Showing posts with label John-Peter Simotes. Show all posts
Showing posts with label John-Peter Simotes. Show all posts

Monday, November 21, 2022

A Buried Review for "Staked!"

While searching for a particular meme on social media, this post popped up.

My BryonySeries super fan left this review for Staked! on my Facebook timeline in 2015, which is different from the two separate reviews she wrote for Amazon and Goodreads.

I'm still awed that she's written several reviews just for this one book which was, as far as I know, still her most favorite book in the entire BryonySeries.


OK, here's the rest of my review - the part that didn't make the cut.

In my original review, I had focused more on family dynamics - how the family was seemingly normal - the death of a parent, resenting a stepparent, even the deep dark secrets and skeletons in the closet (so to speak). The author presented the family as seemingly normal - right down to John-Peter's paper route and helping out at the family business and then POW - creating a surreality in which absolutely nothing was as it seemed - a left hook to the reader's jaw. 

There was the budding awareness in John-Peter of his parents sexuality as he watched Kellen nuzzle Melissa's neck - again not what it appeared to be, but a tie to the normal. There was the Freudian idea of the son competing with the father, and ultimately winning.

When I first "met" John-Peter in "Visage," I got a "Rosemary's Baby" premonition - that he was a creepy troll of a child. In "Staked," the author forced a 180 turn, with John Peter as a very likable adolescent. And though he seemed completely human and normal, I knew that something was up with the splinters, his need to drink gallons of water and eat bushels of food. Through John-Peter, I sort of relived some of my own adolescent fears and failures and relived my fear of being ridiculed for being different.  

The princess in John-Peter's mirror - his secret from even his dearest friend - unnerved me. Who was this girl? Why did John-Peter obsess about saving her - and saving her from what? There is something so very frightening about the girl in the mirror. In the end, you realize you knew it wasn't Rapunzel.

The author touches on the good/evil side of the human personality - giving characters ample opportunity to redeem themselves for less-than-noble acts. Even the characters who were basically good committed heinous acts - and those who were pegged evil - often committed acts of kindness. Nothing was ever black and white in the series. I'd say I enjoyed the "shades of gray," but that was a different series entirely - one I don't plan to read.

The author touches on friendships - who you can trust, who you can't trust. Who will betray you and who will stand by you, no matter what. Many of us remember our best friends - those who could seemingly read our thoughts. There were so many images in the book of bonds that were thicker than blood. By the end of the book, you knew Karla would never be the same.

Speaking of Jungian psychology, perhaps the most baffling and terrifying part of "Staked" was learning that an entire world was the result of Ed Calkins' imagination. And you question, who is real? Who is not real? Was the entire story the product of Ed Calkins' imagination... or perhaps the tale was born in a dream Melissa had while napping. Was John-Peter ever real? What about John Simons? And on and on.





Saturday, September 4, 2021

Midnight Apprentice

In honor of Labor Day, I'm sharing an excerpt from the BryonySeries novel Staked! that gives a slightly (emphasis on the "slightly") exaggerated look at the what delivering newspapers seven days a week in the middle of the night looks like.

With more and more publications making the transition to web only, this excerpt gives you a rare look at an entire industry that will someday be no more, an industry in which my entire family and I used to work.

What makes this piece especially fun is that the main character, John-Peter Simotes, is completely fictional, and his "Uncle Ed" is not.

For the back story of how that actually came to be, check out my Calkins Day Address from 2020.


John-Peter wearily pulled the pallet jack down the row of hastily assembled plywood work tables in the large warehouse, neatly dodging the zombie-like carrier pushing a shopping cart of newspapers toward an exit to load into vehicles. Despite the service doors opening into the night, the air hung heavy and lifeless with the overwhelming heat and humidity the building effectively trapped by day. It had been a long, laborious week, not one filled with the reading and relaxation.

            At the dinner table Monday night, Kellen had unveiled a list of chores for John-Peter to complete that week at the Happy Hunting Grounds funeral home because Kellen’s secretary was on vacation. None of the tasks were difficult, only time consuming. John-Peter had spent the last three days filing and running brochure orders to and from the local printer, as well as tearing apart and cleaning the display cases before refilling them with souvenirs and then carefully dusting the enormous picture of Agnes Scofield, the first client of Happy Hunting Grounds. Kellen had once told John-Peter that Agnes, a ninety-three year old resident of Jenson Nursing home, had given Kellen the permission of feasting on her blood in exchange for being forever immortalized as "the first."

            Tomorrow, John-Peter would return to Thornton with his mother for a physical—two physicals to be exact—before beginning school on Monday. Then John-Peter could only help Uncle Ed on weekends and school holidays. Between running newspapers with Uncle Ed by night and helping Kellen by day, John-Peter had not read anymore of Grandma Marchellis’ diary. Any free time he had acquired, whether at home or riding in the car, was spent in sleep.

            “Hey, John-Peter!” a large, burly man called from across the aisle. “I didn’t get my Thornton Times!”

            “Count?”

            The man stretched his tight and faded blue T-shirt over his hefty belly, trying to cover the last inch of skin and failing. “Thirteen.”

            John-Peter handed them to the man who belched in reply. He couldn’t blame the carrier, or any of the other drivers, for being grouchy tonight. Their boss, Joe Reece, had tucked a policy change into their paycheck envelopes stipulating that only a certain number and colors of bags would be distributed. If carriers required more than that amount, the cost would be deducted from the next week’s pay.

            That move prompted Uncle Ed to express his displeasure with a limerick:

 

            There once was a cheap boss named Reece

            Whose supplies to carriers decreased

            When the carriers cried, “Foul!”

            Reece spat as he howled,

            “I’ll make you share one sleeve apiece!”

           

            “Someday,” Ed said, leaning close to John-Peter and dropping his voice, “people will refer to cheap acts as ‘doing a Reece.’”

            No negative situation existed where Uncle Ed could not compose an appropriate limerick.

            “The limerick is the most superior kind of poem,” Uncle Ed had often him. “Not only can people pronounce it, they can remember it and it flows freely from the tongue. This sort of poetry works in two ways. The words I say create fear in others, fear of how they will be remembered. This fear then promotes a willingness in your enemy to compromise, to confront you in more friendly terms, or maybe to ally with you.”

             But if Joe Reece, or anyone else for that matter, cowered in terror before Ed Calkins, he never showed it. Even the carriers themselves rarely expressed the respect and appreciation John-Peter felt was due Ed for his hard work.

            Ed printed and sorted route books, oversaw the unloading and distribution of entire truckloads of products, including bag shipments and fifteen different publications totaling over ten thousand newspapers. In addition, Ed fielded complaints, dispensed bags, retrieved and carried garbage to the dumpsters, and swept the warehouse. This was in addition to his regular, carrier responsibilities. Ed delivered newspapers to the outlying and remote areas no driver wanted to touch, including Munsonville.

            On school days, if John-Peter rose early, he'd grab a jug of water and sprint barefoot down to Main Street under the early morning sun, just in time to catch Ed Calkins filling the newspaper boxes outside Sue’s Diner. If Ed had a few minutes to spare, which he always seemed to have, he'd share an Irish joke, adjust John-Peter’s leprechaun, and point to John-Peter’s watch.

             “Bet you can’t say ‘Irish wristwatch’ ten times.”

            And John-Peter could, every time.

            “John-Peter, if you want to make an Irishman laugh on a Monday, tell him a joke on a Friday.”

            “John-Peter, while at the wake of his atheist friend, the Irishman said, ‘Poor lad. All dressed up with no place to go.'"

            “John-Peter, do you know it takes four Irishmen to change a light bulb? One removes it from the socket and the other three remark, ‘What a grand, old light bulb it was!’”

            If Ed was running late, he’d acknowledge John-Peter’s existence with a jovial nod before he dropped the bundles at the machine, fully expecting John-Peter to fill them.

            John-Peter, of course, always did. He understood newspaper deadlines. He had grown up with them. His father, Professor Simotes, not Kellen, had delivered a country route under Uncle Ed’s authority. John-Peter not only accompanied John on the route, he helped prepare the papers for delivery and consulted the route book when his father had a question about the location of an obscure address, a delivery instruction or code, or which combination of publications a particular customer might receive.

            The problem? John-Peter did not remember any of it.

            He had been too young, a tender twenty months of age when the professor had died. His memories of the newspaper business centered around Uncle Ed, who was not really his uncle, but a man who had been a good friend, as well as the boss, of John Simotes.

            Ed seriously undertook his news agency responsibilities, even referring to himself as a “ruthless dictator” who expected compliance within his ranks, although he rarely obtained it. The carriers snatched extra newspapers from the pallets, invented excuses for customer complaints, and stole inserts, hooks, and bags from each other’s stations. Never did one week pass without a carrier calling Ed with a crisis of why he could not deliver his route that night, and could Ed please do it?

            And of course Ed did, while hard at work composing a penalty limerick, which that said carrier would hear upon walking in the warehouse door the following night. However, Ed did not limit his control tactics to mere verse. No new carrier slipped through the ranks without at least one request to sign Ed Calkins’ petition. Ed’s birthday fell between Abraham Lincoln’s birthday and Valentine’s Day, a fact significant enough, Ed felt, to warrant a three-day national holiday.

            “The time will come when everyone around the world will eagerly anticipate the Ed Calkins Day parade,” Ed always said, beaming, as he pressed both paper and pen into the hesitant carrier’s hands.

            In the meantime, Ed himself offered the joys and excitement of his parade to the elite crowd fortunate enough to deliver newspapers in the middle of the night from the Jenson warehouse.

            For as long as John-Peter could remember, he celebrated each February thirteen watching a carrier pull Uncle Ed through the building on the pallet jack, one John-Peter had decorated with green streamers and balloons for the occasion, while an exuberant Ed waved to his constituents with one hand and tossed bite-sized, wrapped pieces of candies from the other one toward the work stations.

            So although John-Peter had no time to read the diary this past week, he could and he did spend much time reflecting upon what he had read as he busied himself with his required duties.

            Had Grandma Marchellis really lived part of her life inside Simons Mansion or was the entry simply the ramblings of a demented mind? Surely if she'd had a connection to the musician, his mother, grandparents, or even Kellen would have mentioned it. Besides, who knew if her son Frank even had read it? Grandma Marchellis chronicled the tale in her personal diary. Maybe she went completely senile before she shared it with Frank.

             “John-Peter! Where’s my Detroit Daily News?”

            “In transport.”

            “Late again?”

            “Afraid so, Dave.”

            John-Peter dragged the jack back to the dock. He had nothing left to disperse until the final truck arrived for the night. He closed his fingers around the leprechaun before heading toward Uncle Ed’s work station.

            With lightening speed, Ed bagged the Jenson Reporters for a carrier who took his year old daughter to the emergency room last night. Eyes down at his work, Ed said to John-Peter, “Stuff all the papers for Munsonville, and bundle my papers for Sue’s Diner.”

             John-Peter refilled his jug from the water fountain and then went in search of an empty grocery cart. He found one overturned near Joe’s office, in front of the rusted, dented metal shelves holding back issues of the previous week’s publications. The cart worked better than he had guessed. Its handle only slightly wiggled and three of the wheels actually rolled.

            He stacked the newspapers from Ed’s work area into the cart and dragged the load to the strapping machine. Three other carriers stood in line to belt their store drops. One short, round woman fidgeted with growing impatience.

            “Hurry it up, Kurt. You’re not the only dang carrier in this building.”

            But Kurt ignored her and continued strapping bundles with a steady pace. Soon the metered beep-beep of a truck’s back-up alarm broke into the carriers’ low, rumbling chatter.

            “’Bout time,” groused a tall, thin man as he scratched under his scraggly, bronze beard. “Gotta go to work this mornin’. Boss said if I’m late again he’ll can me.”

            John-Peter wondered if John Simons ever paid that promised visit to Grandma Marchellis. If he did, John-Peter doubted the musician entered through the front door. He believed the story of the magic music box. He might even have seen it.

            Ed tugged a pallet jack full of Detroit Daily News bundles past John-Peter as the boy strapped the last bundle.

             “John-Peter! Get that cart back to the station and help me get these Detroits passed.”

             “Affirmed, sir.”

            Carriers swarmed the dock and Ed’s pallet, opening bundles and grabbing stacks of papers, heedless of Ed’s loud orders to wait their turns. Joe Reece charged five dollars for every newspaper a driver delivered late. John-Peter plopped onto a work table, fished inside his other pocket for an apple, and wished the princess had given it to him. He took a bite and leaned his weary body against the table’s back. As punishment for disregarding his stern commands, Uncle Ed would be tormenting offenders tomorrow morning with a fresh supply of limericks.

            “John-Peter!”

            The boy woke with a start. The apple core lay on the floor. The warehouse was devoid of carriers. Uncle Ed must have already loaded his car because he looked ready to leave.

            The first rays of dawn were breaking through the dark the sky as the pair entered the parking lot. No chance of a nap this morning before he and his mother would leave for Thornton.

            “What time is your appointment?”

             “Eleven-thirty.”

             “Hmm.” Ed frowned and looked at his own green wristwatch. “I’ll hit the country roads later. Let’s deliver Jenson, and then I’ll take you back to Munsonville. You’ll never survive the day without a nap.”

            “Much obliged, Steward, much obliged.”

            With a light heart and a steady supply of apples in his left hand, John-Peter threw newspapers into the driveways of Jenson’s neighborhoods and fumbled for whatever publication Uncle Ed needed with his right. He was glad to skip the country roads. The joggers who inhabited them at three o’clock in the morning made him uneasy. Once, Ed nearly collided with a man who rode his bike straight at Ed’s car. Other carriers might have signaled their anger with a finger or colorful language. Instead, Ed soothed his jangled nerves with a limerick.

           

            O cyclist who rides in the night

            Making sure you’re hidden from sight

            One day you will find

            A driver’s who blind

            Who’ll flatten you without any fight.

           

            “John-Peter, did I ever tell you about the four great treasures of the Tuatha de Danann?”    

            Ed had just reached the part about the endless food supply of the Cauldron of Dagda when he threw two newspapers out the window into the driveway of the house before the stop sign.

            “Wait, Uncle Ed,” John-Peter said, reaching above the visor for the route book. “The Jenson Reporter is a vacation stop.”

            “What about the Thornton Times?”

             “Active, your honor.”

             John-Peter ran across the road to pick up the extra newspaper. Although the sun was now fully up, the absence of traffic made delivering papers almost a joy. After tossing the renegade paper back into the smudged, cracked laundry basket that held its clones, John-Peter, gradually perking up under the brightening sun, grabbed a handful of Munsonville Weeklies.

            “Can’t understand why that newspaper is still in business,” Ed complained. “How much news can that village report in a week?”

             “The Daltons bought a parakeet.”

             “Three more blocks and then we can do the stores. Keep up with me because I want to stop at Eircheard’s Emporium before we go back to Munsonville.”

            “Anything in particular you’re seeking?”

            “Another tin whistle.”

            Ed Calkins saved the pawn shop’s bundle for last, after first pulling off the road to adjust John-Peter’s leprechaun, a pocket-sized creature with a leering face, tiny black eyes glinting below a pair of bushy red eyebrows, and a thatch of wild red hair sliding out from under its tall green hat. In the center of its belly, a series of numbers in the billions spiraled downward. The lull in the action always caused John-Peter to nod off, but he always reawakened feeling as refreshed as if he’d slept the night. By waiting until daybreak to deliver the Eircheard’s Emporium, Ed could be certain that Eircheard himself would have unlocked the front door, prepared the tea, and, if the wizened shopkeeper was feeling particularly ambitious that day, prepared a loaf of warm, Irish soda bread--using vinegar instead of buttermilk and a vegan spread from Brummings in Shelby to top it--out of respect for John-Peter.

            But no whiff of freshly baked bread greeted John-Peter’s nose that morning, only the pungent scent of the tobacco that emitted from Eircheard’s clay pipe. When John-Peter was a small boy, the sight of this leprechaun-like old man intimidated him and became the source of a recurring nightmare. Since early childhood, John-Peter had often dreamed of the shop keeper, sitting on a tree trunk and carving a misshapen piece of wood with a long-handled knife. A series of incantations followed the store owner’s act of jamming the wood into the ground. While Eircheard chuckled in glee, John-Peter’s leering face emerged from the top of the wooden post.

             But the Eircheard’s fearsomeness now only existed in John-Peter’s dreams. Inside the pawn shop, he was simply an old man making a dime from those wanting a quick buck and parting with their possessions to obtain it. The one-room, wood shop was not large, but Eircheard had filled it to bursting with all manner of furniture, knickknacks, clocks, lamps, signs, clothing, wall hangings, books, record albums, toys, dishes, household furnishings, and so forth, all stacked haphazardly and without category consideration.

            “No tin whistles today,” Eircheard said, leaning back in his desk chair, puffing on his pipe, and gesturing to a side table. “But some fellow brought in a whole stack of records. All bagpipe music.”

            Uncle Ed made a dour face and recited:

           

            A pygmy did sit in his chair

            Luring the innocent into his lair

            He said, “Why not you stay

            And buy something today?

            If it’s garbage I really don’t care.”

           

            Eircheard grinned around his pipe and watched Ed weave through the card tables, laden with assorted figurines, plaques, and jewelry, to flip through the albums.

             John-Peter poured a cup of tea, popped his vitamin, and polished off the remnants of yesterday’s bread while Eircheard puffed and watched some more. The boy wished he had topped off his jug before leaving the distribution center. His parched throat screamed for water.

            “Saved the last from yesterday. Had a feeling you gents would stop this morning.”

            “Thankee, Mr. E.”

             Eircheard smiled through the black gaps between his broken teeth. “Anytime.”

            Ed looked up from the stack of records.

            “Want to drive Kellen nuts?”

            “I’ll pass, Uncle Ed.”

            Kellen’s disparaging remarks about classical piano music were the bane of John-Peter’s life. No need to blare bagpipes, too.

            Ed selected three albums and brought them to the counter. Eircheard rose painfully to his feet to ring up Ed’s purchases.

            “That will be five dollars even.”

            “You drive a hard bargain.”

            “Got to keep a roof over my head, same as you.”

            Ed picked up the records and turned to John-Peter, who spread margarine on this third chunk of bread. Three-fourths of the loaf had disappeared into the boy’s growling stomach. “Let’s drop Munsonville, and get you home.”

            “Think Reece will be mad the country route is late?”

            “Not mad enough to find someone else to take it out.”

            The combination of the sun’s glare off the windshield and the warm snack sent waves of sleepiness through John-Peter's numb brain. Twice he nodded into slumber against the window glass before he and Ed reached Munsonville.

            Ed parked his car in front of Sue’s Diner and reached for the newspaper bundle. “You rest. I’ll fill the machines.” In less than five minutes, Ed was turning onto Bass Street over John-Peter’s objections.



A customer wishes the real Ed Calkins best wishes on the very last day of his newspaper route earlier this year.

Monday, November 16, 2020

COVID Message from Ed Calkins, Steward of Tara, Etc.

 Since Ed Calkins doesn't have a social media presence except for the one I've given him, I passed along all the well wishes in an email.

Here is his response: "Thank to all. Avoid getting COVID-19. It's no fun."

Having worked through last weekend while fielding one emergency after another (and the unexpected death of a family friend), I spent a good chunk of the weekend working on other projects.

These projects included: editing for two clients, some editing on Ed's first BryonySeries novel Ruthless, a meeting with Timothy to work on the next book in The Adventures of Cornell Dyer series, and a little editing on the first book in the new BryonySeries trilogy Limbo: The Phoenix.

I missed this detail on the first pass of Ruthless but caught it this time.

Ed has written a character called Trudy, and Trudy (in her dream) is sitting in a decrepit bar talking to a character named Glorna, who will remind anyone who's read Staked! of John-Peter. 

Glorna says he will be eighteen in two days and is dressed like a cowboy (because he likes westerns) so Trudy dubs him "Clint" (for Clint Eastwood).

Trudy is tells Glorna she is supposed to hang him for his crimes (except they share the same crime), and she's sorry she has to hang a kid.

Now once upon a time, back in 1990 when I was writing notes on Bryony, I had John-Peter die by hanging.

Coincidence?




Saturday, July 11, 2020

The Magic Apple

"Support indie" are buzzwords often heard today, and people live that out in ways ranging from not at all to promoting their friends' work or their favorite artists on social media.

But this isn't a post of how you should support indie, or how I support indie (except as an aside) or that you should support me (although I'd be thrilled if you did).

Instead, it is a story about Celtic mythology, my imagination, homemade tropes, and how I use those in a small way to promote indie artists I do not know, and how they're work has enriched my life, although they will never know it, either.

In concise terms, this means that, ever since I have figured out Twitter basics, few years ago (I've had the BryonySeries account over a decade; I just didn't know how to use it), I post a combination of my own content and curated content, all underscoring BryonySeries themes.

One of those posts is always for product on Etsy.

It's a fun, creative exercise of searching the platform by a BryonySeries theme (or item or trope) and then sharing a description and photo of the item on Twitter, along with a link, so anyone who is interested can buy it.

Has it led to sales? I have no idea because, with the except of Holly Coop's greeting cards, I don't know any of the vendors; I find them and their products through searching by topic.

But I stick with Etsy almost exclusively because most of the vendors are indie artists from all over the world.

Now recently, this has led to some gifts from my children to me.

The latest is this golden apple, which I am wearing for the first time. The reason why it's important is slightly because of Ed Calkins, whom I was supposed to meet for lunch today to discuss his progress on Ruthless (hoping "lunch" still happens via phone call).



Without going into too much backstory, I've legally fictionalized the "real" Ed Calkins, which led to the subtle incorporation of Celtic mythology into parts of the BryonySeries, especially in Staked!.

In this third book of the young adult "drop of blood" vampire trilogy are frequent allusions to a magic apple. These allusions refer back to a story Ed Calkins supposedly tell the protagonist, John-Peter, which John-Peter tells his young nieces one Thanksgiving Day as they prepare apples for a pie.


           “How come you like apples so much, John-Peter?”
            He reached for another. “Hoping for a magic one.”
            Deanna lifted her chin in disdain and shook her head. “There’s no such thing as magic, and you know it.”
            Fawn ran back into the room, waving her dripping hands. John-Peter handed her a napkin, tossed the cores into the garbage, and began working on another apple.
            “Surely you’ve heard what happened to Connla the Fair. Ellie, watch your nose.”
            Ellie moved her face away from the apple. “What 'fair?'”
             “'Fair' means he had a light complexion and was very handsome. He was the son of Conn, the Hundred-Fighter.”
             “He’s making it up,” Deanna said.
             Ellie stuck her tongue out at Deanna. “Well, I want to hear John-Peter’s story.”
            John-Peter handed Deanna the peeled apple.
            “One day, when Connla the Fair was sitting with his father on the Hill of Uisneach.”
            “A pretend place,” Deanna scooped the slices into her hands and set them before Ellie.
            “Tell that to the ancient Druids. They considered it to be the very center of Ireland, the ancient seat of the Kings of Meath.”
             “What’s a doo-rid?” Ellie said.
            “A very wise man.”
            “I still think you’re making it up,” Deanna said.
             “There is a huge limestone there that resembles a cat watching a mouse. Someday, I’ll show you the picture.”
            Fawn looked at John-Peter with large, round eyes. “Tell the story, John-Peter.”
            John-Peter watched as Fawn laid the slices onto the pie crust. She began to pop her fingers into her mouth, looked at Deanna, and grabbed a napkin instead.
            “While Connla the Fair was sitting with his father and his father’s druid, a beautiful woman appeared and said, "I belong to a race of people called the Sidhe…'"
             “What’s shee?”
            “Fairies, Ellie.”
            “Oh.” She stuck her face close to the paring knife.   
             “Ellie!”
            “Sorry.” She edged away.
             “The woman said to Connla, ‘We dwell in a land of peace where death does not exist. Connla, if you follow me, you will always remain young and fair.’”
             Ellie scooted closer to John-Peter as he cored another apple, and he nudged her away with his elbow.
            “Now Conn could not hear the woman’s voice, but the druid did. He noticed how she bewitched Connla so he uttered magical words--yes, Deanna, real magical words-- against the power of her voice. She vanished, but not before tossing an apple to Connla.”
             “Where'd she get the apple?” Fawn asked.
            “Be quiet, Fawn,” Deanna said, curiosity overtaking her superiority, as she sliced her apple.
             John-Peter set down his knife, smiled, and continued.
            “For the next month, Connla refused all nourishment except the woman’s apple, yet the apple never diminished in size or in its ability to satisfy him. At the end of the month, the woman returned in a crystal boat and once again extended her invitation for him. Although Connla loved his people, he loved the enchanting woman more.
            “Did he go with her?” An apple slice slipped from Ellie’s hand and splashed lemon juice onto the table.

            “He did,” John-Peter said and bit into the last apple. “No one ever saw him again.”


Buy this golden apple HERE.

And then check out these stunning vintage earrings very "Bryony," which I will share on Twitter on Monday. These earrings are from the same vendor. They make me wish I wore earrings.

Timothy also bought me this wonderful piece of changeling art, which is almost exactly the way I picture the changeling in that trilogy. The post has a link where you can buy that one, too.

Of course, this all started because Timothy is helping with the BryonySeries website, and he had no idea all this was happening on Twitter. And he decided to gift me with some of these items.

Yet Rebekah really gets to claim "firstie" with this one. She bought me a great Nosferatu coffee mug a couple years ago, after I shared it on the BryonySeries Twitter account.

However, if this item is still available on Etsy (or anythere), I can't find it, not even with a deep search.

Nevertheless, I've gotten some great comments when I've shared it on Twitter.












Thursday, June 11, 2020

Glorna

An odd title for a blog post? Not really, once I explain why I've titled it this way.

Let me start here.

Like many people, I have different social media accounts, some for me, some for the BryonySeries. But unlike many people, I try not to replicate what followers might find there - with the exception of this blog, which is posted to several different platforms.

So my personal/work/journalism/author/editor Twitter is very different from my BryonySeries Twitter, although it may, occasionally, have a slight overlap of posts.

And my BryonySeries Facebook is very different from my BryonySeries Twitter, both in the types of content I post and its frequency, although I do post a great deal of new material that "feels" like the series on both platforms.

Instagram is completely devoted to Bertrand the Mouse, with no new content since March. He's been sheltering in place since the pandemic began and refuses to come out. That's really cute, a rodent afraid of the plague.

Anyway.

On the BryonySeries Twitter, two types of people tend to follow it: those who like the themes in the series and other writers. 

I've been added to different writing groups, and I take some time each morning to check in and see how their writing is going.

But I also support independent artists. I do this by tweeting product from an indie seller on Etsy - and the product always, somehow, ties back to the theme of the series.

Last weekend, I was showing Timothy some Twitter basics. He has an account but he really doesn't use it or understand Twitter. I showed him the consistency of all the posts on my BryonySeries Twitter and how they tie back to the series or writing in general.

As I scrolled back, I showed him this gorgeous piece of watercolor changeling art. I shared it on Twitter because it was not only a gorgeous piece of watercolor changeling art, it absolutely reminded me of one of my characters in the BryonySeries, his changeling essence, so to speak.

And the name of that changeling essence is Glorna.

My fascination for this piece must have shone through my comments. Because unbeknownst to me, Timothy wound up ordering it.

It showed up yesterday evening, and he brought it over in the rain (perfect for watercolor).

He knocked on my back door and held out the stiff white cardboard envelope, saying, "This came today."

I was very excited because it looked like he'd received a certificate of some kind. 

Instead, I was quite stunned when I beheld this piece, even more exquisite in person.

I really hope my tweets have helped bring customers to these indie artists. 

And as it turns out, sometimes, I am the happy and satisfied customer.






Tuesday, November 5, 2019

The Great Compliment of Fan Fiction

Almost every aspect of writing involves struggle.

Writers struggle with ideas, writer's block, making time for writing, discipline.

When we finally have a jumble of fairly cohesive words, we only to tear it apart through the revision process.

Then writers struggle to find beta readers, agents, and publishers.

Oh and writers struggle against rejection, LOTS of it.

If writers finally see their words in print, they struggle to find readers and reviews.

And then writers struggle against their emotions when reading negative reviews.

So when a reader starts writing fan fiction based on your words, it's a surreal experience like no other. And it's an experience I'm experiencing right now.

A few months ago, at the request of my lone BryonySeries super fan, Ed Calkins began writing his backstory.

If you don't know Ed's connection to my books, you can find it here.

Now, Ed's novel is not the first time he's "played" with my characters, including the fictionalized version of himself.

But as I'm reading through the chapters he sent me on Sunday night, enjoying those chapters as a reader (doubled-over laughing in spots) and mentally marking areas for tightening as an editor, I began to realize someone else was creating new works out of my old ones and encouraging my mind to go beyond the stories I've written.

I can't adequately describe how that feels.

First, Ed has read (at least), the "drop of blood" trilogy, since he is featured in those books. So he's already spent time in the fruits of my imagination. Keep the term "fruits" in mind, for comparison's sake.

Second, the sheer length of these chapters shows he's spent even greater amount of time there than, say, an average reader of my stories.

Now, I don't want to minimize the joy a writer feels when a reader revels in one's works (and even re-reads them) and takes the time to write lengthy reviews championing those works. It's exhilaration on the humbling scale, and I hope every writer gets to experience it.

Let's call that grapes: red grapes and green grapes. If you've read Before The Blood, you'll get it.

I'm also enjoying collaborating with Timothy on creating The Adventures of Cornell Dyer series, based on a character in Visage, which ranks high for me on the fun scale.

Let's call that an orange, even though no actual oranges were ever used in Cornell's favorite orange drink.

But Ed's fictionalized backstory is a new honor altogether. Let's call that an apple, since Ed's spending so much time with the character John-Peter.

When I was writing Bryony, Ed was the supervisor for one of my routes. I felt the story needed a new character.

Ed, who is very creative, had created a fictionalized version of himself. I approached him with teh request to take his idea  few steps beyond that.

So he allowed me to create a pretend version of himself and gave me complete freedom to develop the character in any way I wished. And he did it legally. As through an attorney. The amount of trust there is huge.

But now he is taking my pretend version of his pretend self, along with some of my characters and storylines already established, to create an entire new work.

Now I have always said the creation of BryonySeries is a team effort. But Ed has take that to, pardon the cliche, a whole new level.

It's an emotional whirlwind to read his words.

And it's beyond humbling.





Saturday, May 4, 2019

Steward Setback Saturday: The Beat Goes On

Saturday, May 26, 2018

Ed Calkins: The Beat Goes On

Dear MOMI,

What have I done!

I've started a story that will take four thousand years to complete and has to be told in limerick form.

More then that, the characters keep stealing my pen.

Who'd have thought Glorna would be such a punk, Ed Calkins so twisted, and a vegan gator such a bully.

None of this was my idea, but here is the third in my nameless epic limerick.


THE POET DATES THE TIME WHILE WHINING HIS STORY IS TOO HARD TO WRITE


By now It was now clear as clear can be
That both Glorna and Ed were in two thousand BC
And their gator companion made three
Now, I must be out of my tree
For thinking this telling would easy be


THE MISFIT THREE BRING WOOD FOR CARVING TO THE SHIP THEY HOPE TO SET PASSAGE BACK TO ENGLAND FROM, EVEN THOUGH THEY WILL BE FOUR THOUSAND YEARS TOO EARLY TO RETURN TO WHERE DENISE LET THEM DIE.


While the brave captain was in O’s dwelling
The three carried to the ship that was smelling
Wood removed for the dead tree
To be carved for the sailors to see
The wives that the threesome were selling

And since none of the three could carve wood
The silly steward asked if the crew would
Carve the women he described
By the stories he prescribed
And the figures’ figures that would have to be good.


ED CALKINS PITCHES HIS "WIVES," WHICH ARE OBVIOUSLY WOMEN HE NEVER MET


“First a queen with a fetish for being rolled into rugs
Cleopatra of the future Egyptian thugs
And if you meet her it would please her,
If you call yourself Julia Caesar.
Then she just might give you a few hugs.”

“Then the mystical goddess, Aphrodite
Should be married to one high and mighty
But for a limited time, what the heck
her for a place on your deck.
Just image how she looks in a nighty.”

Then there’s this Boudica the Celtic queen
With a reputation of being quite mean
But if you watch right the omens
She doesn’t like the Greeks or the Romans
But for young sailors she makes quite a scene

“Maybe horses and nude women is your guilty pleasure.
Might I suggest that Lady Godiva is your treasure
The long-haired mystique that attracts is
Her method of protesting taxes.
By riding naked through Coventry for good measure”

“There’s another that I think you should know
The whole world will call her Marilyn Monroe
She will famously flirt
Wind will hike up her shirt
This blond bombshell will make your heart go."

“Dolly Parton known for her voice and platinum blond hair
And chest you’d wish you could bare
And her homey southern charm,
Why she’d be worth the whole farm
But for passage to Ireland is quite overly fair”


THE CREWS' CARVINGS OF ED WIVES WERE QUITE GOOD


As Ed pitched, the figures carved by the crew
Made each statuette looking life like and true
Down to the smallest detail
You’d have thought any male
Would be a knickknack collector of new


THE FIRST MATE WANTS A REAL WOMAN


Said the first mate, “Look here is the deal
We’d consider you offer a steal
And take only one wife not six
If you offer us this in the mix
Make only one of the statuettes real


ED DOESN'T BELIEVE THEY WANT REAL WIVES. HE UPS THE OFFER BY THROWING IN DENISE'S ADOPTED IRISH NIECE (WITHOUT KNOWING IF THERE IS SUCH A NIECE)


Now Ed replied to the men of the sea,
“If your wives were your own cup of tea,
You’d sailed were they are
Instead of from them so far
You’re just haggling for a larger fee.”

Replied the first mate. “This is way out of hand
It’s my own wedding that chase me from land
You’d leave too if you met her
But if you can do no better
Well then you can just stay here on the sand.”

“Want a wife that make you immortal as I?
Greatness and novels are an over told lie
Well you can’t have Denise
But I throw in her adopted Irish niece
Gees you’re making this bid over high”

It was then that the second mate spoke
Sounding as if he was making a joke
“It’s starvation not tall tales we’re cursed
 And of wives that won’t be, we had worse
But we have room for a gator, wood sprite and bloke.


THE FIRST MATE WANTS MORE WIVES, FEARING MURDER IF THERE AREN'T ENOUGH WIVES TO GO AROUND


The first mate’s rage made his face turn quite blue
Shouting, ‘men you just don’t have a clue
With too few wives, I know what would happen
When seven women, eight men and the captain
Fight to the death over who marries who


THE SECOND MATE WANTS MORE WIVES ADDED TO THE OFFER


Said the second, “I’d feel peace inside
He knows of many wives If he hasn’t lied
How about this new deal
A new wife every meal
Means every third day I get a new bride.”


ED SUGGESTS THAT EACH MAN COULD HAVE EVERY WIFE WITHOUT INCITING JEALOUS RAGE BECAUSE THESE WIVES EXIST ONLY IN THE IMAGINATION. STILL, HE DOES UP THE OFFER


“I well know that prenuptial infatuation
Can cause war against nation to nation
Its this way, I call
Each should marry all
There is privacy in one’s own imagination”

“So what I can’t do,” the steward did say
“Is supply three brand new women each day
So one bride per day it will be
for room and broad for us three
Hell, I can give my whole stock away.”


THE THREE ARE ABOARD BY THE TIME THE CAPTAIN RETURNS


By the time O’ Winfree came back in to the picture
With his own plan to add to the mixture
Asleep, but with smile his crew wore
Were as impoverished as before
But each counted themselves seven wives richer


GLORNA SENSES A TRAP


Whispered Glorna to Ed, “This is sleazy.
The fear in my stomach make me wheezy.
We gave words not real women
Some kind of web, they’d be spinnin’
They let us aboard way too easy.


ED'S MORE WORRIED ABOUT BED BUGS


Ed says, “Bed you should dread not the deal
Most men only want women who aren’t real
And to combat the confusion
I recommend self-delusion.
Which is no help for the bite of bed bugs you’ll feel."


To be dragged on even further….


Ruthlessly yours,

Ed Calkins

Steward of Tara


Wednesday, December 12, 2018

A Very BryonySeries Christmas: Excerpt No. 3

Below is an excerpt from Staked! the third book in the BryonySeries trilogy.



“Well now, John-Peter,” Steve said, “Are they straight?”
            
 John-Peter edged away from the tree, picked up his water jug, and studied the results. His grandfather hadn’t lost the knack for perfect lights. No crooked rows, no bare patches.
            
“It looks great, Grandpa,” John-Peter said.
            
“Then see if you can find the star while I check the chili and start the cornbread. Maybe we can get all the ornaments hung before lunch.”
            
“Ten-four.”
            
John-Peter gave the lights another approving look. The tree scented the entire room with pine, and it was, as Steve had said, a real beauty. It stood just shy enough from the ceiling to hold a topper and its lush, bluish branches partly obscured the room’s large picture window.
            
With less than a week left until Christmas, most people in Munsonville had their Christmas trees up and decorated, but not his grandfather. Steve wanted to maximize its freshness. He hadn't sent Jack to fetch it until yesterday.
             
John-Peter knelt on the floor by the smallest box and peeled back the tape. Nothing but the manger scene. He moved to another box. He was dying to go back to Eircheard’s, but an opportunity to do so would be long in coming. During Katie’s work hours, Karla now had to stay at her grandparents’ house. He wished Karla would hurry up and perfect teleportation. Then maybe she could figure out a way to get him back inside the pawn shop from their respective residences. That would thwart Katie’s control trip.
           
The star wasn’t in this box either. The boy scooted to the next box. What kind of portal had Cornell been seeking? And why did he think Eircheard could direct him to it?
            
An agitated Karla had called him that first night--once the mothers had finished their respective, loud venting--demanding an answer: Why did Eircheard have a leprechaun that matched the one John-Peter carried in his pocket?
            
“Maybe they were mass produced back in the 1960s, and Eircheard got lucky,” John-Peter had said, watching Bertrand swat at a tiny cheese cracker Karla hovered just out his reach.
            
“Will you get serious? Who'd want to buy such an ugly thing?” She tossed the cracker past the blocks, and Bertrand leaped over them in frantic pursuit of dinner. “I wonder what the words mean.”
            
 John-Peter leaned against the bed and clasped his hands behind his neck. “That's easy."
           
“You can read them?”
            
“Yes, ma’am.”
            
“So are you going to tell?”
            
“Bertrand wants another cracker.”
            
A shower of orange squares rattled onto the floor. Bertrand’s eyes bulged with delight, and he dove into the pile. “Satisfied?”
           
John-Peter ignored the smirk in her voice. “Remember how you said Cornell was looking for a portal, and Eircheard said something about doors?”
            
“Yeah, so?”
            
“’Cha d’dhuin doras nach d’fhosgail doras’ means ‘No door ever closed, but another opened."
            
Karla was quiet for a moment. “How do you know that?” The sarcastic tone was gone.
            
John-Peter closed his eyes and sleepiness sailed him to the top of a large oak tree where the wind rustled the leaves, and the boughs echoed with the hollow notes of Fawn’s tin whistle. He reopened his eyes, but the lids remained heavy, and he had to concentrate on forming the words.
           
“I’m not certain," John-Peter said slowly as he watched Bertrand enthusiastically nibbled a corner off one cracker, then another, and another. “I just know it.”
           
Still no star. He reached for the last box. Even before he unwrapped the first package, the boy felt points poking out of the newspaper. “Got it!”
             
The response from the kitchen was a loud clatter.
            
“Grandpa!”
            
Silence, scary silence.