Showing posts with label Henry Matthews. Show all posts
Showing posts with label Henry Matthews. Show all posts

Tuesday, March 10, 2026

About the BryonySeries: McSorley’s Old Ale House

Cindy, who makes our Ribbit-Ribbits, announced at our marketing dinner in December that she and her family would be spending New Year's Eve at Times Square and a few days in New York, seeing "the sights."

At the time, Cindy didn't have any "sights" in mind. So I suggested a few.

Because the BryonySeries prequel "Before The Blood" is part historical fiction, I created the "feel" of the time and locations by lightly blending real landmarks and events into the overall story.

One landmark was McSorley's Old Alehouse, which was established in 1854.

McSorley's Old Alehouse appears twice in the first installment of the BryonySeries prequel "Before the Blood" (excerpts to follow below the photos).

But first, a few facts about this old establishment, which was closed to women until 1974 and opened its first women's restroom in 1986.

 



The floor is covered with sawdust, the bar has no stools and no cash register, and the space is frequently standing room only. And no beer: only light or dark ale.


The menu still has original items, such as turkey and the famous cheese, cracker, and raw onion plate


Cindy actually went back a second time for the wishbones, which she didn't notice the first time. 

The legend is that McSorley's gave patrons off to fight in World War I a free turkey dinner before they left. These patrons hung their wishbones, to split when they returned.

Legend says these old dusty McSorley wishbones are from soldiers who never returned to claim them.


Now for the excerpts:


Excerpt No. 1

Helsby looked at John.

            "The ladies of the church are hosting a tea in Miss Bartlett's honor this afternoon. When I return from escorting her, would you accompany me to McSorley's? The ale, raw onions, and turkey all are first rate, I promise you. It's just we two. Tommy is busy with his studies."

            "The villa's host is scorning the toque?"

            "Alas, the host's culinary skills are so poor, even the lads on the roof won't touch his dinners."

            "Then McSorley's it is."

            "I shan't be long. If you like, you may play piano in the parlor. The music won't disturb Tommy. He's deaf in one ear."

            The door closed, and John, deliberately ignoring the leaning floor and the scrabbling behind the faded wallpaper, wandered into the parlor. For all its shabbiness, the flat was clean. Poverty, at least for the future Mr. and Mrs. Helsby, didn't equal substandard housekeeping, although the abode could have used a picture here and there and perhaps a potted plant or two to lighten its bleakness.

            A small upright that shouted "scrap heap" pressed against one wall. John plunked a yellow key and winced at its reply. Taking a pass on torture, John gazed out the window and tried to envision what Savannah might be doing. Next year, John vowed, Helsby and his wife would spend their summer at the farm. He wondered if either of them could ride. Well, no matter. Between him and Savannah, it would simple to teach...

            "Well, this is truly a first: Master John and a silent piano occupying the same room. I'd not have believed if my own eyes hadn't witnessed it."

            John started from the reverie and turned from the window. "I didn't hear you come in."

            "I'm quieter than mice. Ready?"

            "Yes. Are we walking?"

            "No, it's too far. I've called for a cab. And no, you shan't pay for it. It's my treat. I've been saving for it."

            Lined up on the sidewalk outside the pub at 15 East 7th Street were empty barrels, all bearing the lettering McSorley's. The sign above the door extended from  one end of the building to the other and read, McSorley's Old Ale House: Established 1854. Inside, sawdust covered the dark wood floors; tintype photographs and Harrigan and Hart playbills lined the walls. After inquiring if John would prefer the porter or the cream ale, Helsby ordered for them both and found a table.

            "So don't be mum, Master John. What's her name?"

            "Savannah Holloway."

            Helsby leaned forward, eyes alight, the color rising in his cheeks. "The robber baron's widow?"

            Inwardly, John smiled. He had forgotten Helsby's fascination with society news.

            "The very same, Helsby."

            "However did you meet her? Through your father?"

            "You could say that."

            Their meal arrived. Each man bowed his head for a silent prayer. After swallowing a generous forkful of turkey, Helsby asked, "And you're actually engaged?"

            "Yes."

            He shook his head and cut another slice. "A pity she had a conflict, but I suppose she must be quite occupied with finances. Mr. Holloway had amassed a substantial fortune."

            "My interest is Savannah, not her money."

            Astonished, Helsby set the fork down. "I never meant to imply otherwise. I only wished to say her affairs must keep her busy. But, as they say, marriage requires many sacrifices, and they often begin well before the 'I do's.'"

            "So it seems, Helsby, so it seems."


Excerpt No. 2

Ticket sales remained high for days, despite the effects of an ice storm that lasted all week, another fallout from January's blizzard. One afternoon, soon after the temperatures rose, and as John had launched into his final practice piece, Henry walked up to him.

             "I dying to try McSorley's. Shall we?"

            They took a cab to lower Manhattan, with Henry chatting all the way about New York's cantankerous weather, how it kept him busy with news articles all winter, even as it ruined one suit after another. Despite Henry's fine manners, he seemed equally at home with the rustic McSorley's as he had been inside Delmonico's.

            Not until John picked up his ale and took a long drink, the type of drink Jackson would approve, did he dare ask, "So Lord Girard's ward enjoys reporting?"

            "I never said I enjoyed it." Henry raised his glass to his lips and sipped it. "Well, this is quite good."

             "Writing is not your passion?" John couldn't fathom why anyone as rich as Henry was would engage in business he did not enjoy, especially when he need not engage in business at all.

            "Journalism is not my passion," Henry set down his glass. "But writing most certainly is, the main reason for my marriage to Agnes King."

            "I don't understand."

            Henry held out the plate. "Soda cracker?"

              John shook his head, still watching Henry.  

             "I prefer shocking to informing." Henry grabbed another cracker. "Supernatural stories, not news stories.

            "I see."

            "But penning content for dime novels doesn't pay Fifth Avenue rent."

            "You're renting? On Fifth Avenue? But I thought..."

            "That I subsisted off Lord Girard's riches? Hardly."

            "And a reporter's salary covers those expenses?"

            Amusement on his lips. Henry took out a card, inscribed something on it, and then passed it to John. "This is my address. You're welcome to call on me."

             John read the card. His eyes widened. Henry merely cut another slice of turkey and said, "I see you recognize the address. My, did Mr. Russell have plenty to say about you when my story broke."

            "About?"

             "About how Little Lonnie, who's not quite so little anymore, would be so accomplished if you hadn't abandoned your commitment to teaching 'the dear one.'"

            Henry, John thought, for all his dandyisms, understood more than he showed.

            "So," John said, deciding no further remarks about the Russells were necessary, "you intend to use the King family riches to further your goals?"

            "Not exactly, no. I view it as an exchange of resources. Trust me, Agnes King is, and will be, amply compensated."

            "I still don't comprehend why you must marry Agnes when you have Lord Girard as a...resource."

            Henry waved for the bill and then leaned forward with a sly look.

            "Lord Girard is fairly young and healthy, making an early demise and acquisition of his inheritance unlikely for some time."

            "That's cold."

            "See here, John, don't act so coy. You and I, we are nearly the same."

            "How so?"

            "Similar resources, congruent goals, but..." Henry grinned impishly. "... different applications."

            John said nothing.

Tuesday, October 7, 2025

BryonySeries "Before The Blood" Prequel

I was still in the drafting and editing phases for the BryonySeries original trilogy (2009 to 2010) when I began to seriously consider writing a prequel.

Because the prequel is mostly historical fiction with supernatural undercurrents, the initial research alone took several years.

At the time, I saw the prequel as one novel (which it is). But I struggled to find the best protagonist for the story, since no one character possessed the overarching "best perspective."

I finally decided to tell the story from the point of view from four main characters (each character would have his or her own section) with the storylines weaving and crisscrossing - until all four appeared together in the final section like a 1970s disaster movie.

I was well into the writing when Rebekah suggested publishing each section as a separate installment, since each section was really five incomplete novels that comprised one larger (and also incomplete) novel.

The initial research continued several years until I finally began any serious writing in January 2014. More research continued throughout the writing and initial editing process until the end of 2018.

I had entire the novel ready to go before publishing the first volume in January 2019. And then released each installment in two-month segments, working on each segment in those quiet spaces.

We called it "Before The Blood" because the action tells the back story before the three main BryonySeries vampires became vampires (although one is actually turned in BTB) and the events that led to the vampirism in the first place. 

The fourth character is Bryony herself, who only appears in the prequel, despite the entire series bearing her name.

Sue Midlock, who creates all The Adventures of Cornell Dyer art, worked with me to create a cover concept with a nineteenth century feel.

Christopher Gleason, cover artist for "Staked!" and "Snowbell," created five frontispieces for each volume. The colors are stunning; and we considered publishing them in color, but the cost was prohibitive.

However, you may enjoy them on the BryonySeries Facebook page.

And Colleen H. Robbins shared her editorial skills to find areas to polish that my own editing missed.


Here is the description for each book.

Browse - and enjoy!

Before The Blood

"Before The Blood" is a five installment prequel to the original "drop of blood" trilogy. It's part historical fiction, part gothic fiction, and part tragedy as it centers on four key characters and how they ruin their lives.

Its tagline reads: "Step into the past when dreams were still bright and the future was unwritten."

Before The Blood: John Simons

In Book One, read how nineteenth century pianist/composer John Simons goes from riches to rags to riches, and the price he pays along the way.

Before The Blood: Kellen Wechsler

In Book Two, read how Kellen Wechsler goes from rags to riches, and the lives he discards along the way.


In Book Three, read how little Bryony Marseilles, spoiled sheltered, and sickly, uses her introversion and imagination to make sense of her Utopia.

Before The Blood: Henry Matthews

In Book Four, read how Henry Matthews goes from rags to riches and what he sacrifices to serve the riches.

Before The Blood: Bryony Simons

In Book Five, read how Bryony Simons and those she loves destroy their dreams.

Before the Blood 

Get all five installments in one volume for a lower overall price. Just be aware the paper is white as opposed to cream and the print is very, very small.





Tuesday, September 9, 2025

BryonySeries: Purple Roses

I don't remember how purple roses became a BryonySeries motif.

But because they are, loved ones people have gifted me with purple roses through the years ("All The Purple Roses I have Known") with Cindy being the top and most frequent "gifter" of purple roses). 

My mother always grew roses, so I have lovely memories of those bushes, some pink and some yellow, and their heavenly scent.

But how I decided to incorporate roses into the BryonySeries is lost in my mind of writing the first draft of the very first book, "Bryony" almost twenty years ago.

I remember researching the symbolism of roses and deciding that the mythical purple rose, with its symbolism of enchantment, was exactly what the story needed.

I have an old file on the computer called "Bryony and Purple Roses" from February 2, 2009, that only has scant information on white bryony - nothing at all about purple roses.

How purple roses came to be associated with the BryonySeries young dandy vampire Henry Matthews (or how that young vampire evolved from a staid old professor vampire) is also lost to my memory.

The purple rose motif only shows up in the original "drop of blood" trilogy and two of the "Before The Blood" books. And purple roses only receive a scant mention in "The Phoenix."

Yet, if you ask some people who've read BryonySeries books, "What color do you associate with the BryonySeries?" the answer is most often is, "purple."

I have no idea - truly - why that motif instead of others in the series has really resonated with people.

But here is the first purple roses reference from "Bryony."

The room, although not very large, felt warm and comfortable, with its wine-hued carpeting and wallpaper, overflowing bookshelves, and rich mahogany furniture. Several desks sat at the east end of the room. One held a heavy, black, silver, oddly shaped typewriter, very different from her mother’s slim, beige, electric machine. Vases of fragrant, purple roses filled the room. Fully awake now, Melissa rested her head on the back of the settee and blinked in surprise.


For reasons I won't share here (spoilders) "Bryony" protagonist Melissa Marchellis becomes very attached to purple roses, to the extent that an envelope of dried purple rose petals are one of her most precious treasures in "Visage" and that she keeps a vase of fresh purple roses in her bedroom "Staked!"

Her eyes fell on the envelope, and she remembered Henry’s admonition to forget vampires, including him—her undead chaperone--and especially John, who brought only death to Bryony. She could resist no longer. Carefully sliding her hand past the dried purple rose petals, Melissa retrieved the sheet of paper whose words she had long since memorized. ("Visage")

Melissa sat at her desk correcting papers by the tiny lamp. It was the only light in the entire room except for the pink candle she burned near the vase of the fresh purple roses she always insisted Kellen buy for her. ("Staked!")


But as enchanting as these passages sound - to Melissa and to some readers - the purple roses might just be more curse than blessing. 

Pre-vampire Henry Matthews was a very young boy selling newspapers on a busy street corner with his father when he first encountered the term "purple rose" in the BryonySeries prequel "Before The Blood: Henry Matthews."

Harold worked Western; Henry worked Clark. When the morning rush dissipated, Harold again swapped the pouches and scampered away. Henry guarded the newspapers and watched the caravan. The women sat in clusters and wove baskets. The men played stringed instruments.

One dark beauty in brilliant hues locked Henry's wondering gaze with her rippling irises.

So many beads, Henry mused. So many, many beads.

They rattled from her waist, dangled off her hair, and wrapped her neck in a chromatic embrace.

"Son, take a break."

They lounged against the remaining bundles, munching stale ham sandwiches and gulping hot coffee from the street peddlers. Soon after Harold disappeared between the buildings, no doubt seeking his own relief behind Henry's trash barrel, Henry sensed movement behind him.

Before he could react, a withered rose pressed into his palm.

"True love spumes," a woman hissed, "when the purple rose blooms."

Henry yelped, his father's strong hand yanked him away, and the gypsy fled. ("Before The Blood: Henry Matthews")


Henry, again for undisclosed spoiler reasons, winds up signing all his original oil paintings with a purple rose instead of penmanship. The indention denotes a flashback.

But these (images) disturbed her less than the purple roses. The artist had painted a single one at the right-hand base of each image.

       "What this?"

            "My signature."

            " I thought a signature required the alphabet and penmanship."

            "Not always."

Back in the passageway, she locked the door and tucked the key next to her heart. She had to get dressed and find Henry. ("Before The Blood: Bryony Simons")


And, of course, the purple rose also comes to symbolize the rivalry between John Simons the pianist and composer and Henry Matthews, the writer, artist, and horticulturist, summarized nicely in the purple music roses Jan Stack handmade and gifted to me, to distribute at events.


Back to the top image with the crocheted flowers and white box. 

Somewhere in the haze of health battles these last couple of years, Cindy crocheted the purple rose bouquet, which has sat near my office supplies, waiting for its own special post.

She gifted me the purple rose buds she crocheted and the purple rose in the box for Christmas 2024, which we celebrated on January 7, 2025. 

But on that day I was in the tail end of a bad virus and then straight into one health challenge after another for the rest of the year. So both boxes stayed near my desk, waiting for a quiet moment to give them their due and very heartfelt appreciation.

Those boxes waited so long, I no longer remembered what the "angel blessings" purple rose looked like. 

But yesterday, I finally had that quiet moment - and I took the photo you saw at the beginning of this blog.

And then I opened the box.

Unlike Henry, for whom purple roses were more curse than blessing, more heartache than joy, I rejoiced to see the gift before me, my own little angel of purple roses.

To me, they symbolized the parallel prayers, good wishes, and blessings that silently and out of my view, accompanied me through the challenges of 2025.



Monday, September 1, 2025

"Song of the Shirt" by Thomas Hood

This poem from the nineteenth century might apply to several characters in the BryonySeries novel "Before The Blood: Henry Matthews."

Theses are Henry's mother and sisters and their friend Bess Masters, who supported themselves through sewing -  and to Mrs. Cady and Mr. Langley, who gave them the work.

But this poem also applies to anyone, really, who feel as if their labors are vain and unappreciated.

On this Labor Day and beyond, may we strive to find purpose in our labors and be sure we appreciate our efforts, even if we are the only ones.




A Poem for Labor Day

"Song of the Shirt"
By Thomas Hood

First published in 1843 

With fingers weary and worn,
   With eyelids heavy and red,
A woman sat in unwomanly rags,
   Plying her needle and thread—
      Stitch! stitch! stitch!
In poverty, hunger, and dirt,
   And still with a voice of dolorous pitch
She sang the "Song of the Shirt."

   "Work! work! work!
While the cock is crowing aloof!           
   And work—work—work,
Till the stars shine through the roof!
It's O! to be a slave
   Along with the barbarous Turk,
Where woman has never a soul to save,
   If this is Christian work!

   "Work—work—work,
Till the brain begins to swim;
   Work—work—work,
Till the eyes are heavy and dim!
Seam, and gusset, and band,                  
   Band, and gusset, and seam,
Till over the buttons I fall asleep,
   And sew them on in a dream!

   "O, men, with sisters dear!
   O, men, with mothers and wives!
It is not linen you're wearing out,
   But human creatures' lives!
      Stitch—stitch—stitch,
   In poverty, hunger and dirt,    
Sewing at once, with a double thread,
   A Shroud as well as a Shirt.

   "But why do I talk of death?
   That phantom of grisly bone,
I hardly fear his terrible shape,
   It seems so like my own—
It seems so like my own,
   Because of the fasts I keep;
Oh, God! that bread should be so dear.
   And flesh and blood so cheap!
            
   "Work—work—work!
   My labour never flags;
And what are its wages? A bed of straw,
   A crust of bread—and rags.
That shattered roof—this naked floor—
   A table—a broken chair—
And a wall so blank, my shadow I thank
   For sometimes falling there!

   "Work—work—work!
   From weary chime to chime, 
Work—work—work,
   As prisoners work for crime!
Band, and gusset, and seam,
   Seam, and gusset, and band,
Till the heart is sick, and the brain benumbed,
   As well as the weary hand.

   "Work—work—work,
In the dull December light,
   And work—work—work,
When the weather is warm and bright—       
While underneath the eaves
   The brooding swallows cling
As if to show me their sunny backs
   And twit me with the spring.

   "O! but to breathe the breath
Of the cowslip and primrose sweet—
   With the sky above my head,
And the grass beneath my feet;
For only one short hour
   To feel as I used to feel,          
Before I knew the woes of want
   And the walk that costs a meal!

   "O! but for one short hour!
   A respite however brief!
No blessed leisure for Love or hope,
   But only time for grief!
A little weeping would ease my heart,
   But in their briny bed
My tears must stop, for every drop
   Hinders needle and thread!"

With fingers weary and worn,
   With eyelids heavy and red,
A woman sat in unwomanly rags,
   Plying her needle and thread—
      Stitch! stitch! stitch!
   In poverty, hunger, and dirt,
And still with a voice of dolorous pitch,—
Would that its tone could reach the Rich!—
   She sang this "Song of the Shirt!"




Illustration by Matt Coundiff for "Visage."

Saturday, June 7, 2025

Was It Henry Matthews? (BryonySeries Moment of the Day)

So on Monday, Ed Calkins, Steward of Tara, sent me the following photo and text:

Ed: Look at the name. It has to be Henry Matthews. I think he bit my wife last night.

Me: Oh no! (Or, "oh, yes" if that will help with marketing).

So...

Is Henry still around, organizing pub crawls?

Could this be one of Lord Girard's lingering projects?

What do you think?



Thursday, August 11, 2022

10 Quotes from "Before The Blood: Henry Matthews"

When we were getting ready to release Bryony back in 2011, my daughter Sarah (who did a lot of the marketing for me) suggested I pull thirty teaser quotes from the book that she could post on Facebook, one each day.

We did the same for the second book, Visagewhich is also part of the BryonySeries.

But for some reason, I never did the same for another book.

So now I am catching up.

Here is the synopsis and chapter headings for Lycanthropic Summer, folloed by thirteen quotes, one from each chapter.

Here is the synopsis and chapter headings for the fourth installment of the BryonySeries prequel Before The Blood, followed by 10 quotes, one from each chapter.

"Before the Blood" is a five-novel prequel to the BryonySeries "drop of blood" trilogy. Told in multiple points of view with Faustian elements, "Before the Blood" centers on the lives of four key characters and the choices that ultimately lead to a tragic ending. In Book Four, read how Henry Matthews goes from rags to riches and what he sacrifices to serve the riches.

And look - Blogger kept the book font intact!

Enjoy!

HENRY MATTHEWS

CHAPTER 1: EATING CAKE.

He heard the squalling as he neared the door. The woman next door, a fat old hag that smelled like yesterday's garlic, was wrapping something in a dirty blanket.

Harold gazed down at the wheezy blue face.

Finally, he thought, a son to help with the work.

CHAPTER 2: THE GYPSY

Once upon a time there lived a very small boy not well enough to join the happy shouts of the other children when they played Kick the Can in the alley and King of the Hill off the top of the public privy and too weak to be useful inside whatever current rat hole they called home.

Useless, he was, except to be petted by the females ruling it, and amuse them with his illustrations and yarns.

The little boy, named Henry at birth and never addressed with that name except by his mother, rarely left the sagging four walls except to move to another set of sagging four walls whenever someone announced an angry landlord was on his way.

Now Henry had never actually met a landlord, but he imagined him to be quite villainous. 

            "Men! Don your armor! The landlord approacheth!"

            (All shiver with fear).

CHAPTER 3: DEADLY NIGHTSHADE

Bess and Henry's sisters, except Lizzie who was folding shirts into a large burlap sack, ducked over their sewing. Roaches skittered along the walls, heedless of the girls' work and the parents' pleasure. Lizzie was occupied; her broom leaned against the corner; to the insects, nothing else mattered. Henry could almost hear their leader cry, "Freedom, mates!"

CHAPTER 4: REST FROM THEIR LABORS

Ott was Mrs. Variola's "guard dog." This homeless man had appeared on her doorstep one rainy night, unkempt, soaked, and begging for shelter. Ott couldn't hear, and his bark was feeble, but he had the strength of Cratus and was fiercely protective of Mrs. Variola and anything she held dear. Only a halfwit aroused Ott's fury.

CHAPTER 5: MIGHTIER THAN THE SWORD

Newspaper sales were brisk the rest of the week, but neither Henry's nor Major's heart was in them, not with the unexpected bludgeoning of Henry's small run of fame. The only person who benefitted was Harold, as he now had a drinking partner in his son.

CHAPTER 6: HAUTE COUTURE

But it was the conversation Henry had overheard between his uncle and Dr. Stone that established his fate.

He was snipping the roses, lips puckered in concentration and scarcely aware of the two men meandering through the greenhouse until he heard Dr. Stone comment on Henry's "natural style."        

Lawrence said something Henry couldn't ascertain, but Dr. Stone's next remarks were unmistakable: "Mark my words, Girard. He'll be quite the charmer someday."

CHAPTER 7: SHOT IN THE HEART

Once out of town, they traversed the mile more quickly than Henry wished, a full moon illumining their way toward a bleak ending. Felled trees scattered the earth; a night breeze swished through bean and potato fields. Against the backdrop, shadowy farmhouses watched them pass, a glint from the glass and gone. With each hoof step, Henry's trepidation grew.

Neither man spoke until they perceived the outline of the Platt farm.

"Ever see a corpse?" Donovan asked.

CHAPTER 8: WHEN THE PURPLE ROSE BLOOMS

By the third Saturday, Bryony had the hang of "sitting still," and Henry did quite a bit of painting.

The silence and rhythm of the brush strokes muted his passionate impressions of the subject in the rocking chair and returned him to sanity. He felt a little sheepish that a little girl had rattled him.

Art, Henry told himself. This was all about the art.

CHAPTER 9: SEWING OATS

Henry waited until the shows began before slipping into the nearly full theater. He endured the fiddler, the juggler, the can-can girls, the lewd carnival-style vocalist/pianist who kept the audience laughing with his lyrics, and a male impersonator in a regency wig who actually had talent.

Finally, a tipsy man with a Cockney accent announced John. Half-hearted applause ensued. And then Henry heard something he never expected to hear again in his life.

He forgot his cheap whiskey, he forgot pen and pad. He sat mesmerized while Seymour Cassidy's majestic and powerful music teleported him back to Arcadia's north parlor, when Henry heard a piano and a true master for the first time.

This was despite the cheapness of the instrument and the tinny sound it produced. A musical genius. A master of melodies. In lower Manhattan. When the man could be running one of New York's most paramount companies. Unbelievable. 

CHAPTER 10: MEETING AT THE CROSSROADS

They sat under moonlight and counted shooting stars. They walked as one through Central Park, a Sunday lull to the grind and twirl.




Saturday, August 21, 2021

"Kingdom of the Damned" by Ed Calkins, Steward of Tara

I have no idea why I’m here.

Once again, I find myself in a strange place that I don’t remember going to, dressed in a way I cannot explain. I’m at a Victorian-era party of some kind, with music, dancing, and much to consume. I’m dressed lavishly in a kilt and matching cap, adorned with gold and bronze pieces at my wrists. I was clothed quite inappropriate for the Annual Harrington’s Ball, but no one seemed alarmed. If I had been here before, from a different perspective, of course, I’m sure I made an impression that allowed me to violate dress codes. A sudden TAM comes to me. This ball is popular with vampires, but I can’t stay too long. I have to work this morning at one a.m. on the fifth day beyond my natural life and three days before the duel with Trudy.

For a time, nobody talks to me. I just walk around, nodded to the people within my field of vision, and tried not to look lost, bored, or terrified. I wish I could hide among the servants working the ball. I would very much like to attend the horses and the carriages they pull, while the arriving guests dismount the cabs to begin their night of music and folly.

Gossip hits my ears. I keep forgetting I’m a vampire now, and my hearing, like most of the guests, is superhuman and just primed for spying. Somewhere far south and over my shoulder, I hear three youngish maidens giggling about Simons and his new child bride Bryony. Married slightly more than a year, and she was already his best friend’s mistress. One claimed she saw the dubious pair disappearing in the closet, for a quick bite no doubt.

I see her. She makes sure of it, but I’m trying to keep up with the conversation around me while feeling like the house is closing in on me, as if I was playing the French Defense against a player that knew it well and used my every move to narrow my options.

She was dark-haired and wore a red, corseted, low cut dress. Her hair and vampy eyes screamed what she was and the danger she posed. Why are the dangerous ones so alluring?

“You’ve new here,” she told me, practically purring. “You must be recently bitten.”

“Yes, very recently,” I responded, tying to look past her. “I’d say I was bitten about one hundred and fifty years from now.”

I couldn’t look away far enough to not notice her disapproving, calculated pout. Thank darkness, I learned well about women like her before, but this one was a vampire. Meaning asking her in a disgusted voice to just tell me what she wanted would not produce the closure I needed.

“Vampire protocol dictates you answer how long ago you were bitten by your own reckoning,” she informed me. “What time period you are from is a different question that needs only the vaguest of answers. To that question, say only that you’re a futuristic vampire. I ask again. How long were you bitten?”

“Days,” I tried to be dismissive, but unwillingly, I met her hungry eyes and could not break away.

“Like what you see?” she demanded. “Would you like to be bitten again?”

Her eyes promised devotion to bliss. Another vampire, even one my age would have fallen for her promise, but I had the advantage of being bought by old men as a youth. I knew how old men smelled to youthful noses. That disgust revisited itself when I became the old man doing the smelling.

“Do you like fossils, miss Vampy? I knew a girl like you with a fetish for such and an appetite she couldn’t control. Naturally, she was barred from every museum in the city. Perhaps you should think of an alternative payment method for whatever it is that you want from me.”

She nodded, more impressed than insulted.

“Bold,” she conceded. “For a vampire of only days, you know your way around women of the damned. I’ll tell you what I want. I want you. You don’t have to be an old man with a pot belly anymore. You can be as young and handsome as I require, and with the properly sized anatomy as might please me. Why if you’re so inclined, you could be my vixen.”

That gave me an idea.

“And you could then change into a form that I’d be more…well, interested in…in the carnal sense, I mean.”

Contempt was in her, which somehow made her more desirable.

“What, you want blond hair? Or do you prefer young boys?”

“I’ll pass on the blond hair. Could you do white and curly hair that covers your whole body and with four legs instead of two. I’ll also pass on the young boys. I prefer sheep. I’m Irish country at heart. Could you stand about four feet tall and make a sound like this when I …you know. Baaaaah.”

The next instant, she was not standing before me, but rather transported to the other side of the room in a huff.

“And you wonder why no one invites you to parties,” a deep menacing voice said in my ear.

I whirled around, alarmed. “John!”

“Shouldn’t you be working on something?”

“Shouldn’t you have no knowledge that I should be?”

I meant it as a real question. A TAM had come to me. From John’s perspective, this was years before John’s attempts to regain his soul began to fail.

“I require a favor,” he told me in an odd voice that I believe he believed would compel me. “I require you to keep the young woman with me occupied while I conduct some ‘business.’”

“How will I know her?”

“She’ll be the girl at my side when the messenger comes for me.”

“I hear and obey.”

John gave me a strange look but what was I to say? Without further comment, he was gone. I was hoping my mission would not keep me here too late. Besides feeling bored and out of place, I had a down route to run in the morning.

I continued to wander form room to room, pretending to seek conversation and drain the contents of glasses handed to me, lest I offend the host. The true was that not a drop of liquor hit my system as I was wary. I finally found a coat man willing to imbibe my share, despite the chance it would create the impression that I had things of value in my outer garments and not the trust that they would be left when I departed.

I saw her first, and it did not please me.

John’s young woman was not Bryony. She was someone else who was pretending to be his child bride, but she did not have to pretend to be a child. Morals were different in this time, I knew, but that seemed too self-serving for an adult man wishing to exploit adolescent trust. John was not a man, but a vampire. Still, I played along.

“John! I don’t believe I’ve met your bride.” I told him, playing along but with a hint of disapproval and sarcasm.

Melissa almost dropped her glass. Did she know me? This woman who was playing the role of John’s wife Bryony in the Victorian era was, in my time, John’s bride and mother to John-Peter, but now she was still in high school. She stood before me, too innocent to know of her violation, as if asleep and tied to railroad tracks, while the storm of nefarious vampires rode the on-coming train,  dividing the helpless prey.

He introduced her as “Bryony,” and I pretended not to know her by any other name nor did she give me any impression that she knew me.

John’s cue came, and I acted, compelled to keep her in place. I asked her to marry me of course, but it didn’t help, as she changed the subject. I might have grabbed her, tossed her over my shoulder and ran for all I was worth, but what of John-Peter? And what of me? Would my motives remain pure with so much temptation and no soul to hold me to compassion?

I tried to charm her, which meant boring her with ancient lore and hints of my deliberate self-delusion. I told her of my mythical seduction of my lover, whom I likened to the famed Colpa. I expounded my virtues as a ruthless poet, whose exploits drove the De Dananns into such fear that they took to the underground and changed into leprechauns. Through all of this, she politely listened, but I don’t think she learned much.

Poor girl…how does one change the fate of a child that doesn’t accept a POMBEC? What did I mean by that? What is a POMBEC? Do you know?

I retreated when John finally came back. Who was more relieved, Melissa or me?

My plan was to call it a night, but I was unable to direct myself to claim my coat and be done with it. However, there was a glass in my hand. Perhaps the coat man needed refreshment.

“You are an odd bird.”

I spun around and nearly collided into a dashing young man holding his top hat and overcoat.

“Do you know what a POMBEC is?” The words flew out of my mouth without my mind to filter them.

“Of course,” he replied. “It’s a narrowly used acronym for ‘Proposal Of Marriage By Ed Calkins. You do know who Ed Calkins is, don’t you?”

“I’m not sure.”

“First you come in, wearing a dress. Then you refuse an offer of sex but replace it with an offer of marriage. One might think you play for the other side.”

As he said this, he placed two fingers on my shoulder and slowly walked them towards my neck. Smiling, I pushed his fingers away. By his voice and his manner, this dandy boy was advertising.

“Pay to play.” I answered. “I was a boy whore many years ago. Bet I’ve had more old men than you’ve had in a lifetime.”

“So direct with a complete stranger,” he teased. “Pity I didn’t bring more money. It might be fun to play with a newly bitten vampire. Less than a week, correct?”

“Play with me, indeed. I’m betting we’ve met before, from your perspective. I suspect we know each other quite well, or you wouldn’t be acting so…”

“Fabulous?”

“Ok. Tell me, are we close friends?”

“Friends,” he reflected theatrically. “Let me see. I find your company laborious, your delusion of grandeur unentertaining, your poetry insufferable, and your thinking misguided - at best.

“So, we are friends.” I concluded.

“Allies,” he corrected. “We are allies with a similar purpose on something important to me. I knew you’d be here less than a week of your new life as a vampire, so I decided:  why not give you a leg up? All vampires, well, any vampires that matter, can’t resist attending a Harrington ball. John has his reasons, and I have mine, which is to cause pain to the other one.”

“John? You’re friends with John Simons?”

“Yes, John and I are ‘friends,’ too, if a man who cheats with the other’s wife, stabs him to death, and then kills himself can be called ‘friends.’ Of course, we’re friends. We hate each other, and we became vampires together. And another thing,” he leaned quite close. “Stop resisting the urge to feed. The more you deny yourself, the sooner you’ll be compelled to commit atrocities.”

“Compelled?” I clung to the one word that interested me

“Yes.” He held out his hand. “Henry Matthews. Charmed to meet you, too, Ed Calkins.”

“I only asked about the compelled part because it seems to me that I’ve been compelled to be here, quite against my will.”

“Hmm, that sounds serious. Against your will, you say? That can only be the work of another vampire.” Henry looked around. “We should talk but not here. Someplace less visible. Follow me.”

I followed him out of the room and down the hall to a table just big enough for its four chairs. It was so close to the kitchen that I took it for the place where the house chef and his senior staff had their meals. With such a party, it seemed unlikely that they would dine while the demands of the ball required so much labor.

“Kellen Wechsler,” Henry said once we were seated and set his outerwear down. “Do you know him?”

“John’s manager, but I never met him.”

“That is unlikely an accident. When John Simons plays for vampires, all eyes turn to Kellen Wechsler.”

“I didn’t mean to say you didn’t see him, I meant I wasn’t introduced,” I defended.

Henry grinned. “You mean you might have seen him, but you wouldn’t know, because you couldn’t match a face to the name. I think you didn’t see him. If you had, you’d know him by another name and, thus, know of your peril.”

“A lot to assume, seeing this is my first time meeting vampires other than John Simons.”

“Oh, my dear Steward, quickly toss your sanity aside, or you’ll never achieve your destiny. The world depends on it.”

 I laughed until I realized he wasn’t joking. For a while, he just peered at me with a troubled expression. Then he sighed, stood up, and walked away. I just sat there, wondering if he’d taken offense. But he soon returned, carrying what appeared to be a wine bottle and two goblets. He uncorked the bottle and released the mouthwatering taste of blood. He poured two glasses and handed one to me.

“Welcome to the Kingdom of the Damned,” Henry said as he settled back into his chair. “Do you know the two ways to become a vampire? Live a corrupt life that ends in violence or become a vampire’s victim. In the first case, like mine, you’re free from any master other than your own evil appetite. In the second case, yours, the vampire that drained your blood has mastery over you and compels you as he or she pleases.”

He took a sip and waited for my reaction. I had none. So he continued.

“Now vampires have been around since the beginning of man, and it’s always been as I said, until the case of you and John. I killed John before I killed myself. Therefore, John should have no one compelling him. Yet Kellen has a hold on him that can’t be explained any other way than how I’m about to explain it. Even before his death, Kellen ‘compelled’ John to let the woman he loved die while giving birth. Kellen is a careful, calculating vampire. Vampires kill their masters or mistresses to achieve freedom, so Kellen is careful to hide his mastery of John, and makes John believe that, what he does at Kellen’s mandate, he does of his own free will. He has to be far more careful with you because you’re watching for him. You believe you can escape damnation if you free your soul from the deity that stole it. You’re motivated in ways he can’t predict and dangerous because of your own insanity. Do you know what Deep Time Psychosis is?”

I found it strange that I did.

“Not strange at all,” Henry insisted. “You are the first vampire to contract it. You’re also the first vampire to coin the term and try to treat it. It’s how I know John Simons is not compelling you. I asked you to do something for me, which involved you going into the future. If John compelled you, he wouldn’t have let you go.”

“Henry, I’m confused by your relationship with John,” I confessed. “This might be a sore subject, in that it ended in a murder/suicide, but I take it you and he were lovers.”

He sighed again, took another sip, and leaned back. “We were indeed ‘lovers,’ but that didn’t create our animosity. We were drifting apart before John started becoming famous for his music, and Kellen dominated his life. We stopped being lovers without ever…well, breaking it off. But then John met Bryony, and everything changed. I fell in love with her from the first moment I saw her, but I never pursued her.”

“Why not?”

Henry stared hard at me for a long moment.

“Inappropriate,” he finally said. “Inappropriate at the time. But John eventually fell in love with her and then married her, quite against Kellen’s wishes. But although John went against his manager in courtship and marriage, he obeyed Kellen like a dutiful boy whore throughout that marriage, which meant he neglected the only person John would ever love. Because he spent so little time with her, John recruited me as her chaperone, thinking he knew all about my ‘preferences.’ Bryony was so young, sad, lonely, and beautiful, that despite my other tastes, I could not resist her. Even so, I could have played understudy to him, but he was never around, being compelled like a monkey on a leash. When even Bryony realized that her husband’s relationship with his manager was more than just business, she was heartbroken and turned to me for comfort. Bryony’s pregnancy was unlikely to be the cause of his scant attentions, but our denials off set his suspicion. Bryony died giving birth. She would have survived if John had called for her doctor sooner. We didn’t know at the time that her infant survived. That seemed unlikely with an infant corpse beside the mother’s body…an early oakwood model unit, you told me later. You claim your wood sprite tore the child from the womb and replaced it with a decoy he had stolen from a leprechaun. Furthermore, you had a sample of that child’s DNA tested, and I came up as the father. I begged you before, and I’m begging you now: protect that infant from John, especially considering that, for a short time, John will be my son’s adopted father. Melissa, whom you recognize as the mother, the child who, in extreme irony, is playing the part of Bryony, will be my son’s stepmother, so I need you to protect her, too. You had to go into the deep future to get a device called an electronic womb that will let my son have a normal childhood by living his life remotely. When you did this, you got lost.”

“Hmmm, a love for a young woman and an interest in another…one might think that you are playing for the other team,” I teased.

“Melissa is my student in 1975!” he snapped quite unexpectedly.

I apologized, knowing the code of honor teachers have for their students. Then, trying to distract him, I asked, “So what are the perils of this mission that puts you so in my debt?”

He took another sip and smiled, but I couldn’t tell if it was a friendly smile or a seething smile.

“To understand the Kingdom of the Damned, you’ll need to know how to kill a vampire. Before your little invention, most living humans only knew one way to do it: discover the vampire’s coffin, lie in wait for that vampire to start reanimating, and then drive a wooden stake through its chest.”

“That’s the only way?”

“In theory, other methods exist, but the practice is tricky. A silver knife or bullet may disable a vampire. Here’s the problem. If a vampire bleeds and falls, the mortal may foolishly believe he extinguished the unholy threat. But in reality, the vampire will reanimate in the place it was put to rest. Only a decomposing corpse confirms that the undead has been destroyed. A beheaded vampire will expire the same as staked vampire, but most of the living lack that strength to accomplish it. Crosses, garlic, direct sunlight, or holy water are myths that serve the undead well.”

“Such myths have a vampire origin?”

“Yes.” He gave me strange look. “But don’t just fear being killed. There are many diseases that are fatal to vampires. Perhaps keep a thermometer with you.”

“You mentioned getting lost.”

“Yes. You see, my dear Calkins, the kingdom of the damned is a small community. You need only a party like this one to keep up with who’s been staked, removed by another vampire, or perished from disease. In vampire history, many simply went missing. Most were deep time traveling vampires, much like yourself. In the vast years, some of the missing turned up again. Some were just depressed and sealed themselves from all company…until they had to feed. Others turned up as victims of some unlikely adventure, such as the vampire that was frozen in a glacier in the height of the last ice age. He found himself in a museum. Most comical.”

“Except for the vampire.”

“Well, yes. My point is, even with these plausible explanations, too many vampires disappear. We only have one source to explain it.”

“Is that source credible?”

A strange look appeared once again on his face.

“No. Any credible vampire would stay completely away from deep time. When we visit the past, we’re careful not to enter the past as it was, but the past as it exists in our differing perspectives of ‘now.’ If, by some mistake or intention, we change the past, we’ve only changed events or happenstance that does not change humanity. The same with the future. Years go by, and any paradoxes are resolved by forgetfulness or misinterpretation.”

Henry’s countenance darkened, and he took another, more thoughtful, sip. “Deep time is different. If you go back in time to change your present, no problem. Eventually you will perish and no harm, or good, will result from your incursion. Not so when you go back to the future to change the course of human existence, even if the change seems trivial. That sort of incursion will drive you insane.”

“What is this not credible source claiming?”

“Deep time travel involves going through portals where you don’t know the space or time on the other end, but it’s a continuum. Think of it as a train ride with changing directions. You travel very rapidly but can only get off when a train reaches a station. Since you’ve never taken this train, you can only assume the next stop is the place you want. According to rumor, our ‘source’ fell asleep while riding this time train. When he did get off, he encountered a time and place where no life existed. Molten metals shot up from the burning, melting, hell-scape. Maybe it was the distant past, maybe the distant future, it’s impossible to tell. Some claim he’d entered hell itself.”

              “Why didn’t this source just get back on the train?”

              “Rumor says he did…millions of times for as many years, but the other side of every portal looked the same as the last. H couldn’t determine which direction; past, future, or maybe something sideways, was the way back to where plants and animals existed. But the source did find other vampires. Apparently, they couldn’t be starved out of existence, but they were too weak to move. Liken them to someone walking the tracks in the way that we walk along the ‘tracks’ of our future, one day at a time. Except in that case, they know they’re heading to their future. Many of these vampires were clumped together, as if they’d wandered and found each other, one by one, while they still had the strength to change their position. This ‘source’ kept getting weaker and weaker as he was unable to feed.”

              “Until he jumped into the right portal?”

              “Yes – and most likely with help from a supernatural deity. Some say Satan helped him. Or perhaps it was some other fallen agent. In either case, this supernatural being found it difficult to provide help and spent a great deal of effort giving it. The deity was omni-present and had no need for space/time. It could not direct the source because it didn’t know the victim’s origin, except from its perspective of ‘here/now.’ So to direct this source, the deity reanimated a Mayan Magi and transmitted the location of the stars. This took many attempts as the source was a poor and inaccurate communicator. After much effort, and with this source barely able to wiggle for lack of sustenance, the source finally went through a portal that allowed him to feed. Once within the timeline of existing life, the source navigated his way back to his own space/time.”

              “And so he lived to tell the tale,” I concluded.

              “He did, but he didn’t. I haven’t finished the story. Something more needed to be done, though I doubt any sane vampire would have attempted it. The other starved vampires, given that ‘forever’ allows all things possible, would eventually find their way back to their own times and want revenge for being abandoned in hell. Instead of learning his lesson, this source reversed course and returned to the space/time of that hellish landscape. But what he found there, what he brought with him to use on the other vampires, and if he needed the same supernatural help to get in and out the portal, is unknown. We should assume he brought a wooden stake and mallet, ending any threat, but this is a crazy vampire. If he brought blood with him, he might have brought those vampires back. They would be in debt to him, and vampires do not like to be in debt. One might say this crazy vampire painted a very large target on his back…a back he should watch.”

              “I would think that any vampire who has the favor of a supernatural deity would be too dangerous to mess with.”

            Henry snickered. “Well, there’s the rub. Not everyone agrees that a supernatural deity fueled his escape. They think he was simply Irish.”

              “The luck of the Irish,” I mused…until realizing I’m the only known Irish vampire. “Wait. Am I the unreliable source?”

              “You never said you were.”

              “Then what are you saying?” I asked impatiently.

              “No. I said YOU never said that…any of it. If you had, anyone could easily dismiss it.” Henry leaned close and dropped his voice. “John Simons is a powerful vampire and since you became one, he’s kept a close eye on you. But one day, for a few hours, he was frantic to find you. The link between a master vampire and his slave is such that he’d know if you’d been staked. And if that wasn’t enough, Kellen Wechsler was even more than frantic. He was actually n a rage, screaming to all around him that no one gets away from his power. During that hour, or two, it was very clear that you were missing and that the pair had plans, opposing plans, with you being critical to those plans. For his part, Kellen organized a vampire search party from every time in every part of the globe. If you were on the earth during the time of men, they’d have found you, but they didn’t.”

              “So what happened next?”

              “Nothing. It was as if everyone simply forgot anything that happened and that hour or two became the smallest part of a second. I forgot, too but since I’m a writer, I keep a journal. Imagine my surprise when I read about your disappearance and Kellen’s rage regarding it. As I was reading it, the same thing happened a second time. Ed Calkins was missing, and every vampire with any connection to Kellen had to search or else. In much less than an hour, which became less than a second, the entire incident was forgotten again. Of course, I knew about it because of my journal, but I’m not the only vampire who keeps one. That is our first clue. Our second clue came with invitations to some wild parties from vampires no one knew. Do you know what the IVA is?”

              “Irish Republican Army…the Catholic resistance through the Trouble.”

              “No. The I.V.A. stands for Irish Vampire Association. You’re considered to be the only known member, except you’ve never admitted it. You’ve told people how to join. You’ve told me how to join. Most of us just think you’re just crazy, except these vampires no one seems to know, but you, crash our parties, one at a time. Always inexplicably, his name winds up on the guest list. The unknown vampire always introduces himself with, “Hi, good to finally meet you…I don’t know how we’ve never met before…strange, huh?’ Always, the stranger appeared to know us, but only one vampire seemed to know the stranger…you. Furthermore, none of these new vampires are ever seen together. Then after every unknown vampire was introduced, they invited us to rather extreme events thrown in their honor. One was the dedication to an Aztec temple, complete with the sacrifices of fifty warriors, each having their living hearts torn out of their chests. Or the day at a Roman colosseum where the vampire’s guests were seated with the Emperor. Every blood sacrifice you can imagine, these new vampires hosted.”

              “How is it thought that these new vampires relate to me?”

              “The rumor is that you, ‘the source,’ took two items back with you: stakes and blood in gallon containers. You forced each vampire to swear alliance to you, the Irish Empire, and the IVA before you let them drink. You never implied a direction back to modern time, but you have all kinds of ridiculous stories about Neanderthal men and the ancient times. You even implied once that you were in Portugal, trying to make it to India, and that you hitched a ride with Christopher Columbus on his famous voyage. Although no one believes you or finds your pathetic attempt at humor charming, no one completely discounts what’s not told directly. For example how many vampires did you encounter on your ride to the present?”

              “You don’t believe any of this, do you? It certainly seems unlikely.”

              He grabbed me by the collar with frightening speed. Henry’s expression was a mix of fear, rage, and desperation.

              “Fall apart, man! Quit being rational! Your enemies can read your mind! You must scatter your wits and believe the unbelievable or you’ll never survive!”

              I shook with fright and tried to compose myself.

              “Not surviving hardly worries me,” I told him. “I’m already dead.”

              He stared at me long and hard and then released his grip.

              “Maybe this will unhinge you,” Henry said as he reached into his pocket. “You gave me this gift with one condition: that upon my passing, I would leave it to one of your living family.”

              He held out a strange black rock. Funny, but when I say “black” and “strange,” I mean like a small piece of reality that had become a black hole…a missing piece of the natural world. The rock was flat in dimension and heavier than it should have been for how thin it was, which was perhaps slightly thicker than paper.

“Open your hand,” Henry said.

I did, and Henry placed the rock on my palm.

“It’s a mirror,” he said, watching my reaction intently. “It’s made from a substance not found in the time of life.”

I pointed the rock at other objects. Nothing changed in its blackness.

              “It reflects reality the way non-living things see it. If you had a powerful enough microscope, you might see the unchanging particles in random motion the way they were since the beginning of creations. What you’ll never see is life or the living.”

              I looked at him, bewildered. “It’s just a dark, flat, rock.”

              “Gaze into it and see.”

              I did and saw something I had not seen since I’d become undead. My reflection! It was as clear as the day before my death when I could see myself in a mirror!

              “Do you believe you now?” Henry sneered. “This was my last chance to convince you to take yourself with a dose of pompous grandeur. A sane vampire can’t do what you must. A sane vampire will never kill Kellen to save Melissa, create a normal life for my unborn son, or make a three-day holiday, complete with a parade, to commemorate his birthday.”

              “Calkins Day,” I brightened. “I like the ring to that…celebrated on the thirteenth of February…right between Lincoln’s birthday and Valentine’s day. There could be a big parade with candy, balloons, and leprechauns. It seems meant to be.”

              Henry smiled softly and raised his glass. “Ah, there’s my delusional fool.”




Illustration by Nancy Calkins for "Ruthless." Excerpt is from the same book.