Showing posts with label fiction writing. Show all posts
Showing posts with label fiction writing. Show all posts

Monday, June 29, 2026

Kindess Days

I realized the other day that I actually do very, very little to let people know about the two non-BryonySeries books I've written.

One is an editiing checklist for fiction that's a fundraiser for WriteOn Joliet.

The other is a devotional-style book on the non-obvious ways to find kindness.

Those who follow my BryonySeries Facebook page already know that I focus on different subseries on the different days of the week.

Going forward, I'm adding "kindness days" into the Sunday rotation in order to add two very components that are key to B.L.O.C.K.S. - the parent brand of the BryonySeries.

Because although all of the BryonySeries books (except Bertrand the Mouse, who promotes the fun in reading) involve the supernatural in some way, we deliver those books with an emphasis on these two characteristics:

A spirit of community.

And kindness.

Enjoy!






Tuesday, September 23, 2025

A Wisp of a New BryonySeries Novel

"I think you have one more novel in you."

Thus Ed Calkins, Steward of Tara, has said to me more than once.

At first I thought his comments were wishful thinking on his part.

But he may be right. 

Maybe.

A very small wisp of an idea started floating arond my brain a few weeks ago. But with so many other projects (some other book projects, some not) filling front and back burners, the wisp can just float untended for a while.

OK, maybe I'll throw it a few kibbles now and then, just to se if the idea is hungry and wants to grow.

I'm strangely excited at the thought of writing another novel, which is turning into "I probably will" as I write these words.

And I'm already musing, "Standalone?" "New trilogy?"

Seriously. (shaking head at myself).

That's great news for the small audience that love my books.

And that's great news for me, too.

For I've spent some of the best thousands of hours in my life taking half-formed ideas out of my imagination and shaping them onto the page.

If you're an artist of any kind (and I think anyone who creates anything is an artist) you'll understand.

Happy Tuesday!




Tuesday, March 25, 2025

About the BryonySeries: Fisher Farm

Last year, I published a guidebook to the BryonySeries to give readers a quick reference to a person, place, or thing when they encountered it or needed a quick refresher.

And then last week during WriteOn Joliet's radio play rehearsal, the topic of Fisher Farm came up because Ed Calkins' piece is set on Fisher Farm.

It's interesting hearing Ed discuss Fisher Farm because he is absolutely enchanted with that farm and told me several years ago his plans for it.

As you may know, Ed is a former supervisor turned collaborator, turned character in the BryonySeries, turned author, turned friend.

As an author/character, he is an unreliable narrator. This gives Ed plenty of freedom in his writings because he can write whatever he likes, however he likes, and have it still fit on the BryonySeries world, which readers can accept as "canon" or not.

Here's the fun part for me. As I put together these ten facts about Fisher Farm (supported by texts from some of the BryonySeries books that might whet your reading appetite to know more), I realized that Ed's writings brought the farm's existence more than full circle. He brought it very forward and infused it with greater and deeper meaning than I had.

Who knows? Maybe you'll become enchanted, too, and want to experience Fisher Farm for yourself.

Oh, and refill that coffee mug. This is a long post. Enjoy the journey!

Here is what the guidebook says:

Fisher Farm: Family farm with two farmhouses northwest of Munsonville, founded by Clyde Fisher in the nineteenth century. Mentioned in “Bryony.” Appears in “Before The Blood:Bryony Marseilles,” “Before The Blood: Bryony Simons,” and “Call of the Siren.” (And also "House on Top of the Hill," which wasn't written when the guidebook was published, as well as two books by Ed Calkins: "The Fifth" and "Recovering Ruthless").

Here are ten facts about Fisher Farm:

1. Fisher Farm was well-established by the time Munsonville was just getting developed. (FYI, Munsonville is a mid-nineteenth century Utopian community in Northern Michigan that encouraged eating fish and not eating meat. Munsonville only exists in the BryonySeries, despite what Ed may tell you).

All summer Maybelle, as plump and sweet as an overripe peach now that she was expecting, stocked the Marseilles cabin with bounties from Fisher Farm; Galien and Adele hardly opened a can. They also drowned in fresh fish, courtesy of Orville and Bernie, a welcome change from last winter's salt cod. 

(Before The Blood: Bryony Marseilles).

2. Fisher Farm remained an important supplier of fresh food a decade later and beyond.

 Afternoons toward the end of the week held the most variety. In mild weather, Bryony accompanied Mrs. Parks on errands to the general store for staples or to Fisher Farm for eggs and vegetables. 

(Before The Blood: Bryony Marseilles).

3. Fisher Farm was a place of joy for Bryony Marseilles even as a very young girl.

Bryony liked trips to Fisher Farm. Cattle grazed contentedly in the meadow. Hens waddled and clucked across the road without a care, but when a cart or buggy approached, they scurried away, flapping their wings and kicking up dust. 

(Before The Blood: Bryony Marseilles).

-----------------------------------------------------------------------------------------------------------------------------

The fading sun sank to the horizon and cast golden orange shadows over the endless countryside. Old Drew clopped along the path his own hooves had dug through many treks to Fisher Farm. Bryony clasped her hands in delight. They were on their winding way. 

(Before The Blood: Bryony Marseilles).

4. Fisher Farm was a hub for all-village social events.

Whistling a song instead of singing one, Mr. Munson set off again, gaily swinging Bryony's hand as they walked. They were now approaching the party. The bonfire blazed tall and hot in the chilly October air and smelled of burning pine. Here and there stood wooden barrels, with spigots. There were women in cloaks and bonnets, some with faces together and chattering, some arranging the food; and men in jackets and caps, waving glasses, guffawing, and biting into crisp Fisher Farm apples. 

(Before The Blood: Bryony Marseilles)

(Later, at the above harvest party, Munsonville founder Owen Munson told this tale of "Stingy Jack.").

Bryony remained with the Parks' until twilight on December 31, and, by the look of annoyance on Reverend's face at her return, she knew he wished circumstances were otherwise, too. But Mr. and Mrs. Parks were attending a New Year's Eve square-dancing party at Fisher Farm with the rest of the village, and Reverend wouldn't allow Bryony to accompany them. So home she went.  

(Before The Blood: Bryony Marseilles)

5. Fisher Farm is where Bryony found a family during the summer of her eleventh year - and so did her neglected friend Susan Betts.

A gregarious reception greeted Bryony at the back door as the Fisher girls ushered Bryony into the bright kitchen, warm with genuine welcome, and succulent with thyme and garlic.

 Yet amidst the cheer, apprehension clung like the web of a large house spider.

 Mr. Parks silently set Bryony's bundles on the wide plank floors, tipped his hat at Mrs. Fisher who appeared in the doorway, swollen in expectation of her seventh baby, and without a word, departed.

 The girls' babbling floated around her as clear soap bubbles on a sunny day.

 "We waited dinner for you," Rose said. "Are you hungry?"

 "We sheared sheep last week," Daisy added.

"We're summer sisters," Ivy said.

 "Do you like chickens?" Heather asked.

 Lilac hung back. Marigold skipped around the kitchen, clucking like a chicken.

 Bryony, still clutching Penny Whistles, gazed about the large room, from the double cast iron stoves, many cabinets and shelves built into the walls, and the large windows that showed only the blackness outside. A large cast iron triangle hung near the door.

Next, she contemplated the girls, her companions for the next three months.

At eleven, the same age as Bryony, but slightly taller and not so slender, Rose Fisher bore the appearance of her mother's right hand daughter. She had  the round face and eyes, supple well-fed limbs, and dark ringlets of her sisters, but she carried herself with the quiet assurance of knowing her place in the pecking order and having the abilities to carry it out.

Next to Rose, hands demurely behind her back, stood Lilac Fisher, a year younger, the prettiest of the girls and the shyest, but with soulful eyes that expressed her beautiful spirit more eloquently than mere words could.

Daisy, eight, jumping up and down and talking over everyone else to get Bryony's attention, was bright, ebullient, and easy-going, a real hoyden, Mrs. Parks had once said, although not in an unkind way, for the powerful vitality emanating from her shouted, "Challenge? Bring it on!"

By contrast, Ivy, even at age six, oozed femininity at its sweetest. No one could look at the limpid pools that passed for eyes without thinking pink, crocheted lace, and pastel bouquets, and she often adorned her abundant locks with a single blossom.

Five-year-old Heather was the plainest, for God had bestowed on her the worse combination of her parents' physical traits: her mother's high forehead, large cheeks, and protruding belly; and her father's narrow eyes, wide nose, and turned down mouth. But no one, including Heather, seemed to notice this, even though anyone with eyes could see she would never be a beauty, Mrs. Parks said; her friendliness and ready smile more than compensated for these defects.

Marigold was simply a little country doll with the babyish roundness all well-fed girls had at age two, content on pattering about her world in complete trust of those she followed.

"Girls, girls!" Mrs. Fisher held up her hand. "You'll overwhelm our little guest. Rose, please show Bryony her room. After supper, you can help her unpack."

"You're sharing with Lilac and me," Rose said.

She, Bryony, and Lilac each grabbed a bundle and  led the way up the back stairs to the second floor, with the younger girls behind them, Heather crooning an unfamiliar tune all the way.

"What is she singing," Bryony asked.

 "Who knows?" Daisy said behind her. "She makes them up."

 Rose and Lilac's bedroom was the middle of the three. Daisy and Ivy shared a room as did Heather and Marigold. Mr. and Mrs. Fisher had the attic.

 "But Mama usually is with Heather and Marigold most of the night," Rose stepped into her room and dropped her bundle, with Lilac repeating that move. "Well, this is it."

 The sight of that room spawned a malignant spirit inside Bryony and not because the room was ugly.

 On the contrary the bedroom, like the curly heads waiting for Bryony's reaction, was charming. It had whitewashed walls, plank floors, and feed sack curtains embroidered with flowers. A large handmade quilt covered the large homemade bed. Sprawled on that bed was a menagerie of farm animals, all sewn from feed sacks. They had mismatched buttons for eyes, and stitching for noses and mouths.

 At each side of the bed stood a homemade night table. One table held a stack of books; the other displayed a glass jar of white thimbleweed. A large bureau with a small looking glass dominated the right hand wall; hooks holding dresses, bonnets, straw hats, and capes ruled the left. The last piece of furniture, in the corner next to the dresser, was a freestanding commode with a closed lid.

The entire scene felt homey, loving, and captivating. That was the problem.

If only, and Bryony felt the nasty green pang of jealousy for the first time, she had been born a Fisher.  

(Before The Blood: Bryony Marseilles)

-------------------------------------------------------------------------------------------------------------------------

Bryony proved quite adept at berry-picking, courtesy of all the times she had accompanied Mrs. Parks, even though she still gorged her mouth as well as her pail. As the girls crawled through the tall tickly grass and gathered the tiny ripe fruit, Grandpa Clyde and One-Eye Blue meandered and meditated.

One-Eye Blue was the closest Bryony had to a pet. Puss didn't count, since the old tabby rarely interacted with humans, only dozed, her right perhaps, since she was older than Bryony and quite the hardworking mouser in her day, Mrs. Parks had said.

The dog's appearance was striking. He had copper points on his white fur, an eye of brown and an eye of blue, and an unending source of energy, making One-Eye Blue one of the most industrious members of the Fisher household.

With stern barks (and a few nips when necessary), One-Eye Blue rapidly rounded a flock of merino sheep or prodded a herd of black and white Holsteins; he headed and heeled with ease.

Even little Marigold was safe roaming outdoors when One-Eye Blue romped nearby, for he never let her ramble far.

Inside the farmhouse, One-Eye Blue retrieved more dirty laundry than any of the girls, Lilac included, and located lost buttons with ease. He announced the arrival of any strangers, and stretched out by the front door at night.

Yet for all his dominance, One-Eye Blue patiently submitted to brushing and petting, a pastime of Bryony's during drowsy afternoons after lunch. Often, she sat under an old elm, relishing his warm skin and soft coat while in the distance, Mr. Fisher, Grandpa Clyde, and Robbie plowed or hoed.

When she finally laid aside the brush, Bryony cuddled the dog's neck and rested a cheek against the silken fur, neither moving, together basking in the bright sunshine, cool shade, and exquisite pleasure of each other's presence.  

(Before The Blood: Bryony Marseilles)

----------------------------------------------------------------------------------------------------------------------------

"There." Rose tied fastened her work with a bit of blue ribbon. "You look pretty, Susan. Go see in the looking glass."

Susan shook her head. "Ma said it steals souls."

At that moment, Mrs. Fisher peered around the door in her night cap and dressing gown. Blue, guarding the foot of Susan's bed, pricked up his ears.

"Goodness, girls, why are you still awake?"

"I fixed Susan's hair, but she's afraid to look!"

Mrs. Fisher stroked Rose's curls and looked sympathetically at Susan, who shrank back and tucked her legs under her nightdress.

"Girls, I'll be right back!"

Mrs. Fisher  returned with a bronze hand mirror. She eased beside Susan on the trundle bed and held out the mirror upside down.

"Such a small object, Susan, see? Looking glasses don't harm you. They help you."

 "Don't see how."

 "They show the truth."

"I ain't purty!"

"How do you know if you've never seen yourself?"

Susan crossed her arms and scowled at the wall.

"Honey, we can look together," Mrs. Fisher said. "I'll even hold the mirror. Susan, would you like that? And I'll hold your hand so you won't be frightened."

Mrs. Fisher's coaxing tone slowly won Susan's trust. Bit by bit, Susan inched toward the motherly figure.

"Can you believe it?" Rose whispered to Bryony.

"Are you ready, Susan?"

"Yes,'m."

Slowly, Mrs. Fisher rotated the mirror. Susan gasped, and two hands flew up to her mouth.

"Do you see the pretty girl, Susan? Do you see her lovely cornflower eyes, golden hair, the spray of sun kisses, and that spunky turned-up nose?"

Susan seized the mirror and brought it close, searching, searching.

Mrs. Fisher stroked Susan's head. "Susan, do you see?"

"Yes'm."

 "You know what I think? I think you need some pretty new dresses to go with that pretty face you see, and I think tomorrow is a good day to start sewing some. What do you think, Susan, would you like some new dresses?"

Susan said nothing, mesmerized.

"The glass is yours, to keep."

Susan lowered the mirror, her expression defiant. "Ma'am?"

"When I was a little girl, much younger than you are tonight, my aunt presented me with this mirror. Now, I am giving it to you, as she gave it to me."

"Much 'bliged, ma'am."

"Oh, Susan!"

 Mrs. Fisher swept Susan to her breast. Susan hung like a rag doll, aloof, as Mrs. Fisher rocked her back and forth.

After a long while, Mrs. Fisher lay Susan down, tucked the comforter around her as she might do for Marigold, and then kissed Susan's forehead with compassion and warmth.

When Mrs. Fisher finally rose to darken the room, tears streaked her cheeks. "Sleep well, girls."

Rose meekly replied, "Yes, Mama."

Susan shed her indifference as a garter snake shed its skin and emerged from her cocoon as the beautiful butterfly Mrs. Fisher believed her to be.  

(Before The Blood: Bryony Marseilles)

-----------------------------------------------------------------------------------------------------------------------------
6. Tragedy killed the magic at Fisher Farm by the time Bryony was grown and married. And little Sue Bass, who later stayed on the farm, never experienced the magic, only the despair.

For the villagers had decided to reciprocate the Simons’ generosity by hosting an event at Fisher Farm. Mayor and Mrs. Fisher had invited Susan and Junior to eventually make their home at Grandpa Clyde's farmhouse, but their marriage was a year away.

In the meantime, Mayor Fisher saw no reason not to offer the house and one of the barns for the party. On the invitations, the Fishers instructed guests to don floral-print clothes and decorate their carriages with native flowers and greenery, as a way to celebrate this transition from summertide to autumn.

Bryony stared at the invitation in disbelief. 

"What's wrong?" John asked.

Trembling, she handed it back to him. "I don't want to go."

“We must.” John set the invitation on the sideboard and poured a drink. “I’m the entertainment.” 

But the tears spilled out and she cried, "No! I can't do it!"

John set the drink down and took her in his arms. "Bryony."

"I can't!"

"I know it's hard. But the Fishers need it. You can do it. I won't leave your side."

She sniffed and looked up. "Promise?"

He brushed the tears away, and tenderly kissed her forehead. "Promise."

(Before The Blood: Bryony Simons)

-----------------------------------------------------------------------------------------------------------------------------

How many times had Bryony made the short trek between farmhouses with her summer sisters, and yet the way never felt this long or sounded so still. The party sounds grew fainter the farther she and Mrs. Fisher traipsed from them, while the natural sounds of the night, katydids, crickets, and the occasional whippoorwill, rose to near-deafening pitches, as did the scuffing of their feet over the grounds.

She'd spent her happiest, most carefree days of her childhood at this farm. She had everything here: a loving family with two parents, a houseful of sisters, and a Grandpa who was wise and true.

She had a beautiful dog to brush and hold, the freedom to run and play like the wild mustangs she loved to watch, and the presence of her cowboy making joyful music with his songs.

She hated this place, every blade of grass, every splinter of wood. 

(Before The Blood: Bryony Simons)

-----------------------------------------------------------------------------------------------------------------------------

Blindly, Bryony stumbled out the door and then broke into a run across the fields, flaxen in the day's fading light, not caring where she headed, and still the ghosts of the past kept pace. However did the Fishers endure it? 

(Before The Blood: Bryony Simons)

-----------------------------------------------------------------------------------------------------------------------------Fisher Farm was dirt, sweat, stink, and muscle-burning work.

Mrs. Helsby was tired, gray-ish, and sad.

Auntie Maybelle struggled to move, struggled to help, and smiled brave smiles.

Priscilla and Emeline had their noses in the air and fresh mouths beneath those noses, the type of mouths that needed a good scrubbing with brown soap.

Marigold, Jasmine, and Violet grew on the same vine.

Sue was a visitor. 

(Call of the Siren)

-----------------------------------------------------------------------------------------------------------------------------Maudie’s disappearance, for Sue, crystallized why she loathed living at Fisher Farm, and why the very thought of staying forever filled her with unease. A resigned sadness hung in the farmhouse, and an undercurrent of quiet despair pervaded the landscape. Sue sensed it that day Ma had abandoned Sue at the farm. Sue couldn’t define it at the time; she only felt it. But the longer Sue stayed at Fisher Farm, the more she soaked up their misery, the way Uncle James, Auntie Maybelle, and, yes, even Mrs. Helsby had soaked it up and became part of the bleakness. Maybe that’s why Marigold “got with” the ‘hand. Maybe that’s why Maudie ran away – to escape the drab, gray hell of hopelessness. 

(Call of the Siren)

-----------------------------------------------------------------------------------------------------------------------------The words whirled through Sue’s head, impossible to grasp. Too stunned for tears, Sue could only hang her head and whisper, “I didn’t know.”

But she saw Uncle James – again – in another new light. Maybe Uncle James had stayed in the barns, not because his sparrow had found a home, not because he had found God, and not just because he could see Maybelle the way she lived in his heart, but because his house was too full of his daughters’ ghosts.

“This place is death,” Uncle James said, averting his gaze from Sue but not before she saw his sorrowful eyes. “Anyone who comes here, dies. We’re leaving while we can.” 

(Call of the Siren)

-----------------------------------------------------------------------------------------------------------------------------

7. Fisher Farm fades into obscurity and no one remembers it by the early 1970s until Munsonville's new librarian asks the village maintenance man about it.

“Steve,” June said as he headed toward the door. “Ever hear of Fisher Farm?”

“Fisher Farm?” He paused and faced her once again. “What’s Fisher Farm?”

“A farm James Fisher’s uncle established around the time Owen Munson founded Munsonville, northwest of the village.”

“How far northwest?”

June laughed. “About an hour by horse and cart.”

Steve laughed, too, and then cocked his head as he mentally calculated. “So about ten miles or so. Never been out that way.”

“I believe it. Everything beyond my backyard is overgrown.”

“Hugely overgrown. I’ll ask at the Beulah County Sheriff’s office tomorrow. I’m driving into Jenson for supplies anyway. My hunch is that the farm is unincorporated and under the county’s control.” 

(House on Top of the Hill)

--------------------------------------------------------------------------------

“As promised, I stopped at the Beulah County sheriff’s office today on my way to Jenson for supplies today. Surprisingly, no one knew anything about Fisher Farm. Gabe’s too young, of course, but Jan looked at me as if I were asking about Atlantis.” Steve polished off the last of the water. “So I dropped the subject to keep Fisher Farm off their radar until I checked it out myself. After I returned from Jenson, I headed northwest with the flail mower.”

“And?”

Steve wiped his damp face with his damp shirt. “And I didn’t find Fisher Farm.”

June’s heart sank, and she slumped slightly.

“I did find scattered pieces of an old split rail fence.”

June perked up.

“So if a farm is out there, I’m on the right track.” Steve yawned behind his hand. “I mowed through a few miles of grass today. Tomorrow, I’ll head out before dawn. If I don’t find it, I’m either going the wrong way, or it’s just not there anymore.” He yawned again, rose, and stretched. “I’ll let you know.”

June rose, too. “Thanks, Steve. I really appreciate this.” 

(House on Top of the Hill)

-----------------------------------------------------------------------------------------------------------------------------

June stayed late that night, just in case. At ten o’clock, she locked the library and trudged home, disappointed, but thankful Steve had tried. As she approached Pike Street, Steve pulled up beside her, honking and looking pleased with himself. June sped to the driver’s side window and breathlessly asked, “You found it?”

“I found it.”

“You’re a genius!”

“Not really. I just followed your directions.”

“So now what?”

“Would you like to see it? I’ve got a couple jobs in the morning. But we can leave after lunch.”

“Most definitely! How much of Fisher Farm remains?”

“Can’t say, seeing I don’t know what’s original. I saw seven buildings in terrible shape: two farmhouses and five barns.”

“Is it safe to see them?”

“From outside. When you look through the broken windows, you’ll see what I mean. I mowed paths through the grass to all the structures and then mowed paths around them, so you should get a good view.”

“This is wonderful, Steve. Thank you!”

“Be sure to wear long sleeves, long pants, and tall socks. Bring a hat and insect repellent.”

“I planned on it.”

“Good. Otherwise, the bugs out there will chew you up.”

“I will, thank you, Steve!”

“See you in the morning!”

Steve drove off and June continued home, ruminating on bonfires, square dancing, flower festivals, and barn concerts. Of course, just because Beulah County didn’t know about Fisher Farm didn’t mean Beulah County didn’t own Fisher Farm. At the same time, just because Clyde Fisher built his farm on the outskirts of Munsonville didn’t mean Fisher Farm wasn’t within village limits now. A current plat map should settle the question on who owned the farm. But before she leaped head-first into that rabbit hole, she needed to see the property first. Nevertheless, she suspected Munsonville might be putting its eggs in the wrong basket. The Village Board should consider putting Simons Mansion out to pasture – in favor of a pasture. June giggled, feeling as light and giddy as a schoolgirl as she slipped her key into the lock. Nothing excited June more than discovery.

Driving out to Fisher Farm the next afternoon felt like driving through a jungle. The grass on either side of the path grew nearly as tall as Steve’s truck. The sun beat through her clothing and sweat trickled down her face. Clouds of insects chirred through the air, indignant at the intrusion of their sanctuary. The overpowering scent of grass and wildflowers stung her eyes and nose. How in the hell did Steve mow through ten miles of this mess? And all for a farm no one knew still existed! She glanced at her hiking boots, the ones she bought for her treks into Simons Woods with Vicki, the first time she’d worn them since…

“You see?” Steve shouted over the truck’s rumbling as he pointed.

Sure enough, pieces of an old rail fence lay scattered here and there.

“You could’ve broken your blades with that!” June shouted.

Steve sharply dodged each board. “I’ve driven over far worse!”

Fifteen minutes later, a large, dilapidated farmhouse came into view, and butterflies leaped in June’s stomach. She felt weirdly excited at the sight of it and didn’t know why. Steve kept driving through the path and stopped the motor near the caved-in front porch.

“Well,” Steve said. “Here we are.”

June stepped out of the truck, her eyes roaming over the sight. Split weathered boards. Porch roof buckling. She followed the path around the side of the house and waded through tall weeds to the broken window, shading her eyes for a clear look at the old parlor. The second floor had caved onto the plank floors, flattened the staircase, and partially buried the family’s talismans and treasures: stained samplers, rotting rugs, shredded curtains, decaying cushions on chairs crushed by bedroom furniture, a collapsed bookcase with stacks of water-soaked, misshapen mildewy books. She eased her way to the dining room window and saw more of the same. A ceiling beam impaled the long, wooden dining room table, neatly splitting it in half. Beams and beds created weird geomatic patterns on a canvas of stained and moldy walls. She rounded the corner and peered through another window. The kitchen had collapsed into itself, its stoves, cabinets and shelves, and large windows with jagged glass teeth. Ironically, a large cast iron triangle still faithfully hung near the doorway. Hands in her pockets, June rambled the quarter mile to the second farmhouse with Steve shuffling beside her. June circled the much smaller building, peeping here and there at similar damage.

“It’s so sad,” June murmured. “They left everything. I wonder why.”

(House on Top of the Hill)

8. Fisher Farm is not a typical farm, a minute detail Ed picked up from reading the BryonySeries prequel "Before The Blood" and expanded in his books.

“You ran away?” Officer Marsha asked.

 “No.” Sheriff Matt hung his head. “I admit that I was irrationally terrified of going into that building, but where I was heading terrified me more. Yet, being from here and looking for a young girl triggered something in me. She had to be at the old Fisher Farm. Trudy, you know that place.”

 

Officer Trudy nodded to show she did. “Creepy at night.”

 

 “Yes, creepy. But it’s also where young girls seem to disappear from…at least to me. It’s not easy to get to. There’s a narrow dirt road meant for horse teams but… well, I was lucky it hadn’t rained. Neither farmhouse had caved in yet, but I had a feeling about the stables. Just then, I saw a figure. It was an old man walking towards it. I shouted, ‘Halt’ and fired when he didn’t. No one dropped and no one remained. I could have sworn it was the old man himself.”

 

“Old Man Fisher?”

 

Matt folded his hands and rested his chin on them. “To this day, I believe I was shooting at Clyde Fisher’s ghost. With my revolver still drawn, I entered the old mustang stables, calling out for Kimberly though, if I was right, she would not want to be found. Instead of her, I found old-style distilling equipment that didn’t have the rust of disuse – and at least a hundred wooden barrels stacked on either side. Most of them were filled with moonshine. I was facing the other way when I first heard him laughing at me.”


“Clyde Fisher?”

 

“No. He was a short man sitting on top of a barrel with a tin spoon in his hand. He looked a bit like Eircheard, but he was shorter and older, I’d say.”

 “A cluricahn!” Sandra exclaimed.

 

“He called himself ‘Clancy’.”

 

“That’s my papa,” Eircheard confessed. “If you’re dealing with him, you’re up to no good.”

 

Eircheard pointed to the soul flower. True blue. 


(The Fifth, by Ed Calkins, Steward of Tara)

9. In the twenty-first century, Fisher Farm once again becomes a place of healing.

Matt shrugged as he reached for his jacket. “You'll know if it comes to that. It's not like you won't have any other options.”

“What do you mean by that?”

“That homestead you wanted, remember?”

Marsha nodded.

“I just finished the paperwork and it's been approved.” Matt’s smile was warm. “You're getting most of the old Fisher Farm land. I'll keep an eye on it for you until the Munsonville calendars all decide to agree."

(Recovering Ruthless, by Ed Calkins, Steward of Tara)

---------------------------------------------------------------------------------------------------------------------“Well…Matt faltered and fumbled for the right words. “This is uncomfortable for me. Let me start off easy. I pulled some strings and got you a homestead. It’s not ideal, but it’s what I could get. The homestead is on the abandoned Fisher Farm.”

“The one where the mysterious Devil’s Moonshine is brewed?”

 

 Money from the Devil’s Moonshine was the only funding Beulah County received. Even though Beulah County was contained within the borders of Northern Michigan, the State of Michigan never heard of Beulah County. Just as mysterious was the brewing and selling of moonshine in the decrepit barn on Fisher Farm. Nobody ever saw who brewed the stuff, but Matt once saw the leprechaun-like creature who bought it. The creature would toss the full wooden barrels into a portal then leave the empty barrels and a pouch in payment. That pouch always contained pure gold coins. There was an exchange in Thornton that would melt the coins down and pay in cash with no questions asked. The journey from Fisher Farm to the exchange and then to the Beulah County Bank was a weekly trip for Matt. All Beulah County employees were paid in cash from that sale.

 

“Yeah, but I put the trailer on the far east side of the lot. I don’t want you’re soon-to-be-born sons playing with God knows what.”

 

“The trailer?”

 

“Trailer home. When I hired you, I promised you a hundred dollars per day and a place to live. Yes, we’ve been putting you up in that room at the Wisten Hotel in Jenson, but it’s cheaper for the county to buy you a trailer now that you’ve got land to put it on. Its already hooked up to the utilities and ready to move into. I know it’s a small living place but it’s enough to get you started. And – here.”

 

Matt handed Marsha a cashier’s check. Marsha gasped at the amount.


(Recovering Ruthless, by Ed Calkins, Steward of Tara)

----------------------------------------------------------------------------------------------------------------------------

Beth quickly discovered that Fisher Farm had many rules. Her favorite would soon be the dinner bell rule: If you’re staying for dinner, clean up at the kitchen sink pump. Otherwise, it’s time to go home.

It was as if these people thought that every dinner was Thanksgiving. Platters of food covered a long table in the dining room between the large kitchen and the spacious parlor that seated forty or more. The platters held two types of meat: chicken and something called “mutton.” And you had to eat at least one vegetable serving in order to get dessert.

 The adults sat at one end with someone called Sheriff Matt at the head of the table. This old man wasn’t the sheriff, though; everyone just called him that, including Sheriff Marsha.


Next to Beth was the white woman everyone – except the two teenage twins, Authur and Marty – called Aunt Sandra. Arthur and Marty called her “Mama Sandra.” That was funny to Beth because the twins called Sheriff Marsha “Mama Marsha.” And both twins were white like Mama Sandra and had her sunny yellow hair.

 

Aunt Trudy and Uncle Eircheard, a leprechaun-like man in a green suit, sat on the other side of the table. Grandma Trudy was a heavyset poet with long hair and gray eyes. The kids whispered that Grandma Trudy was some kind of hero, but not everyone called her Grandma Trudy.


The only black teenager at the table – May – simply called them Grandma and Grandpa. Did May’s father run out on her, too? The only black adult was Sheriff Marsha – but Sheriff Marsha didn’t call May her daughter.


The white cowboy with the long red hair and green-tinted skin that drove the tractor was named Glorna. He sat next to Aunt Karla, who was some kind of magic lady. She was stocky with curly black hair.


Next to Glorna was a really tall lady named Aunt Patricia. Some of the kids tried to tell Beth why Patricia was so big. Beth didn’t buy it.

 

There were about twice as many kids as adults and teens. All of them were white and went to Jenson Elementary School with Beth. She always had trouble making friends, but now…

 

(Recovering Ruthless, by Ed Calkins, Steward of Tara)

        

10. Fisher Farm may soon become a place of legend (but that's up to Ed Calkins, Steward of Tara).


They saw the banners that lined the entrance of the legendary Fisher Farm. The Knights Templar had great respect for the place and its owners, particularly Matt Munson, who had signed a contract with the Council of the Damned that the Templars were to enforce and would keep the living safe.

 

One of the banners read, “Welcome to your new home, Sir Tyrone.”

 

When the crier spotted them, he shouted loudly. “Sir Tyrone and Lady Beth approach. All hail the return of the Templar Knights.”


(Recovering Ruthless, by Ed Calkins, Steward of Tara)




Monday, September 16, 2024

Results of 2nd At-Home Writing Retreat of 2024

Last week I used vacation time to take a second at-home writing retreat. My goal was to prepare the eight remaining chapters for a novel-in-progress for final editing and to (HOPEFULLY) release before 2024 ends.

Despite a retreat that wasn't quite a retreat (LOTS of life happening, too), I am happy to report that I made my goal.

The novel is called “House on Top of the Hill” and it’s the third book in the BryonySeries Limbo series. The first and second books in that series are “The Phoenix” and “Call of the Siren.”

I conceived the concept for the BryonySeries Limbo trilogy in early 2019. During Christmas break later that year, I had all three books outlined.

Before I go further, the store page on the BryonySeries website will provide more about the individual titles I'll be mentioning in this post. There are far, far too many titles to hyperlink in this blog.

Oh, and the store is closed for renovations, most likely until Timothy finishes his master's degree in February. But the store link will take you to the full list of books on Amazon. 

Now back to our regularly scheduled program.

It feels good to near the finish line of what could be my last novel.

My fiction focus for the next few years will be completing the last four books in the Girls of the BryonySeries and catching up with The Adventures of Cornell Dyer series. Both are subseries in the overarching BryonySeries world.

Plus, I have tons of Bertrand photos for future books I need to address.

Now, I could be wrong about “House on Top of the Hill” being the last novel. But at age sixty-three, I want to be sure I finish these other BryonySeries books, while I’m still able to finish them. So I'm definitely not bidding creative writing good-bye. I have plenty of book projects to last me a long time.

Also, for anyone who has read the BryonySeries, this "House on Top of the Hill" brings the series to a nice full circle. 

You see, if one starts with the drop of blood trilogy (“Bryony,” “Visage,” and “Staked!”),  the five installments of “Before The Blood” becomes a terrific prequel to the series. Limbo then fills in the time period between “drop” and BTB, the eighty years when nothing seemingly happens.

Or if one reads the books in chronological order – beginning with “Before The Blood,” and then moving onto to Limbo and then “drop of blood,” the novel “Staked!” gives a nice finish to the series. 

And if you start with Limbo, you can read BTB and “drop” to see what happened before and what happens after, which also works quite logically, especially since "drop" seamlessly follows "House on Top of the Hill."

Now, I don’t want to forget HOW to write a novel. And who knows? I might have another lurking in my brain somewhere, just waiting for the right time to show itself.

Or perhaps I’ll co-write a novel or helps other authors polish theirs. But from my viewpoint on this Monday morning, “House on Top of the Hill” is likely my last novel.

Of course, I did say that after “Before The Blood,” too. 

And if we want to travel down that path, I really only intended to write one novel, “Bryony.” But the story was too big for one book. 

Fine, I thought. I’ll write a sequel. But the story was too big for THAT book, too.

Fine. A trilogy then. Except now I had all this background backstory and my little band of fans for “drop of blood” wanted to read the series back story, which turned into an eight-year project for the five installments.

So there you have it. A series that overtook itself much like the poisonous bryony took over Simons Mansion, the Simons estate, and worked its way into the woods (which wasn’t Simons Woods after all, as you shall see in "House on Top of the Hill").

A quick word about the structure of this latest novel. Despite the wording of the synopsis (see below), none of the story is actually told from the perspective of Steve Barnes.

Instead the novel, which spans forty - fairly consecutively - years, is told through a slew of different protagonists in a seemingly short story format. But the chapters all possess an underlying theme, recurring characters, and an ending that won't make sense if you skip to it first.

Anyway, here is the synopsis. Below the synopsis are the chapter titles and cover image by Timothy Baran.

Happy Monday!

Change comes slowly to Munsonville, and for Steve Barnes, who spends his entire life in the village, that's just fine. From boyhood to manhood, he savors the slow pace and friendly smiles, even while working by his parents' side from sunup to sundown to run the family diner.

The only blight is this fishing village's preoccupation with an empty mansion in the woods, whose tales of former glory and catastrophe fueled a rampage of ghost stories. Steve doesn't believe them, but some do – and no no one can deny the power the crumbling old building holds over them.

Especially when it changes everyone, including Steve, forever.

Prologue

Chapter 1: The Traveling Salesman

Chapter 2: Roundtable

Chapter 3: Bottle of the Red Stuff

Chapter 4: Cracking Open the Nest Egg

Chapter 5: Picture Postcards

Chapter 6: Whispers of the Heart

Chapter 7: I Run at Night

Chapter 8: Laid to Rest

Chapter 9: Necking

Chapter 10: Spider and Fly

Chapter 11: Death Heard Round the World

Chapter 12: Mine

Chapter 13: Second Sight

Chapter 14: Chop, Sizzle, Broil, and Bake

Chapter 15: The Rage

Chapter 16: Hard Choice to Make

Chapter 17: Through the Camera’s Eye

Chapter 18: Words Enough For Me

Chapter 19: The All-Hallowed Albatross

Chapter 20: Dancing in the Past

Chapter 21: The New Professor

Chapter 22: Enigma in Residence

Chapter 23: Rain

Chapter 24: From Fry Pan to Factotum

Chapter 25: Nutty Tina Swanson

Chapter 26: Preternatural Guest

Chapter 27: A New Lease on a Very Old Dream

Chapter 28: The News That Changed Everything

Chapter 29: Journey of a Thousand Heartaches

Chapter 30: Severed Links

Epilogue



Wednesday, April 13, 2022

Call of the Siren: The Hardest Part is Behind Me

I spent an intense day last Saturday finishing up the hard edits for Call of the Siren, the second book in the BryonySeries Limbo trilogy.

I now have to work very hard on some of the new characters in this book, for many of them will appear in the third book of the Limbo trilogy: House on Top of the Hill. But good character development now will save me much time and regrets later. 

And with one of my sons currently battling COVID (which, means, of course, we all might eventually get sick again, too), Orthodox Easter next Sunday, working the following weekend, and then Mother's Day after that - well, I can't envision finishing this last major part of the novel until Memorial Day weekend.

True, I'll be working on these characters in fits and starts. But pieces of time isn't the same as a stretch of hours for focused work. Concentrations gets broken and then I lose more time in the reconnection. 

So I think Memorial Day is realistic, both for putting the finishing developments on these new characters and reading through the novel. 

At that point, I will give novel a good read and then send to my editor. Then comes cover design, formatting, reading through the proof, and tweaks.

This puts an estimated publication date in July, perhaps in time for my birthday.

I'm not sure why this book challenged me so much. I think some of the struggle was about "voice." 

The book itself had a voice that, much like my main character, I could "hear" but found really difficult to translate into words. Parts of it had an elusive, lyrical quality that I finally captured.

And then speaking of the main character, I cover forty years of her life. So although her voice changes, it still sounds like her.

But as I re-read through the chapters, I'm satisifed that I churned out the story I wanted to tell..

By the way, isn't the cover art gorgeous? Nancy Calkins, wife of Ed Calkins, Steward of Tara, created it for the book - last year. But she works much faster than I do.

Sue Bass is haunted by dreams of her father, who died in a boating accident before she was born, alluring dreams of water and song. But then a soft-spoken outside man with an inside plan comes to town, and Sue's sleepwalking stops, only to resurface with greater magnetism when he leaves.

Two voices beckon. Which one will she heed?




Monday, March 21, 2022

Two Chapters Left: "Call of the Siren"

Two chapters.

That's all I have left in a novel that's given me a great deal of trouble.since I began it in earnest a year ago.

In fact, my muse never really sprang into action around the Christmas holidays. And even then, I've struggled, although the struggle was less, and the progress was real.

This novel isalled Call of the Siren and it's the second book in the Limbo trilogy. (The first is The Phoenix, and you can find a copy of it here).

Everything in bold at the bottom of this blog is nearly ready to go, self-editing-wise.

Everything in italics shows where work is still required.

But when the editing is done, I have a couple more passes over the text to make.

One is a granular pass to ensure the new characters are properly developed.

And then I need to make a "feng shui" pass over the entire book, which is a new type of editing for me. In fact, I might have invented this type of editing. Maybe it's worth its own post.

My original goal is to have the book ready for formatting by early April. That's an unrealistic goal at this point. But late May or early June feels very possible.

Cover art is by Nancy Calkins, wife of Ed Calkins, Steward of Tara.

I'm certain this novel has close to zero value, commercial-wise.

But it's the novel I intended to write. And it's a satisfying feeling, for me, to have a vision of a story I want to write, and then write the story in my mind.

Stories can be elusive beings, clear in our imagination but defiant of precise words. But that isn't so strange when you consider all the many strands that make a story: the characters, the plots, the arcs, the settings, the moods, and so forth - and then when you consider all the strangs that make each character, each plot, each arc, each setting, each mood, and so forth some more.

It's nothing short of amazing that writers can take these threads and weave them into something coherent, much less magical.

Amazing, indeed.

CALL OF THE SIREN

Sue Bass is haunted by dreams of her father, who died in a boating accident before she was born, alluring dreams of water and song. But then a soft-spoken outside man with an inside plan comes to town, and Sue's sleepwalking stops, only to resurface with greater magnetism when he leaves.

Two voices beckon. Which one will she heed?

Prologue:

PART ONE: WATER

Chapter 1: Lullaby

Chapter 2: Music or Madness

Chapter 3: Town Mouse

Chapter 4: Country Mouse, Monday Sept. 13, afternoon (spot places to fill in)

Chapter 5: Water, Butter, and Wine

Chapter 6: Little Girl Lost

Chapter 7: The Lure of Their Eyes

PART TWO: FIRE

Chapter 8: Flames and Frost

Chapter 9: Even The Sparrow 

Chapter 10: Bewitched By Her Sweetness

Chapter 11: House Calls, Saturday 

Chapter 12: Coin for the Passage

Chapter 13: Plaintive Cries 

Chapter 14: As Sharp as Spears

Chapter 15: The Meadow of Skeletons

PART THREE: AIR

Chapter 16: Gates of Horn and Ivory

Chapter 17 Ask, and It Shall be Given You

Chapter 18: Seek, and Ye Shall Find

Chapter 19: Knock, and it Shall Be Opened Unto You (1/3 edited, 2/3 drafted)

Chapter 20: The Stain No Storm Could Wash Away (1/3 edited, 2/3 drafted)

Chapter 21: A Stone and a Serpent 

Chapter 22: Treading Water 

Chapter 23: Last Dream of my Soul 

PART FOUR: EARTH

Chapter 24: On Solid Ground 

Chapter 25: Ideal – and Worthy of Envy  

Chapter 26: Sue’s Diner (edited)

Chapter 27: In Dark Depths Lurking (edited)

Chapter 28: The Abyss Beckons (edited)

Chapter 29: : No Breath of Wind, No Ripple of Water (edited)

Chapter 30: Ferry and Scythe

Epilogue