Showing posts with label Poems. Show all posts
Showing posts with label Poems. Show all posts

Wednesday, February 18, 2026

"Ice Cream Dreams" by Joseph Alan

Good morning!

I usually post the new recipe on Sue's Diner each Wednesday.

But I posted this poem Tuesday evening on the BryonySeries Facebook page.

And with all the emergencies in the background (including out calico cat Faith, who goes back to the veterinarian today), this really lovely poem felt appropriate on so many levels.

The author is relatively unknown and began posting his work online a dozen or so years ago hoping people might find it.

He is the one reading the poem, which really resonated with me.

I hope you enjoy it, too.




 

Thursday, November 27, 2025

“Thanksgiving” by Edgar Guest

 

“Thanksgiving” by Edgar Guest (1881-1959)

 

Gettin' together to smile an' rejoice,

An' eatin' an' laughin' with folks of your choice;

An' kissin' the girls an' declarin' that they

Are growin' more beautiful day after day;

Chattin' an' braggin' a bit with the men,

Buildin' the old family circle again;

Livin' the wholesome an' old-fashioned cheer,

Just for awhile at the end of the year.

 

Greetings fly fast as we crowd through the door

And under the old roof we gather once more

Just as we did when the youngsters were small;

Mother's a little bit grayer, that's all.

Father's a little bit older, but still

Ready to romp an' to laugh with a will.

Here we are back at the table again

Tellin' our stories as women an' men.

  

Bowed are our heads for a moment in prayer;

Oh, but we're grateful an' glad to be there.

Home from the east land an' home from the west,

Home with the folks that are dearest an' best.

Out of the sham of the cities afar

We've come for a time to be just what we are.

Here we can talk of ourselves an' be frank,

Forgettin' position an' station an' rank.

 

Give me the end of the year an' its fun

When most of the plannin' an' toilin' is done;

Bring all the wanderers home to the nest,

Let me sit down with the ones I love best,

Hear the old voices still ringin' with song,

See the old faces unblemished by wrong,

See the old table with all of its chairs

An' I'll put soul in my Thanksgivin' prayers.




Monday, September 1, 2025

"Song of the Shirt" by Thomas Hood

This poem from the nineteenth century might apply to several characters in the BryonySeries novel "Before The Blood: Henry Matthews."

Theses are Henry's mother and sisters and their friend Bess Masters, who supported themselves through sewing -  and to Mrs. Cady and Mr. Langley, who gave them the work.

But this poem also applies to anyone, really, who feel as if their labors are vain and unappreciated.

On this Labor Day and beyond, may we strive to find purpose in our labors and be sure we appreciate our efforts, even if we are the only ones.




A Poem for Labor Day

"Song of the Shirt"
By Thomas Hood

First published in 1843 

With fingers weary and worn,
   With eyelids heavy and red,
A woman sat in unwomanly rags,
   Plying her needle and thread—
      Stitch! stitch! stitch!
In poverty, hunger, and dirt,
   And still with a voice of dolorous pitch
She sang the "Song of the Shirt."

   "Work! work! work!
While the cock is crowing aloof!           
   And work—work—work,
Till the stars shine through the roof!
It's O! to be a slave
   Along with the barbarous Turk,
Where woman has never a soul to save,
   If this is Christian work!

   "Work—work—work,
Till the brain begins to swim;
   Work—work—work,
Till the eyes are heavy and dim!
Seam, and gusset, and band,                  
   Band, and gusset, and seam,
Till over the buttons I fall asleep,
   And sew them on in a dream!

   "O, men, with sisters dear!
   O, men, with mothers and wives!
It is not linen you're wearing out,
   But human creatures' lives!
      Stitch—stitch—stitch,
   In poverty, hunger and dirt,    
Sewing at once, with a double thread,
   A Shroud as well as a Shirt.

   "But why do I talk of death?
   That phantom of grisly bone,
I hardly fear his terrible shape,
   It seems so like my own—
It seems so like my own,
   Because of the fasts I keep;
Oh, God! that bread should be so dear.
   And flesh and blood so cheap!
            
   "Work—work—work!
   My labour never flags;
And what are its wages? A bed of straw,
   A crust of bread—and rags.
That shattered roof—this naked floor—
   A table—a broken chair—
And a wall so blank, my shadow I thank
   For sometimes falling there!

   "Work—work—work!
   From weary chime to chime, 
Work—work—work,
   As prisoners work for crime!
Band, and gusset, and seam,
   Seam, and gusset, and band,
Till the heart is sick, and the brain benumbed,
   As well as the weary hand.

   "Work—work—work,
In the dull December light,
   And work—work—work,
When the weather is warm and bright—       
While underneath the eaves
   The brooding swallows cling
As if to show me their sunny backs
   And twit me with the spring.

   "O! but to breathe the breath
Of the cowslip and primrose sweet—
   With the sky above my head,
And the grass beneath my feet;
For only one short hour
   To feel as I used to feel,          
Before I knew the woes of want
   And the walk that costs a meal!

   "O! but for one short hour!
   A respite however brief!
No blessed leisure for Love or hope,
   But only time for grief!
A little weeping would ease my heart,
   But in their briny bed
My tears must stop, for every drop
   Hinders needle and thread!"

With fingers weary and worn,
   With eyelids heavy and red,
A woman sat in unwomanly rags,
   Plying her needle and thread—
      Stitch! stitch! stitch!
   In poverty, hunger, and dirt,
And still with a voice of dolorous pitch,—
Would that its tone could reach the Rich!—
   She sang this "Song of the Shirt!"




Illustration by Matt Coundiff for "Visage."

Tuesday, July 8, 2025

"A Psalm of Life" by Henry Wadsworth Longfellow

The nineteenth century poet Henry Wadsworth Longfellow is occasionally mentioned in several of the BryonySeries books because the mother of character Henry Matthews is fond of Longfellow's poetry.

One poem, the poem below, is featured in its entirety in "Bryony", when Melissa Marchellis' English teacher Harold Masters recites it from memory in class.

I recently encountered this poem for the first time in many years, and I was struck by how each line of the poem, well, struck me, during this recent re-read - and made me ponder and reflect.

Since many of us aren't reading Longfellow these days and even less of us have (or had) teachers that recited his poems in class, I'm sharing this poem with you today.

It's one of those poems where you can read it at face value the first time and then return to it later for another read, a slower read, and gain fresh insight.

Enjoy!


"A Psalm of Life" by Henry Wadsworth Longfellow (1807–1882)


This poem is featured in "Bryony"



What the Heart of the Young Man Said to the Psalmist


TELL me not, in mournful numbers,

Life is but an empty dream!—

For the soul is dead that slumbers,

And things are not what they seem.


Life is real! Life is earnest!

And the grave is not its goal;

Dust thou art, to dust returnest,

Was not spoken of the soul.


Not enjoyment, and not sorrow,

Is our destined end or way;

But to act, that each to-morrow

Find us farther than to-day.


Art is long, and Time is fleeting,

And our hearts, though stout and brave,

Still, like muffled drums, are beating 

Funeral marches to the grave.


In the world's broad field of battle,

In the bivouac of Life,

Be not like dumb, driven cattle!

Be a hero in the strife! 


Trust no Future, howe'er pleasant!

Let the dead Past bury its dead!

Act,—act in the living Present!

Heart within, and God o'erhead!


Lives of great men all remind us

We can make our lives sublime,

And, departing, leave behind us

Footprints on the sands of time;


Footprints, that perhaps another,

Sailing o'er life's solemn main,

A forlorn and shipwrecked brother,

Seeing, shall take heart again.


Let us, then, be up and doing,

With a heart for any fate;

Still achieving, still pursuing,

Learn to labor and to wait.




Thursday, June 13, 2024

"HOME , is where your heart is" by Holly Coop

Today I am sharing a link to a wonderful poem that WriteOn Joliet member Holly Coop recently wrote about the experience of living in Joliet.

However, anyone who has lived anywhere will find the deeper meaning among the lines - and maybe, just maybe, will call to mind (or feel inspired to immortalize) the place and memories that lives in the heart.

https://hollycoopauthor.wordpress.com/2024/05/26/home-is-where-your-heart-is/




Thursday, February 1, 2024

From One Heart to Another

I met Holly Coop when she joined WriteOn Joliet, at least eight years ago, maybe more. 

Holly writes inspirational poetry from her heart. Topics include love, encouragement, grief, forgiveness, and so forth. 

What makes Holly's poems so relatable is that she expresses emotions in a personal, but universal, way, so just about any reader will resonate with them.

She was very surprised when I offered to buy nine copies of one poem and one couple of a second.

I wanted to give my nine children a copy of the first for Christmas with a gift card for a frame, for that poem perfectly summed up the year 2023 was for us. "Oh, wow!" best sums up the comments from my kids as they read it.

The second poem, which dealt with self-esteem and inner beauty, was to be a birthday present for Rebekah.

Holly insisted on matting and framing the poem for Rebekah herself. So I never saw the finished product until Rebekah opened it on January 7, her birthday and our family Christmas.

If you scroll past this first photo, you'll see the Christmas poem in a frame. My son found the perfect one in a thrift store a few days later and was eager to show it off.

For more information about Holly Coop, visit hollycoopbooks.com.

Happy Thursday!





Tuesday, August 9, 2022

Thank You, Tom Hernandez

Back in May, my WriteOn Joliet co-leader Tom Hernandez received devastating news and is now in the throes of the most challenging health issue of his life.

So, yes, I backlinked so you can read his blogs - because writers should never miss a marketing trick when it helps another writer.

As Tom began adjusting to the news, I encouraged him to use his talent at assembling twenty-six letters into poetry as a means for, not just updating family and friends or sharing his experiences, but for digging a trench through it - for himself and for anyone who stumbles on his signposts along the way.

Because here's the bad news. We will all walk that trail one day. Perhaps some of you reading this now are walking it yourself - or know someone who is.

So one of those first pieces Tom wrote is this poem. He sent me a draft, and I told him not to tweak it, that it was a perfect, and I wanted a framed copy.

Those weren't empty words. I really did want a framed copy, my own tangible signpost.

Yesterday, I received it. And it was more than framed. 

It was signed.

And I'm so awed, humble, grateful.



Saturday, January 1, 2022

"New Year: A Dialogue: Poem" by Ella Wheeler Wilcox

Happy New Year! Happy 2022!

Today's blog is late for multiple reasons.

1) I slept in late.

2) I went for a walk with Rebekah to in advance of the winter storm.

3) I had multiple ideas and couldn't decide on one.

I have decided.

Today is New Year's Day but it's also Saturday, the day on the BryonySeries blog that's devoted to all things Irish - and that's because of Ed Calkins, Steward of Tara.

But as I gradually became friends with this former supervisor of mine over the last couple years, through his writing and publishing his first novel ever (and the first novel for the BryonySeries with an author other than me), I learned he is first a poet and not a novelist and that poetry is his first love.

So I chose a poem to honor today.

1) The poem is in the public domain.

2) The poem was written by an author whose work becomes very important to Sue Bass, the main character in my work in progress, Call of the Siren.

3) And the poem not only honors the new year but speaks to the heart of many as we leave 2021.

As I read these lines last night, I wondered about the difficulties in her life at the time she published it (1909), which preceded even the Spansih flu pandemic and World War I.

"New Year: A Dialogue: Poem" by Ella Wheeler Wilcox

MORTAL:
"The night is cold, the hour is late, the world is bleak and drear;
Who is it knocking at my door?"

THE NEW YEAR:
"I am Good Cheer."

MORTAL:

"Your voice is strange; I know you not; in shadows dark I grope.
What seek you here?"

THE NEW YEAR:

"Friend, let me in; my name is Hope."

MORTAL:
"And mine is Failure; you but mock the life you seek to bless. Pass on."

THE NEW YEAR:
"Nay, open wide the door; I am Success."

MORTAL:
"But I am ill and spent with pain; too late has come your wealth. I cannot use it."

THE NEW YEAR:
"Listen, friend; I am Good Health."

MORTAL:

"Now, wide I fling my door. Come in, and your fair statements prove."

THE NEW YEAR:

"But you must open, too, your heart, for I am Love."



Monday, September 7, 2020

"Song of the Shirt"


This poem from the nineteenth century is dedicated to characters in Before The Blood: Henry Matthews' mother and sisters, their friend Bess Masters, and Mrs. Cady and Mr. Langley, who gave them work, as well as to all those who feel as if their labors are vain and unappreciated.



A Poem for Labor Day

"Song of the Shirt"
By Thomas Hood

First published in 1843 

With fingers weary and worn,
   With eyelids heavy and red,
A woman sat in unwomanly rags,
   Plying her needle and thread—
      Stitch! stitch! stitch!
In poverty, hunger, and dirt,
   And still with a voice of dolorous pitch
She sang the "Song of the Shirt."

   "Work! work! work!
While the cock is crowing aloof!           
   And work—work—work,
Till the stars shine through the roof!
It's O! to be a slave
   Along with the barbarous Turk,
Where woman has never a soul to save,
   If this is Christian work!

   "Work—work—work,
Till the brain begins to swim;
   Work—work—work,
Till the eyes are heavy and dim!
Seam, and gusset, and band,                  
   Band, and gusset, and seam,
Till over the buttons I fall asleep,
   And sew them on in a dream!

   "O, men, with sisters dear!
   O, men, with mothers and wives!
It is not linen you're wearing out,
   But human creatures' lives!
      Stitch—stitch—stitch,
   In poverty, hunger and dirt,    
Sewing at once, with a double thread,
   A Shroud as well as a Shirt.

   "But why do I talk of death?
   That phantom of grisly bone,
I hardly fear his terrible shape,
   It seems so like my own—
It seems so like my own,
   Because of the fasts I keep;
Oh, God! that bread should be so dear.
   And flesh and blood so cheap!
            
   "Work—work—work!
   My labour never flags;
And what are its wages? A bed of straw,
   A crust of bread—and rags.
That shattered roof—this naked floor—
   A table—a broken chair—
And a wall so blank, my shadow I thank
   For sometimes falling there!

   "Work—work—work!
   From weary chime to chime, 
Work—work—work,
   As prisoners work for crime!
Band, and gusset, and seam,
   Seam, and gusset, and band,
Till the heart is sick, and the brain benumbed,
   As well as the weary hand.

   "Work—work—work,
In the dull December light,
   And work—work—work,
When the weather is warm and bright—       
While underneath the eaves
   The brooding swallows cling
As if to show me their sunny backs
   And twit me with the spring.

   "O! but to breathe the breath
Of the cowslip and primrose sweet—
   With the sky above my head,
And the grass beneath my feet;
For only one short hour
   To feel as I used to feel,          
Before I knew the woes of want
   And the walk that costs a meal!

   "O! but for one short hour!
   A respite however brief!
No blessed leisure for Love or hope,
   But only time for grief!
A little weeping would ease my heart,
   But in their briny bed
My tears must stop, for every drop
   Hinders needle and thread!"

With fingers weary and worn,
   With eyelids heavy and red,
A woman sat in unwomanly rags,
   Plying her needle and thread—
      Stitch! stitch! stitch!
   In poverty, hunger, and dirt,
And still with a voice of dolorous pitch,—
Would that its tone could reach the Rich!—
   She sang this "Song of the Shirt!"




Illustration by Matt Coundiff for "Visage."

Friday, March 16, 2012

"Skeleton Dance," by Johann Wolfgang von Goethe

Skeleton Dance by Johann Wolfgang von Goethe
English translation, 1874

The warder looked out at the mid-hour of night,
Where the grave-hills all silently lay;
The moon-beams above gave so brilliant a light,
That the churchyard was clear as by day:
First one, then another, to open began;
Here came out a woman - there came out a man,
Each clad in a shroud long and white.

And then for amusement - perchance it was cold -
In a circle they seemed to advance;
The poor and the rich, and the young and the old,
But the grave-clothes impeded the dance:
And as no person thought about modesty there,
They flung off their garments, and stripped themselves bare,
And a shroud lay on each heap of mould.

They kicked up their heels, and they rattled their bones,
And the horrible din that they made
Went clickety-clackety - just like the tones
Of a castanet noisily played.
And the warder he laughed as he witnessed the cheer,
And he heard the Betrayer speak soft in his ear,
"Go and steal away one of their shrouds."
Swift as thought it was done - in an instant he fled
Behind the church portal to hide;
And brighter and brighter the moon-beam was shed,
As the dance they still shudderingly plied;
But at last they began to grow tired of their fun,
And they put on their shrouds, and slipped off, one by one,
Beneath, to the homes of the dead.

But tapping at every grave-hill,
there staid One skeleton, tripping behind;
Though not by his comrades the trick had been played
Now its odour he snuffed in the wind:
He rushed to the door - but fell back with a shock;
For well for the weight of the bell and the clock,
The sign of the cross it displayed.

But the shroud he must have—not a moment he stays;
Ere a man had begun but to think,
On the Gothic-work his fingers quickly he lays,
And climbs up its chain, link by link.
Now woe to the warder - for sure he must die
To see, like a long-legged spider, draw nigh

The skeleton's clattering form:
And pale was his visage, and thick came his breath;
The garb, alas! why did he touch?
How sick grew his soul as the garment of death
The skeleton caught in his clutch-
The moon disappeared, and the skies changed to dun,
And louder than thunder the church-bell tolled one-
The specter fell tumbling to bits!