden barrels stacked on either side. Most of them were filled with moonshine. I was facing the other way when I first heard him laughing at me.”


“Clyde Fisher?”

 

“No. He was a short man sitting on top of a barrel with a tin spoon in his hand. He looked a bit like Eircheard, but he was shorter and older, I’d say.”

 “A cluricahn!” Sandra exclaimed.

 

“He called himself ‘Clancy’.”

 

“That’s my papa,” Eircheard confessed. “If you’re dealing with him, you’re up to no good.”

 

Eircheard pointed to the soul flower. True blue. 


(The Fifth, by Ed Calkins, Steward of Tara)

9. In the twenty-first century, Fisher Farm once again becomes a place of healing.

Matt shrugged as he reached for his jacket. “You'll know if it comes to that. It's not like you won't have any other options.”

“What do you mean by that?”

“That homestead you wanted, remember?”

Marsha nodded.

“I just finished the paperwork and it's been approved.” Matt’s smile was warm. “You're getting most of the old Fisher Farm land. I'll keep an eye on it for you until the Munsonville calendars all decide to agree."

(Recovering Ruthless, by Ed Calkins, Steward of Tara)

---------------------------------------------------------------------------------------------------------------------“Well…Matt faltered and fumbled for the right words. “This is uncomfortable for me. Let me start off easy. I pulled some strings and got you a homestead. It’s not ideal, but it’s what I could get. The homestead is on the abandoned Fisher Farm.”

“The one where the mysterious Devil’s Moonshine is brewed?”

 

 Money from the Devil’s Moonshine was the only funding Beulah County received. Even though Beulah County was contained within the borders of Northern Michigan, the State of Michigan never heard of Beulah County. Just as mysterious was the brewing and selling of moonshine in the decrepit barn on Fisher Farm. Nobody ever saw who brewed the stuff, but Matt once saw the leprechaun-like creature who bought it. The creature would toss the full wooden barrels into a portal then leave the empty barrels and a pouch in payment. That pouch always contained pure gold coins. There was an exchange in Thornton that would melt the coins down and pay in cash with no questions asked. The journey from Fisher Farm to the exchange and then to the Beulah County Bank was a weekly trip for Matt. All Beulah County employees were paid in cash from that sale.

 

“Yeah, but I put the trailer on the far east side of the lot. I don’t want you’re soon-to-be-born sons playing with God knows what.”

 

“The trailer?”

 

“Trailer home. When I hired you, I promised you a hundred dollars per day and a place to live. Yes, we’ve been putting you up in that room at the Wisten Hotel in Jenson, but it’s cheaper for the county to buy you a trailer now that you’ve got land to put it on. Its already hooked up to the utilities and ready to move into. I know it’s a small living place but it’s enough to get you started. And – here.”

 

Matt handed Marsha a cashier’s check. Marsha gasped at the amount.


(Recovering Ruthless, by Ed Calkins, Steward of Tara)

----------------------------------------------------------------------------------------------------------------------------

Beth quickly discovered that Fisher Farm had many rules. Her favorite would soon be the dinner bell rule: If you’re staying for dinner, clean up at the kitchen sink pump. Otherwise, it’s time to go home.

It was as if these people thought that every dinner was Thanksgiving. Platters of food covered a long table in the dining room between the large kitchen and the spacious parlor that seated forty or more. The platters held two types of meat: chicken and something called “mutton.” And you had to eat at least one vegetable serving in order to get dessert.

 The adults sat at one end with someone called Sheriff Matt at the head of the table. This old man wasn’t the sheriff, though; everyone just called him that, including Sheriff Marsha.


Next to Beth was the white woman everyone – except the two teenage twins, Authur and Marty – called Aunt Sandra. Arthur and Marty called her “Mama Sandra.” That was funny to Beth because the twins called Sheriff Marsha “Mama Marsha.” And both twins were white like Mama Sandra and had her sunny yellow hair.

 

Aunt Trudy and Uncle Eircheard, a leprechaun-like man in a green suit, sat on the other side of the table. Grandma Trudy was a heavyset poet with long hair and gray eyes. The kids whispered that Grandma Trudy was some kind of hero, but not everyone called her Grandma Trudy.


The only black teenager at the table – May – simply called them Grandma and Grandpa. Did May’s father run out on her, too? The only black adult was Sheriff Marsha – but Sheriff Marsha didn’t call May her daughter.


The white cowboy with the long red hair and green-tinted skin that drove the tractor was named Glorna. He sat next to Aunt Karla, who was some kind of magic lady. She was stocky with curly black hair.


Next to Glorna was a really tall lady named Aunt Patricia. Some of the kids tried to tell Beth why Patricia was so big. Beth didn’t buy it.

 

There were about twice as many kids as adults and teens. All of them were white and went to Jenson Elementary School with Beth. She always had trouble making friends, but now…

 

(Recovering Ruthless, by Ed Calkins, Steward of Tara)

        

10. Fisher Farm may soon become a place of legend (but that's up to Ed Calkins, Steward of Tara).


They saw the banners that lined the entrance of the legendary Fisher Farm. The Knights Templar had great respect for the place and its owners, particularly Matt Munson, who had signed a contract with the Council of the Damned that the Templars were to enforce and would keep the living safe.

 

One of the banners read, “Welcome to your new home, Sir Tyrone.”

 

When the crier spotted them, he shouted loudly. “Sir Tyrone and Lady Beth approach. All hail the return of the Templar Knights.”


(Recovering Ruthless, by Ed Calkins, Steward of Tara)




Tuesday, March 4, 2025

The Mirrors in the BryonySeries

I posted my first blog post on August 1, 2010, and have blogged nearly daily ever since.

And while I've (overall) shared posts on the topics I listed on that first blog, I recently realized I've moved away from sharing much about the actual substance, crafting, and content of my books.

I'm hoping to reverse that on Tuesdays going forward (I hope).

And in this post (which is very long, so feel free to click out now), I'm highlighting four BryonySeries books that show how mirrors became woven into those novels.

Yes, mirrors.

Mirrors, as you may know, are sometimes used as literary devices to show reflection, self-awareness, duality, and so forth.

But the mirrors in the BryonySeries are so much more, even though it was Ed Calkins, Steward of Tara, who elevated mirrors from plot device to motif.

Inspiration behind the mirrors

It may have started with this book about writing and selling your personal experiences by author Lois Duncan that I devoured as a young adult and young mother shortly after the book was published.

Ironically, I related to many of the life experiences Lois shared in her book. And later, during my home-schooling years, I used some of her writing prompts as writing prompts for my kids, like this one: What if you woke up one morning, looked in the mirror, and saw absolutely no one at all?

And this old Boris Karloff "Thriller" episode that I saw the summer I graduated from eighth grade when WFLD Channel 32 in Chicago may have simmered in my subconscious (I've actually only seem that full episode one time, that time) and nudged me to the following passage.

The first significant mirror in the BryonySeries

The mirror as a device first appears in "Staked!" - the third book in the original "drop of blood" trilogy.

So real were these (fairy) tales to John-Peter that he was not at all astonished when he encountered a real princess. He had arrived barefoot at the dinner table, and Kellen had sent him back upstairs for his shoes. Not bothering to flick on the light switch—the dark had never bothered him, even at three years old—John-Peter had swung open the closet door and caught a quick glimpse of the little girl with the golden hair standing inside his mirror.

            His own reflection quickly replaced the fantastic one, but not before John-Peter noticed the melancholy in the toddler’s rich chocolate eyes. Who had imprisoned the princess? Certainly not his jovial Uncle Ed, who had hung the mirror soon after John-Peter and his parents had moved into the Munsonville house, shortly after his father’s death, when John-Peter was only two years old. Uncle Ed, known as the Steward of Tara due to his love of all things Irish, had purchased the mirror from his favorite pawn shop in Jenson as a housewarming present.

            When John-Peter was very small, Uncle Ed told him the shop was enchanted, which explained why the merchandise appeared different each time they visited it. Of course, John-Peter now understood the consistent turnover in pawn shop items, especially one so close to Jenson College. Undoubtedly, the main beneficiaries of the transactions between the shop’s owner and the students were Berkley’s restaurant and Crossroads Tap. Nevertheless, the pair never left without an interesting “find” of some kind. After the initial trips, John-Peter stopped showing Kellen what Uncle Ed had bought for him, thus saving the tedium of listening to his stepfather’s disparaging remarks about bringing home other people’s garbage, since, to John-Peter, these trinkets were treasures. Of course, the boy had told Uncle Ed about the princess, but his uncle had merely laughed and said he wasn’t surprised because anything could happen with a mirror when it possessed supernatural powers.

            As the years passed, the princess in the mirror grew with John-Peter, transforming from a wispy-haired, sorrowful toddler into a dejected-looking young woman. What did not change was John-Peter’s resolve to one day rescue the princess from her solitary confinement within the glass and sail away in a magical craft to the land John-Peter was destined to rule. Even now, at seventeen, John-Peter did not consider his fantasy a childish one, not with an authentic princess living inside the mirror in his bedroom closet.

And the story unfolds from there.

The Ruthless mirrors

When Ed was writing "Ruthless," his first novel in the BryonySeries Ruthless trilogy (which is all about Ed Calkins: the man, the myth, the author, and the Irish vampire), he refers back to the mirror in "Staked!" and then uses "mirror" as a way to invite the reader into the story.

I realize why you’re too afraid to cross the mirror and meet the most powerful Irish vampire to ever…well, die and then live again. Maybe you’ve heard about how ruthless I am? Maybe you’re afraid that I might think badly of you and be inspired to write a limerick that would make you a coward, idiot, or scoundrel with such compelling verse as to live as long as life itself?

Ed then expands the use of the mirror as a plot device in a way that pays homage to "Staked!"

I looked around my one-room apartment and saw nothing but a bed, dresser, and closet with few clothes. I know I have more things than this. Then I see the full-length mirror. Well, to you it’s a mirror, to me...

Chapter 3 in "Ruthless" is actually called "Mirror." The entire chapter is a self-reflection of an aging dominatrix (Trudy), who thinks she murdered her best friend and debates attending his wake. 

The mirror faced the jeweled throne, reflecting the disappointment of the one gazing into it. It was the throne that owned the ivory, gold, and gems that patterned its recreated design; its occupant, despite appearances, owned only her darkness.

None of it was real.

              Reflection, reflex, reaction… what did it mean or matter, yet the image the mirror gave was a metaphor of her existence. She was not quite a queen; well, any more than she was a cop or any of the other endeavors or careers that she had tossed herself into over the years.

Later, Trudy's equally as disturbed psychiatrist Dr. Roslyn uses the mirror analogy to taunt her client.

              “…it’s not the same deal as when you were younger, Trudy. Don’t flatter yourself? Have you looked in the mirror lately?”

              Something called her eye to the mirror. It seemed to lower itself, as if the Scotch in her system was trying to show her something. Was it that she was middle-aged now and didn’t have the same sex appeal power that she did so many years ago? But she knew that. She could see her face. Still, the mirror slowly sank.

Ed often breaks the fourth wall in "Ruthless." Here, he sets the reader up for what comes next, a major plot twist that will incorporate Ed's own dyslexia.

Maybe you’re confused. Mirrors can do that. Right is left, left is right and the whole thing is in the most confusing language, English. Consider this; a guy tells his girlfriend movie star she’ll never get the part. She doesn’t, so she leaves him. The guy is left for being right. Later she turns out to be a serial killer. Now he’s right for being left. No wonder why we’re all crazy. And what about her side? She started dating him because he had a perfect ass but then turns out he is a perfect ass. The same happens with the next six; that’s a serial that needs killing. (No, I don’t know what that means either, but it’s English).

Ed also uses mirrors to reveal what a character might not otherwise see.

She heard the swinging doors but didn’t see who swung them. Then, through the mirror, she saw the young, bearded cowboy stride toward the bar where she faced away. She turned, expecting that the handsome red beard might not be there. He tipped his hat and handed her a piece of paper.

While sharing an incident from his youth, Ed discusses how he used mirrors and a candle to increase the light in his room, with unexpected results.

The story I will tell starts in a very dark place with a very pathetic boy trying to enjoy his ill-gotten gains without being discovered. It’s odd when I think of it, but this is the only part of my natural life that wasn’t natural at all. I seemed to have unwittingly called a supernatural being using a candle and two mirrors.

It became a nightly ritual. I’d light a candle. That light alone was not enough. To compensate, I stole a small makeup mirror from the garbage, which I put behind the candle and then faced it at a picture mirror, which I balanced two feet away. The resulting light was enough to page through the girly pictures that so shamed me, while stroking immature fantasies of desire. I was too young to know the pleasures of my own fist (that would come later), but I knew of shame of my wickedness…knew that I was damnation waiting to happen. Sometimes, I would hold the magazine just behind the candle to reflect the picture onto the small mirror and project it to the larger one, noting the continuing reflections of reflections that went the way of glazing on railroad tracks; both getting smaller and smaller with the miles till they seemed to disappear, even though the magazine was only feet away.

One night while I gazed on an unclothed beauty, I noticed something alarming. The concern drew me to the space between mirrors, as I tried to determine the cause. The centerfold stayed visible, but the repeating reflections vanished. In the next second, I saw the creature, horned and red-eyed, creeping forward as if to avoid being heard. As the image grew larger and larger, I saw the features and assumed the Devil was coming for my soul, which scared me on one hand, relieved me on the other. The company of the Devil is never good thing, but I now questioned my assumption that I was already damned. Unless I was dead, why would Satan come to me? Maybe he didn’t have my soul yet? At the very least, I could try to cut a deal.

But then Ed also uses mirror to turn the story's direction.

Regret, anger, love, with a garnish of fear was the cocktail of the evening, and Trudy had already drunk too much of it. Maybe that’s what she needed. A drink. A drink at a bar where she could fill her part of the arrangement that she’d been neglecting with a man that never gave her cause to be angry. When was the last time she brought someone home? She could be the vampire again! How would that feel after almost a year?

              “Not like it used to,” she admitted out loud. These days, she hunted to satisfy someone else. It would feel tired.

              She turned for the door.

              But found a mirror.

Ed later revisits both candles and mirrors, combines them with an old slumber party ritual (Bloody Mary), to create his own vampire legend.

“Say ‘you don’t believe’ into the mirror,” she told herself. But the mirror could never tell the truth anymore. As vampire, she had become the mistress of information, but the mirror, or even a simple photograph, could never capture her image.

              It was a ransacked ruin of an ancient one room wooden shack on the east bank of the Mississippi that no being, living or undead, would choose to occupy, yet the mirror frame was there, placed just to the right with the fallen roof still giving it shelter from rain and snow. But the mirror frame had no mirror in it.

              The last lights were fading, and Mary Steward lit a candle to study her image. When she’d been fourteen, a young artist took her here with the intention of painting her nude.

              “You’re only going to be as beautiful as you are for another ten years,” he told her foolishly.

 Fool!

Mirrors in "The Fifth"

Ed Calkins wasn't  through with mirrors yet, and he uses one as a plot twist at the beginning of "The Fifth," the second book in his BryonySeries Ruthless series.

Once Sandra was back in the truck and properly buckled (as the law required now), Marsha checked her rearview mirror to merge back onto the road. But the sign she saw now looked cleaner, clearer – yet still read as the first one.

            Munsonville. Population: 386. Everyone Welcome Here.

 Except the words should have been backward.

“Watch it!” Sandra screamed. 

But Ed Calkins as character apparently owns an unlimited supply of mirrors, which Ed Calkins the author requires for his plot, to the perplexment of one key character.

“My mother is dead, and I can’t breathe yet,” the baby told him through telepathy. “I guess I shall die as well.”

            “Not as long as my name is Clint Eastwood,” Glorna sent back.

 But where was the baby? The crying seemed to be coming through one of the many, many mirrors the Steward had in his bedroom, which begged another question. If mirrors cannot hold the reflection of a vampire, why would Ed Calkins have so many?

 In "The Fifth," Ed also combines vampirism, his dyslexia, and mirrors in a way that strangely makes sense. 


When a vampire looks you in the eye, he’s actually at your back. Trudy sees my front in front of her, but I can see both her front and her back…as if there were a mirror behind her and my actual self was the reflection not the reflection’s source. Trudy lines her shot up with the barrel under her arm, using the crosshairs, which is made of a substance I found in my travels to the end of time. Mirrors show everything seeable but vampires. This substance reflects only vampires. I know Trudy’s shot will be true because I can see the reflection of my own undead self. If only I had gathered more of this strange paper thin, ridged black rock, I could have made a fortune selling shaving kits for vampires. That’s a strange thought to have when you’re about to be tested with five questions and getting only one of the wrong means getting staked. 

Ed also uses mirrors to express identity and reveal one's true natures, as shown in these two passages.

Something was wrong with Eircheard. She was sure when he walked in an hour after she hung up the phone. He wasn’t grumpy. Had he been drinking? No. He hadn’t been smoking either. A walk by the mirror told her he wasn’t a vampire. The way in tore into the pizza told her the same. What the hell, she hadn’t even finished her Scotch when her pulled her upstairs and tore into her…in a good way.

Should she risk a look backwards? No, wait…she needed to change her armor. “Sheila” would not do here and nor would her current set of accessories and expressions. “Look expensive,” she coached herself. With the grandpa still talking to himself, Sheila turned into Cassandra, reached for her purse, changed her earrings, and darkened her eyeliner. Her makeup mirror told of a girl that costs a whole lot more.

"Recovering Ruthless" gives the best mirror of all

Ed used mirrors as plot devices, too, in his recently released "Recovering Ruthless," the third book in the Ruthless trilogy - and interestingly enough, Ed also circles back to "Staked!"

Consider these fives passages and then I'll conclude with the best use of mirrors of all: mirrors as inspiration and self-acceptance.

“Lady, I’m done jumping through mirrors. Just tell me how to become a mortal man.”

 John Peter’s eyes found another mirror that should have captured the reflection of the diners. Instead, it showed a single person: the young man with dark, neatly combed, shortish hair that he had seen in the bedroom. John-Peter should have seen his reflection: a bony frame shaped like a piano leg, long red hair, defiant brown-flecked green eyes, and a faint green tinge to his skin.

Being unable to secure any staff, it became his job to hard-sell this wonderful opportunity to annoyed cold call recipients, promising them the time of their lives if they would only imagine the things suggested in the brochure while they lay in a comatose state and near a mirror.

It was a small building that housed the Beulah County Sheriff’s Office, so the interrogation room was also the conference room. The room was what you might expect from any of the police detective movies or TV shows that air constantly in the “Who Done It” genre. Four chairs faced four chairs with a rectangular table to present evidence and a two-way mirror facing the suspect’s side. By force of habit, Marsha and Matt sat side by side with their backs to that mirror. They waited impatiently for a third person to start their book club meeting. On the table was a copy of the novel “Staked!”

The gavel banged its finality. Trudy, half dressed, stood sober, disappointed, and miserable in front of a mirror that couldn’t grant more time. Her dream vacation was over. In its place was the drudgery of her souring life.

The Traveling Salesman

Lenny tried the fish. Not bad, for fish. He tried the asparagus. Not bad, for the wild stuff. He generously buttered a slice and took a bite. Now this was good. He opened wide and bit off half, confident now he could trust this old man. “Sam you’ve got a good eye. Truth is, I’m passing through right to here.”

“On business?”

“Sure, sure, on business.”

“What kind of business brings you to Munsonville?”

Lenny took another spoonful of fish. “I’m a salesman.”

“What do you sell?”

He slurped half his coffee, fixing his eyes on Sam and thinking out his words. Then he set the demitasse on the saucer and said evenly, “Mirrors.”

“Mirrors?” Sam laughed and took his own sip.

“Yep. Come out to these parts once a month with a van full of mirrors.”

Sam sobered up and set his cup onto his saucer. “And you sell them all?”

“Yep. All of them.”

“To whom?”

“Just one very special customer.”

 “One customer buys a van full of mirrors? What does he do with them?”

“How do I know? And what do I care? A sale is a sale is a sale. Listen, mister, I’ve got a wife and seven young-uns to feed. And this fellow, he buys all kinds of mirrors. Big mirrors. Small mirrors. Old mirrors. New mirrors. Mirrors as tall as a man and mirrors that will fit in the palm of your boy’s hand. I fill up my van with mirrors and bring them out.”

“And he buys them all?”

“Yep. All of them. Every time.”

Sam leaned back and crossed his arms. “What makes you think Munsonville’s is a good prospect for mirrors?”

“Always looking for new prospects.”

And now - the reward!

If you have read this far, congratulations!

You shall now be rewarded with a bit of "reflection" for your day and (hopefully) some reflection for those times YOU stand before a mirror.

Enjoy and be inspired by these two passages from "Recovering Ruthless."

Beth knew better than to be late. As ordered, she stood before her bedroom mirror and waited for “inspection?” To her surprise, Lady May appeared with Uncle Rudy at her side.

“She's appropriately dressed,” Rudy allowed.

 

May studied her face and seemed to ignore all else.

 

“How do you feel, Page?” May made the question sound like a demand.

 

“A little silly to be dressed for a dance I won't be attending,”

 

“Anything else, lass?” Uncle Rudy raised an eyebrow. “Try looking straight into the mirror.”

 

“Is it magic?” Beth knew of an enchantment that affected mirrors was part of the legacy that haunted Munsonville. Aunt Karla made a second living talking about such things.

 

But no one answered her. She stood there feeling like she was failing a test.

 

“Not ready yet,” Uncle Rudy decided.

 

Lady May agreed. 




Once again, Beth was ordered not to attend the prom but to stay in front of her bedroom mirror, dressed immaculately and waiting for inspection. Beth wondered what was supposed to happen this time that didn’t happen the last six dances ago when she looked herself in the mirror.

 

As before, the pages were given the order to not attend the prom but wait in front of their bedroom mirror dressed immaculately and waiting for inspection. Beth was wondering what was supposed to happen this time that didn’t happen the last six dances ago. She looked at herself in the mirror wearing the same dress she did the first time. Only this time…what? It seemed to fit differently.

 

Something else shocked her. Something…but not something really new. Something that had been creeping ahead…not just in her but the other pages.

 

She expected a girl.

 

She saw a young woman.

 

“I'm gorgeous,” Beth said aloud in surprise.

 

At that moment, Lady May and Uncle Rudy were standing near her. Beth was mortified.

 

“Was I being too vain? I just got surprised…I mean…”

 

“This means you’re no longer Lady May’s page,” Uncle Rudy told her.

 

“I told you to find the right beholder,” Lady May reminded her. “It had to be the right one, not just anyone that would find you attractive. Don’t you see? The wrong one might lure you away for the privilege of service.”

 

“But you didn’t let me see anyone except…except…”

 

“Yourself,” Lady May and Uncle Rudy said in unison.

 

“Me?” Beth turned back to her reflection in wonder. “I was the right beholder?”

 

“Easier to find an elite lass and make her beautiful, than a beautiful lass and make her elite,” Rudy quoted. “But that never meant making her beautiful would be easy for her.