Showing posts with label branding. Show all posts
Showing posts with label branding. Show all posts

Tuesday, January 27, 2026

BryonySeries: Meet B.L.O.C.K.S. (Again)

Ever since Timothy rolled out B.L.O.C.K.S. in August to help support the BryonySeries and related ventures, he's worked on constructing the teams "building blocks."

This means he's refined the logo into one everyone really likes, built presentation slides, and developed a shared workspace where everyone on the immediate team can access marketing materials, fonts, colors, etc.

In fact, that shared workspace was initially an under-recognized and under-appreciated benefit of finally having domain emails, which we've only softly rolled out so far.

While the advantages for growth and support seem obvious, another benefit of B.L.O.C.K.S. actually addresses conversations we've had with the team the last few challenging years: if something happens to me, what happens to all books and all the the projects in progress?

Side note: "Midnight Ink" is a placeholder name for mine and Rebekah's editing and formatting projects for clients. Rebekah built this website in 2020, since we were getting lots of requests and we needed a way to provide information without launching into long explanations with every request.

B.L.O.C.K.S. will ensure that those books and projects will remain less about me and more about them.

So here's the slightly modified logo and the informational cards with the original logo.

Thoughts?

And for more information about B.L.O.C.K.S. and the BryonySeries, visit bryonyseries.com.














Wednesday, July 10, 2024

BryonySeries Bags from Jasmine and Rebekah

Good morning!

Pulling an all-nighter and beyond in the ER on Monday night left me with no energy after work to yesterday to change up the recipe at Sue's Diner. Hopefully I will get to it tonight. 

In the meantime, please check out our slightly modified, but totally Victorian, nineteenth century Independence Cake right here: bryonyseries.com/sue-s-diner.

The BryonySeries website has a slightly different look since  Timothy reverted it parts of it to an earlier version. The latest version was glitching, and between work, work travel, and working on his master's degree with Daniel, Timothy won't have much extra time until after February. 

In the meantime, look at beautiful BryonySeries bags from Jasmine and Rebekah. After me asking Rebekah for a tote bag or two (she has lots) whenever I leave for an event, Rebekah found a blank one that is perfect for me, and Jasmine personalized it.

Thanks to their kindness and talent, I will look a little more professional and put-together when I go here and there with books and supplies.

This is certainly just one more reason to be thankful this morning.

Happy Wednesday!








Monday, March 5, 2018

Surprise Gift

Recently, Diana Estell, one of the members of WriteOn Joliet surprised me with this lovely gift that, I believe, anyone who lives vintage and Victorian will appreciate, including a beautiful bracelet with a blue (my favorite color) stone that's 1873, two years before Bryony was born.

Diana, thank you! I shall treasure these forever. <3 p="">

Here's what I found inside:














Thursday, March 1, 2018

BryonySeries Throwback Thursday: Personalize Your Novel: Motifs and Epigraphs

Tuesday, March 3, 2015

Personalize Your Novel: Motifs and Epigraphs

Huh?

A motif is a symbol or collection of symbols and ideas that are repeated throughout your novel that enhances your theme and conjure up your book(s) to readers long after the last page is read. In the BryonySeries, these include:

* mist

* The song, Bryony

* the music box that plays, Bryony

* purple roses

* a flock of crows (otherwise called "a murder")

* the exchange of blood in many forms AND

* the emphasis on food and eating (think about that)

* the mention of fairies and fairy tales

* limericks

* bryony (vine and name), vines, and herbs

* Irish soda bread

* vanilla ice cream

* white cats

* leprechauns

* writing, literature, especially Charles Dickens' Tale of Two Cities

* Henry's love of quotes

* predators of varying kinds

Even my repeated dedication: This book is lovingly dedicated to the reader, whoever you might be


An epigraph is a quote used at the beginning of your book or preceding each of your chapters that ties into its theme. Examples from my books include:

BryonyBryony is a rapidly growing invasive perennial vine, with dark green, palmate leaves and a thick, extensive rooting system. Its round berries are poisonous to humans and animals. (epigraphish)

VisageThere are a sort of men whose visages do cream and mantle like a standing pond, and do a willful stillness entertain, with purpose to be dress'd in opinion of wisdom, gravity, profound conceit, as who should say, "I am Sir Oracle, and when I open up my lips no dog bark!" William Shakespeare, Merchant of Venice

Staked!: Think now and then that there is a man who would give his life, to keep a life you love beside you!" Charles Dickens, A Tale of Two Cities


Thursday, February 1, 2018

BryonySeries Throwback Thursday: I Am A commodity

Tuesday, February 1, 2011

I Am a Commodity

I didn’t say it. My publicist, Dulcinea Hawksworth, did, about me.

I argue that my writing is a commodity, and she agrees with that, but also insists that I, too, as Bryony's author, am a commodity. Because I trust Dulcinea’s judgment, that’s why I’m at the mall with my mother and my daughter Rebekah, 17, when I should be huddled under the covers nursing my cold.

They have talked me into finally using the gift card one of my older sons gave to me four Christmases ago. My throat burns, my head hurts, and my body is really aching, but my mother, armed with credit cards and coupons, is definitely on a mission, since I only do this shopping thing about once every five years (No, seriously).

My oldest daughter, Sarah, who lives out of state, is serving as consultant via cell phone cameras. Rebekah has a supply of water bottles in her purse and feeds me an occasional cough drop. My mother buys me a coffee.

I am a commodity.

In JCPenney, the racks are full of jeans with pre-made holes. Before I decide I’m in style, after all, I catch a glimpse of my image, still dressed in route clothing, as I pass a mirror. I resemble a waif from an Oliver Twist orphanage. I decide to keep my mouth shut.

I am a commodity.

I stand in front of the mirror at Christopher & Banks with an armful of clothes my entourage selected for me and repeat those words. It’s not working. I'm still not believing it. The words of the White Queen from Through the Looking Glass echo in my head.

“Try again,” I hear the White Queen say. “Draw a long breath, and shut your eyes.”

Nope, I still don’t believe it, and it’s not because I haven’t had much practice, either. In a household as lively as ours, I have sometimes witnessed six impossible things before breakfast. I open the door, show off a very nice purple skirt and sweater combination and stare in horror at the khaki pants my mother is holding up.

“I can’t wear that color,” I protest. “I’ll look like I have yellow fever.”

But she pairs it with a navy blue sweater, which offsets the sallow color. The combination actually looks quite nice. It’s one of many clothing battles I will lose that day. The biggest conflict concerned the skinny-leg jeans at Carson Pirie Scott.

“My legs are too bony for these,” I said.

Rebekah and my mother look at each other and roll their eyes. “Some of us would love to have those legs,” my mother said.

“I can’t even move. I feel like I’m wrapped in cling plastic.”

“I’ll get a bigger size,” my mother said and returns with a 6.

I try them on, but they’re too baggy, so it’s back to the 4’s. Once the they’re are paired with a cream-colored turtle neck; a quilted, reversible vest; and a pair of nice, suede boots, I’m relaxed enough that I try on, for a lark, mind you, the size two leopard dress someone had abandoned in the dressing room.

My mother and Rebekah take bets on whether or not I’ll get into it. Ha! I do.
Triumphantly, I open the door. My mother looks pleased (she’s the one who found the dress), and an amazed Rebekah takes my picture with her cell phone and sends it to Sarah. Arghh! Too late!

“Did you include terms of use?”

Rebekah looks blank.

“Great. Knowing Sarah, she’ll probably post that as my new profile picture on Facebook.”

I check when I get home, to be sure, but the only thing Sarah has posted is a link to the music room on the Bryony website (http://www.bryonyseries.com/). The page looks great, and Sarah is highly pleased with her efforts. She's also had a highly productive phone consult with Ed Calkins, the Steward of Tara, but that's for another post.

However, I've been out way too late when I have to get up at midnight and deliver newspapers. Rebekah has offered to put away the entire wardrobe, so I drag myself up the ladder stairs to my attic office to check mail. My oldest son is gone for the night, but offered his chauffeuring assistance for the following night, after the blizzard starts, if I’m still sick.

Oh, and did I mention my mother gave Bryony’s website to every salesperson we met? So, I guess, whether or not I’m a commodity at this point is irrelevant. Right now, I’m feeling pretty blessed with my very supportive family. Even though, my mother's parting remark was, "Next, we'll have to do something about your hair!"

Not the hair!!!

Thursday, February 26, 2015

BryonySeries Throwback Thursday: Wonderful Writer's Workshop!


Monday, February 13, 2012

Wonderful Writer's Workshop!

One of the leaders of Word Weavers, a dozen or so Christian women writers that meet at the Portiuncula Center for Prayer in Frankfort, Illinois, asked me to share, during a workshop, what turned out to be my rather colorful publishing experiences.

Since I really like meeting and talking with other writers, and the entire Bryony project has been so much fun, I readily agreed. I later learned yesteday's event was the first time this two-year old group had invited a speaker. What an honor!

Not entirely certain what the women might want to know, I simply told my story. I'm an asthmatic that grew up reading and writing; I absolutely dote on pre-twentieth century vampires stories; and I conceived the concept of Bryony nearly thirty years ago.

I talked about writing tmy novel inside out and how, in the process, that one book became four, a cookbook, and a CD. I related my online education about the world of publishing, the submission process, agent querying and small press querying, along with the requests, and rejections, I received.

I talked about editing, self-publishing and ISBN's, the book trailer, the music video, branding, and marketing, and then passed around some laminated Bryony business cards and my press kit. Only when I noticed a few of the women were taking notes did I realize how much I've learned these past few years.

A pleasant surprise occured during the introductions, but first, a digression. This past weekend, while editing Visage, the second book in the BryonySeries, which we hope to release this fall, there's a scene where Melissa is shelving periodicals at the college library. This briefly reminded me of when I had done the same, more than thirty years ago, and a quick memory of my employer flashed through my mind.

So, when a woman to my left began talking about her current project, I immediately recognized her as my former boss. I glanced at her name tag; the name matched.

"Did you work in periodicals at the University of St. Francis?" I asked, extending my hand to the woman, who now look bewildered, but smiling.

She had.

"Denise Schonbachler," I said. "I used to work for you."

Even more astounding, she remembered.

"I grew up," I simply said.

It was a joyous reconnection. She asked me to sign a book especially for her, and someone snapped a few pictures. To top it off, something else happened earlier in the day, which might open some new writing opportunities for me.

I can't provide details yet, but please, keep your fingers crossed, say a prayer, sacrifice a goat, etc., etc. that if the challenge arrives, I'll be prepared to meet it.